Author: Tasha

In Plain Sight by Richard Jackson

| Tasha

in-plain-sight-by-richard-jackson

In Plain Sight by Richard Jackson, illustrated by Jerry Pinkney (InfoSoup)

Sophie lives with her parents and her grandfather who sits near the window during the day in his wheelchair. He can wave goodbye to her as she heads to school in the morning and is the first person she runs to see when she comes back home. Each day, she visits with her grandfather and he tells her the story of something that he has “lost” during the day. Then it is up to Sophie to find the lost item somewhere in his room. Each time she manages to find the hidden object somewhere in place sight, if she just looks closely enough. This lovely picture book shows a playful and warm relationship between grandparent and grandchild.

Jackson’s text is demonstrates how small daily rituals can become the foundation of a close relationship, each one designed to tell a story, share a moment and bring the two of them closer together. There is a warmth in the language they use with one another, a recognition of how important they are to one another. That relationship is all about playing together, spending these moments delighting in one another and the shared game.

Pinkney’s illustrations are filled with the small details that he is known for. The room of the grandfather is filled with shelves, papers, books and mementos. It’s an ideal background for an object search and one that is based in reality. Young readers get the chance to find the object themselves before Sophie shows them where it is. The organic feel of the art and these searches adds to the warmth and joy of this picture book.

A lovely depiction of a close grandparent relationship, this picture book also adds the pleasure of a well-done object search. Appropriate for ages 4-6.

Reviewed from library copy.

 

Coyote Moon by Maria Gianferrari

| Tasha

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Coyote Moon by Maria Gianferrari, illustrated by Bagram Ibatoulline (InfoSoup)

Coyote wakes and heads out of her den to find food for her pups. She walks the roads past houses and fences. She finds a mouse but doesn’t manage to catch it. There are geese on the golf course, but Coyote can’t get close enough to steal an egg without the geese attacking her. There is a rabbit on a lawn, but the rabbit is faster than Coyote. Soon dawn arrives and Coyote still has not caught any food for her family. Then there are turkeys walking nearby and Coyote manages to capture one. She heads home but not before a child spies her from a window when Coyote stops to sing to the morning.

This book is a beautiful dance between illustrations and text. Gianferrari’s prose is extremely poetic, using phrasing that almost turns it into verse particularly when read aloud. The pacing of the book is dynamic and picks up with a sense of near desperation as one prey animal after another escapes. Sympathy for the coyotes, which may not have been high in the beginning of the book, is skillfully built throughout the story until readers will be near cheering when the turkey is caught. The book finishes with information on coyotes.

Ibatoulline’s illustrations are incredibly detailed. Dark and light play on the page, from the electric outdoor lights from human buildings to the moonlight shining on fur. The darkness has dimension, subtle colors, and textures. There is a sense of near hyper-realism as well as readers get closer to these animals in the illustrations than they ever could in life.

This picture book blends nonfiction with great writing to create a realistic view of urban coyotes. Appropriate for ages 5-7.

Reviewed from library copy.

 

Moo by Sharon Creech

| Tasha

moo-by-sharon-creech

Moo by Sharon Creech (InfoSoup)

Reena and her little brother, Luke, move to the Maine countryside with their parents. At first they spend their summer riding their bikes around the area, loving the freedom that comes with it. But then their parents “volunteer” both of them to help out on a neighbor’s farm. Mrs. Falala is unusual to say the least. She has all sorts of animals on the farm, including a pig, a cat and a snake, but the one that she needs Reena’s help with most is Zora, a grumpy cow. Slowly, Reena gains Zora’s trust and starts to understand what she needs to be happier. Just as slowly, Luke begins to bond with Mrs. Falala as he works on his drawings alongside her. As these new friendships emerge, new opportunities arise to form connections, learn from one another, and delight in the antics of one ornery cow.

Creech uses a glorious blend of prose and poetry in this novel. The poetry takes concrete form at times but usually is free verse and flows in the way summer days do. The prose reads like poetry at times, blending the two formats even more closely together. The rural Maine setting comes alive in the book, the children experiencing it with great delight that readers will share. Creech captures the emotions of a major move and the wonders and fears of being from the city and landing firmly in farm country.

