Wild Berries by Julie Flett
Clarence has gone berry picking with his grandmother since he was a baby. Now he is big enough to carry his own bucket as they walk and sing. The two of them pick the berries, Grandma looking for the sweet ones and Clarence for the bigger, sour ones that pop. They pick the berries and eat the berries. Then Clarence looks around the woods and sees different insects, spiders, and a fox. It is time to go home, they say thank you and walk back home together.
This book weaves Cree into the story, separating the words out and providing pronunciation information at the end of the book. Even these few Cree words evoke a different feeling, a new rhythm that is powerful. Flett tells a very simple story here about going out to pick berries in the forest. Yet it is a timeless story, one the embraces wildlife, the environment, and giving thanks for the bounty of nature.
Flett’s art is a beautiful mix of cut paper collage, texture and painting. She manages to show the depth of the woods without darkness. She uses bright colors that pop on Grandma’s red skirt and the red sun in the sky. The grass is drawn in individual blades and the tree bark varies from paper art to marker lines. Put together, it is a rich and beautiful book.
Simple, powerful and honest, this picture book celebrates Cree and nature together. Appropriate for ages 2-4.
Reviewed from library copy.
A Special Gift for Grammy by Jean Craighead George, illustrated by Steve Johnson and Lou Fancher
Hunter collected a big pile of stones and put them on his grandmother’s porch. When his father and grandmother ask him what she is meant to do with them, Hunter replied, “What everyone does with a pile of stones.” Hunter turned out to be right. Everyone who saw the stack of stones knew just how to use one or more of them. The postal carrier used one to weigh down the mail on a breezy day. Workmen used them as hammers or weights. They are used to stop wheels from rolling and show people what way to turn. When Hunter returned only six little stones were left. But this time it’s Grammy who knows just what to do with them.
I have one big issue with this book: the title. It does very little to convey the charm that is inside this book. I love the idea of a pile of stones that everyone borrows from and uses. Then the end of the book is intensely satisfying. I must admit though that with the uninteresting title, I almost passed on this book, expecting it to be a book about the death of a grandparent or a saccharine poem about familial love. Instead it is a well-designed look at community, family and connections. I’d much rather have had the title reference the stone pile or stones or rocks.
The illustrations are done in collage, acrylic and pencil. They have gorgeous deep colors, combined with lots of texture from the collage. The collage is done in such a subtle way that it is almost invisible, just adding a level of texture and pattern to the paintings.
This book truly is a special gift, but one that could use a new title. Appropriate for ages 4-6.
Reviewed from copy received from HarperCollins Publishers.
Grandma and the Great Gourd retold by Chitra Banerjee Divakaruni, illustrated by Susy Pilgrim Waters
This picture book is a retelling of a Bengali folktale. Grandma was invited by her daughter to visit her on the other side of the jungle. Before Grandma traveled there, she left the responsibility for her garden and home with her two loyal dogs. On her way across the jungle, Grandma met a series of hungry animals: a fox, a bear and a tiger. To each, she explained that she is very thin now, but will be plumper when she returns from seeing her daughter, so they let her go. Grandma had a good time at her daughter’s home, eating lots of food and visiting. But eventually, she had to return home to her dogs and her garden. But how was she to get back? That’s where the giant gourds in her daughter’s garden came in, and you will just have to read the book to find out how.
Divakaruni has taken a traditional folktale and left it wonderfully traditional. The story reads like an oral tradition, filled with repetition, small descriptions, and a story that just keeps on rolling forward like a gourd. She includes noises in the story as well, the khash-khash of lizards slithering over dry leaves, the thup-thup-thup of elephants lumbering on forest paths, and the dhip-dhip of her heartbeat.
Waters’ illustrations are lush and colorful. She uses texture and pattern to create a jungle. The colors range from earthy browns to deep oranges and hot pinks. The cut paper collages have strong clean lines and add a perfect organic feel to the story.
A great choice for library folk tale collections, this is a story that reads aloud well and has just the right mix of repetition, sound and inventiveness. Appropriate for ages 4-7.
Reviewed from copy received from Roaring Brook Press.