This autobiographical picture book takes a raw and impassioned look at fatherhood and unconditional love. It is the story of the author and his son who was born with Down Syndrome. Mallko was not what his father was expecting, and Gusti did not accept his son at first. Steadily though, he quickly realized that Mallko was complete and fine as he was. Mallko’s mother and older brother accepted him much faster, showing Gusti the way forward. The book explores Mallko, his humor and his life. His art is shown side-by-side with his father’s on the pages. This is a book that is a clarion call for parents to realize that their children don’t need to change to be loved, they are worthy of it always.
Perhaps the most impressive part of this book is Gusti’s willingness to be this open about his hesitation of having a child who is different than he was expecting. Gusti does not try to rationalize his response or make apologies for it. It is clear he is pained by how he first reacted and is making up for those days of doubt. The rest of the book simply celebrates Mallko and exactly who he is. He is captured in a rainbow of images, cartoons capturing his activities, playing with his family, and simply being a child. It is a breathtaking display of love and feels like Gusti put his heart on every page.
An incredible book that is a picture book, but as thick as a novel thanks to the quantity of images crammed inside waiting to inspire you to love. Appropriate for ages 5-8.
Reviewed from copy provided by Enchanted Lion Books.
YALSA has announced the finalists for the 2019 Morris Award. The award is given to a debut author writing for teens and “celebrating impressive new voices in young adult literature.” Here are the finalists:
Bronte has been raised by her Aunt Isabelle and the Butler since she was a tiny baby. Still, it’s a shock when she discovers at age 10 that her parents have been killed by pirates. Her parents send her on a journey with strict rules and a tight schedule where she will meet all ten of her aunts and then everyone will come together for a party in her parents’ honor. Bronte may even get to meet her maternal grandfather, who lives near where the party will be held. As Bronte sets off on her travels though, they become more and more unique and strange. There are fairies, magicians who can whisper directly into your brain, potions, and spells. Then there is the question of who Bronte herself actually is and whether she will ever discover the truth about herself.
I am not one for travel stories where the protagonist takes all sorts of conveyances through a magical world, and yet this one is so very charming with pieces that click together so beautifully that I could not put it down. Nicely, Moriarty minimizes the travel pieces by often skipping them altogether, something that is downright applause-worthy on its own. Moriarty sets just the right tone here, allowing readers to gather that they are in a magical world slowly and then explore what that means alongside Bronte. Her world building is complex and yet also compact, keeping the story very tightly focused and enjoyable.
Bronte is a marvelous protagonist mostly because she is not the adventurous type and has spent much of her life alone with adults. Moriarty writes her like that throughout the book. She enjoys the company of other children, and yet has a wariness that makes sense given her upbringing and recent loss. As Bronte and the reader slowly piece together the full puzzle, this book really comes into its own, ending up being a grand and magical adventure where each element was necessary and important.
A marvelous fantasy for young readers, this journey is one worth taking. Appropriate for ages 9-12.
Reviewed from e-galley provided by Arthur A. Levine Books.
Alice Guy-Blache was the first woman film-maker in the world. When motion pictures were first invented, they were used to show dull things like people boarding a train. Alice saw an opportunity to use them to tell stories, like the stories she had loved since she was a child. Alice figured out how to run film backward to show people flying upwards among other clever tricks. She made colored films by hand and created the first movies with sound. Alice moved to America with her new husband and discovered that no one had ever heard of her there! So she set out to create more films and eventually opened her own studio in New York State. Unfortunately, everything changed when Hollywood became the place for movies and Alice had to return to France without even a movie camera. Still, she had one last story to tell, her own.
This eye-opening picture book biography will introduce readers to an amazing woman whose vision of what movies could be led the way to new developments and implementations. Most importantly, Alice realized that film could be used to tell stories and set out to do just that. Throughout her life and this book, Alice shows a fierce determination, artistic eye, and a desire to share her imagination with others.