This is a book with plenty of large characters. Mrs. Falala is a wonderful character, isolated and lonely, she is by turns prickly and warm, a conundrum that also makes perfect sense. From her use of music to express emotion to her willingness to learn to draw, she is an older character with plenty to still learn and even more to share. Then there is Zora, the cow, a creature with more than enough attitude and chutzpah to carry the novel. She is very much an animal version of her owner, though she tends to use hooves and head butts to show her feelings.

A rich narrative and plenty of amazing characters, this novel in prose and verse enchants as it demonstrates the importance of connections and community. Appropriate for ages 9-12.

Reviewed from copy received from HarperCollins.

 

Fantastic Beasts and Where to Find Them – Final Trailer

| Tasha

The official final trailer for the film:

Monster Trucks by Anika Denise

| Tasha

monster-trucks-by-anika-denise

Monster Trucks by Anika Denise, illustrated by Nate Wragg (InfoSoup)

A revved up mix of trucks and monsters, this picture book will delight fans of either topic. Monster trucks are ready to race as their engines moan and rumble. There is Frankentruck, jumped alive by his electric cables. Werewolf Truck stops to howl at the moon. Zombie Truck is glowing and green. Ghost Truck appears suddenly out of the shadows. Vampire Truck is on the hunt for everyone’s fuel. As the race begins though, there is an unlikely entry, Little Blue Bus all cute enters the race. Soon the monster trucks are after her and she’s in a race for her life!

Denise writes in engaging rhyme that speeds the book alone, accelerating the pace along with the racing trucks. The addition of the little blue bus is wonderfully refreshing, playing on the horror movie motif and also adding a character that children can relate to. The rhythm of the book is also great fun to read aloud and this one will charm anyone listening with its dynamic subject matter.

Wragg’s illustrations are fabulous. He thoroughly embraces the idea of “monster” trucks and transforms them into real monsters while still making sure they are trucks as well. The headlight eyes are expressive and often evil, the bumper and hood leers are cleverly done, and the lightness of the little bus plays up the twist at the end.

A strong entry in the Halloween book race, this picture book will be adored by truck fans and those looking for a little monster thrill. Appropriate for ages 3-5.

Reviewed from copy received from HarperCollins.

 

This Weeks Tweets, Pins & Tumbls

| Tasha

Here are the links I shared on my Twitter, Pinterest, and Tumblr accounts this week that I think are cool:

CHILDREN’S BOOKS

29 books to read your kids if you want them to be kind and brave

Ashley Bryan’s latest children’s book re-imagines the lives of slaves – The Portland Press Herald

Children’s 2016 print book market up 11.7% to date | The Bookseller

Children’s Books That Tackle Race and Ethnicity

A Guide to the Real-Life Homes of the Heroes of Children’s Literature

Interview with Author Deborah Hopkinson – ALSC Blog

Rob Dunlavey on creating the illustrations for Laura Godwin’s OWL SEES OWL: . Pictured here is a sketch & final art.

LIBRARIES

Alex Gino’s Words on Restriction – Intellectual Freedom Blog

Librarians Get Their GAME On | American Libraries Magazine

Pete Hautman’s Words on Restriction – Intellectual Freedom Blog

TEEN LIT

Books for Bisexual Awareness Week/Celebrate Bisexuality Day

Closing the Diversity Gap in Young Adult Literature

OY, VOYA – A great summation of the VOYA debacle this weekend –

Hocus Pocus, It’s Fall by Anne Sibley O’Brien

| Tasha

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Hocus Pocus, It’s Fall by Anne Sibley O’Brien, illustrated by Susan Gal (InfoSoup)

The second seasonal book by this author and illustrator duo welcomes autumn. A series of hinged pages open to reveal the magic of this season. Right before each gatefold is opened, there is a magical word that punctuates the book, “Open Sesame” and “Shazam!” As each page opens a moment in fall is revealed from the cloud-filled milkweed to changing leaf colors to pumpkins becoming jack-o-lanterns. It is all a dazzling magical show of seasonal change and joy.

O’Brien captures classic autumn moments in this book that all children will relate to. There are apples, pumpkins, and animals preparing for the approaching winter. School buses arrive, cranberries are harvested, and leaves blanket the ground. It is all captured with a smile and a nod, no fear or worry at the changing seasons here, just a pleasure in the wonder of nature around us.

