Flora and the Flamingo by Molly Idle
There are oh so many ballet books out there for little ballerinas who look for tulle and pointe shoes. So it was with that bias and perhaps a cringe or two that I opened this book. Inside it’s very pink cover is a very pink world that is pure pink fabulousness! In this wordless book, Flora meets the flamingo and immediately imitates its stance and attitude. Then the flamingo launches into a dance that Flora struggles to match in her swimcap and flippers. It all goes well until Flora loses her footing and flops into the water. What happens next speaks to what friends should do when they see someone take a flop. Start again with plenty of support. All this with no words!
Idle has a stunning simplicity in this book. It has the draw of flaps to open, but that is all about the dance and the movement. There is a pleasure in lengthening the dance by having the two of them dance movements again and again by opening and closing the flaps. It turns readers into storytellers in a way that is engaging and free, just as this entire book is throughout.
I love Flora and her lack of tulle and ballet outfit. Instead wearing her swim gear, she is able to mimic the flamingo all the better. It takes the emphasis off of the clothes of ballet and back to the dance itself. Now all children need is a friendly flamingo. Appropriate for ages 3-5.
Reviewed from copy received from Chronicle Books.
The Nutcracker by Alison Jay
A lovely holiday confection, this book is based on The Nutcracker ballet. The story is told in a very readable and accessible way that will invite children who don’t know the ballet story to hear it for the first time. It also welcomes those who know the ballet to return to the story in a new format. The book follows Clara as she moves through her Christmas Eve and receives a nutcracker toy for a present. Her brother works the mechanism too hard and the nutcracker’s jaw is broken. In the evening Clara returns to her toy, curling up with it under the Christmas tree. She awakens to find the tree and her nutcracker growing bigger and bigger. Her adventure continues as the nutcracker fights the mouse king and then becomes a prince. The prince takes Clara to his castle in the land of sweets where she meets the Sugar Plum Fairy.
Jay remains true to the story of the ballet, her skillful writing making the story a pleasure to share aloud. It is her illustrations that really make this a special book. As with her other picture books, the illustrations are done with a crackled finish that creates a sense of timelessness that is perfect for this story. She uses deep colors that evoke the holidays, the warmth of the fireside, and the delight of candy.
If you have a young ballerina in your life, this would make a wonderful holiday gift. It is a great choice for libraries looking for a holiday picture book that is an instant classic. Appropriate for ages 4-7.
Reviewed from copy received from Dial.
Ballet for Martha: Making Appalachian Spring by Jan Greenberg and Sandra Jordan, illustrated by Brian Floca
This is the story of how three great artists came together to create a classic American ballet. Aaron Copland’s music inspired the original story and dance of Martha Graham and then in turn Isamu Noguchi created the minimalist sets. All of these have become iconic so it is a pleasure to understand how the three collaborated on the creation, each drawing from the others ideas but also adding their own to make an ever more powerful ballet. This picture book manages to capture the arc of creativity and also the ideas behind the ballet itself.
Greenberg and Jordan have somehow managed in so few words to tell two stories. They reveal both the story of the collaboration between the creators of the ballet and also the story of that the ballet itself tells. The text also gives insight into the design elements of the sets, the simple power of the music, the creative process of choreography. This is truly a look at what it takes to be a master composer, choreographer and artist. The text invites the reader in, explains the elements and leaves one in awe.
Floca’s watercolors are alive and vivid. They offer a real look at the costumes and sets but also offer stirring glimpses behind the curtain and into the artistic process. His use of color is subtle yet strong, really allowing the original creativity of the collaboration to shine.
Highly recommended, this book is a breathtaking look at a ballet. Appropriate for ages 6-9.
Reviewed from copy received from Roaring Brook Press.