Jessica’s Box by Peter Carnavas
Released March 1, 2015
Jessica can’t sleep, it’s the day before her first day of school. The next day her parents assure her that she will make lots of friends, and Jessica had a plan to make sure that happened. In a box on her lap, she carried her teddy bear to school, but when she revealed it later in the day, kids laughed at her or just walked away. The next day, Jessica put something else in her box and headed to school. But the cupcakes in the box disappeared quickly without so much as a thank you from the kids. The third day of school, Jessica snuck her dog into class. Doris was very popular, but dogs weren’t allowed at school. By the fourth day, Jessica was dejected. She dragged her box to school empty and then put it over her head. And that’s when Jessica figured out exactly what she should have had in her box all along, something very special indeed.
Carnavas tells a very successful story here. I love that the main character is in a wheelchair and yet the story is not about her disability. It’s a first-day-of-school story and a making-friends story instead. Also throughout the book she is shown as entirely capable and not needing help, except for a little encouragement of different sorts from her family members that any child would want and need. The use of the box is smartly done, using it both as a metaphor and also as a way to build suspense for the reader about what is being taken to school that day.
The art is friendly and colorful, also helping build suspense with page turns that lead into the reveal of what’s in the box. Carnavas shows loneliness very nicely on the page, isolating Jessica clearly on the white background. He also shows connections in a gentle way, displaying a subtlety that is particularly nice on the page with Jessica and her father being quiet together.
A very inclusive book about school jitters and making friends, this will be a nice read aloud to share with kids about to enter school. Appropriate for ages 4-6.
Reviewed from digital copy received from Kane Miller.