Gal’s illustrations share that same delight in the transformation of fall. She shows parts of autumn that are not mentioned in the text, making it all the more fun to explore the illustrations. Children will enjoy the many small details in the images as well as opening the pages to reveal the magic inside. This is very intelligently designed.

A delightfully warm and magical look at autumn and the pleasures of the season. Appropriate for ages 2-4.

Reviewed from copy received from Abrams.

A Unicorn Named Sparkle by Amy Young

| Tasha

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A Unicorn Named Sparkle by Amy Young (InfoSoup)

When Lucy sends away for her 25 cent unicorn, she has big dreams of what it’s going to look like. It is sure to be blue with a pink tail and pink mane. She will ride on him and name him Sparkle. But when the box finally arrives, Sparkle is not what she expected at all. He does love cupcakes, but that’s not all he loves to eat. He also eats underwear, his flower necklace and the tutu Lucy puts on him. She can’t ride him at all and he doesn’t behave at show-and-tell. Lucy decides to return Sparkle, but the man can’t come and get him until the next day. In the meantime, Sparkle turns out to be scared of storms, butterflies love him, and he makes Lucy laugh. Perhaps it’s not important to be the perfect unicorn after all.

I must admit that I expected this book to be overly sweet, rather too sparkly and filled with too much princess and unicorn fluff. However, it’s not that kind of a picture book at all and I can’t resist a book that surprises me this much. Even better, it’s a unicorn book with a “unicorn” that farts, smells and has fleas. In fact, it’s a unicorn book about a goat and a girl who learns to love him. And in the end, I think readers are going to fall for Sparkle too and realize that the idealized unicorn may be very dull compared to one very active goat.

Young’s illustrations are very appealing. She does a mix of large format pages and then more detailed ones that show all of the trouble that Sparkle manages to get into. Lucy imagines herself as a princess, but throughout is clearly a colorful little girl who loves to pretend and imagine. Readers will immediately know that Sparkle is not a unicorn, but will love the fact that he’s a goat with a heart-shaped mark on his side.

A sparkling and clever story about new friends that defy expectations. Appropriate for ages 3-5.

Reviewed from library copy.

 

The Female of the Species by Mindy McGinnis

| Tasha

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The Female of the Species by Mindy McGinnis (InfoSoup)

Alex has never been the same since her older sister was murdered three years earlier. She finally started to feel something when her sister’s killer went free. Alex’s response to that was vengeance and murder and now Alex knows that she can’t ever leave the small town she has grown up in since it would not be safe for those around her. She just wants to go through the rest of her life with her head down and not be noticed. Inadvertently though, she starts to make a friend. Peekay, short for Preacher’s Kid, volunteers at the animal shelter with Alex and slowly they become friends. Peekay enjoys drinking and fooling around and brings Alex into a social group where she had never belonged before. Meanwhile, Jack is finding it impossible to keep Alex out of his head despite the attentions of another girl who uses him on the side of her own relationship. Still, Alex may have been better off isolated as her violence starts to emerge again.

Wowza. This book blew me away from the aspects of both content and writing. McGinnis writes with a beauty that is surprising and enticing. Her words capture emotions with an intensity that has the reader feeling them at a visceral level. Here is Alex in Chapter 11 describing losing her sister:

It swings from twine embedded so deeply that my aorta has grown around it. Blood pulses past rope in the chambers of my heart, dragging away tiny fibers until my whole body is suffused and pain is all I am and ever can be.

McGinnis keeps her writing filled with tension, desire, understanding and amazement. She recognizes the incredible need for connection that we have even as we destroy as well. This is humanity on the page in all of its complexity.

It is also feminism, a feminism that burns and blazes, one that looks beyond makeup and clothing to the women and girls underneath. It is a feminism that speaks to the anger inside that wants to fight and battle the darkness in society, the brutality against women and the dangers that surround girls. And because it speaks clearly to that anger, it is breathtaking in its audaciousness, in the actions that Alex takes, and the bravery and violence she embodies.

Violent and beautiful, this novel is about the complexities of being female and alive. Appropriate for ages 14-18.

Reviewed from e-galley received from HarperCollins and Edelweiss.