The art by Ciraolo is bright and full of action. It shows vintage images of ads as well as the brightness of Alice’s ideas. Some of the images take an entire page while others are small vignettes of big moments in Alice’s life. The variety makes for a dynamic book visually.
An introduction to a woman that we should all know. Appropriate for ages 5-8.
After dinner, Tiger takes an extra plate of food to share with her monster. Monster had been under Tiger’s bed, but they soon became friends. Now they spend time together playing games until bedtime when Monster scares Tiger’s nightmares away. All of Tiger’s family thinks she has an imaginary friend, but Monster is real. Monster fights all sorts of nightmares away until she encounters one that is too big and scary to chase off. As Tiger starts to have nightmares, she realizes that the two of them will need to work together to get rid of this huge nightmare.
Tetri, a cartoonist, has written a captivating graphic novel that is just right for the picture-book set. The pacing is brisk with a concept that shines. There is plenty of humor on the pages that sets off the more dramatic parts of the story. The art is done in watercolors, adding a wonderful traditional feel to the book. One of the more delightful parts is when Monster battles one nightmare after another. The pace slows beautifully in this part and mimics epic battle montages in comic books.
A tale of friendship and teamwork, this is a great early graphic novel. Appropriate for ages 5-7.
The mermaids of the ocean took care of the waves, the reefs, kelp, and creatures. Pearl, a little mermaid, thinks she is old enough to take care of something too. Her mother agrees and leads Pearl to the surface of the ocean and to a sandy beach. There she gives Pearl a single grain of sand to look after. Pearl is so disappointed. There she sits on a beach filled with sand with one grain to care for. She sinks to the bottom of the ocean and clenches the grain in her hand. Then she realizes that the grain of sand has started to glow. Pearl watches after the single grain of sand, day after day. It grows and grows, transforming from a grain of sand into something much more special.
Idle has created a luminescent book about the beauty of attention and care, of taking your time and doing a task well. One might expect Pearl to simply give up, but she doesn’t, even in her disappointment about her assignment. Even after readers realize that Pearl is creating a pearl, the book will surprise and delight with a final twist and a realization that things can be even bigger and more important than first thought, even a grain of sand.
The illustrations are so beautiful. Filled with so many different sea blues, the illustrations feature mermaids with glowing white hair, shaped into shell-like forms. The mermaids glow against the water, beautiful and magical.
A lovely addition to mermaid stories, this one is a gem. Appropriate for ages 2-5.
Take a dazzling and frightening look at our potential future in this novel for teens. Told in six linked stories, the novel starts in the near future with a look at the moral medical questions of saving one twin by killing the other. Things only get more complicated from there with genetic modifications becoming more and more prevalent. Where does a human end and a cyborg begin? What happens when a modified human loses empathy but gains so much intelligence? What about cryogenics when it falls into the wrong hands? Can humans evolve so far that they appear to be another species entirely? Each story takes the reader farther from the present day and into a wild exploration of the depths of genetic modification taken to the logical extreme.
Dayton could have created six stand-alone stories but instead wisely chose to tie all of them together but not in an expected way. Instead of one of the main characters, it is a minor but majorly influential character who is in the background of all of the stories, making an appearance himself or just having his theories mentioned. He is a religious man who starts out believing that genetic modification is the work of the devil and creates demons but then has his own personal experience with death and genetics and finds a way to become the leading figure in promoting genetic modification.
Dayton keeps a firm hand on the politics of her world as well, setting one of her stories in Australia and another in Russia while the remainder take place in the United States. This global focus allows readers to see more deeply into the divided views on genetic modification and also to see more of the questions related to how far it is alright to take this. Each of Dayton’s stories is an ethical question wrapped in a taut and fascinating plot in a shared world.
Brilliant and timely, this novel for teens is remarkable in its ethical and open questions. Appropriate for ages 13-18.
Reviewed from e-galley provided by Delacorte Press.