Sourpuss and Sweetie Pie

 

Sourpuss and Sweetie Pie by Norton Juster, illustrated by Chris Raschka.

Return to the effervescent, colorful world that Juster and Raschka created in their award-winning The Hello, Goodbye Window.  Nanna and Poppy never quite know who is going to show up, Sourpuss or Sweetie Pie.  Their granddaughter can be either one.  At times she is kind, polite, respectful and a joy.  But at other times she is rude, angry, and hurtful.  This picture book looks with clarity and spunk at the temperament of a child and will be familiar to all children, all parents and all grandparents.

Raschka’s illustrations are just as evocative as in the first book.  They remain loose, brightly colored, and perfectly capture the emotions swirling through the book.  The pleasure of returning to these wonderful grandparents and their loving relationship with their creative granddaughter is particularly sweet.  Juster’s words capture the emotions of a small child with ferocity, delight and high contrast.  The book makes a great read aloud and will spark plenty of discussion about feelings and self-control.

If you loved the first book, you will adore this second outing.  This is a book to share with children, who will connect to it effortlessly.  Appropriate for ages 4-6.

Guardian Prize Winner!

Patrick Ness has won the Guardian Children’s Fiction Prize for his amazing Knife of Never Letting Go!  Hurrah! 

Here is my review of the book, if you missed it.  One might call it gushing. 

The Guardian article about the award has a great interview with Ness.  After several authors being apologetic about writing for teens and children, this quote from the interview is particularly refreshing:

"The thing a teenage audience will do for you is that if you don’t insult their intelligence, they will often follow you to strange places, so you can really really go for it. This story felt like something that’s got to be really gone for, really shouted out from the rafters, and teenage fiction is where you can do that and still not be shoved into genre," Ness said.

The rest of the interview is definitely worth reading too.  I also like his take on truth and teens.  Great stuff.

I Feel a Foot

I Feel a Foot! by Maranke Rinck and Martijn van der Linden

This is a clever new take on the Blind Men and the Elephant story.  Here, five animals come across something strange on a dark night.  Turtle thinks it is a huge turtle because of the foot.  Bat thinks he feels a huge bat wing.  Octopus feels a long tentacle.  Bird feels a beak.  And finally Goat discovers a large goatee.  By the end, children will have figured out the animal easily, but the five animal friends are all surprised to find an elephant! 

The text and illustrations work perfectly together here.  The text is simple and great fun, though the tale has a timelessness about it, the text and dialogue have a modern, up-beat feel.  The illustrations really shine, especially against the dark background.  The colors are vivid and pop right off the page.  This is a perfect story time read for a large group because they will be caught in the mystery at first and the illustrations will project well to a big audience.

Highly recommended for story times, this would be a wonderful addition to elephant, turtle, bat, or even octopus themed programs!  Appropriate for ages 3-6.

Who Made This Cake?

Who Made This Cake? by Chihiro Nakagawa, illustrated by Junji Koyose

Take the sweetness of baking a cake, mix it with construction vehicles, and populate it with charming tiny beings, and you have this book.  A family calls to order a birthday cake, and they spring into action.  The little people are about a quarter-inch tall as seen in scale with a stick of butter, so they need construction vehicles to make the cake.  Along the way, children will see the stages of baking a cake and will enjoy the fun and color of the tiny people using large machinery to do such easy work.

The illustrations are large and vibrant, but because of the small figures it is best to read this to one or two children at a time.  A large part of the fun is poring over the actions of the tiny people as they work hard to make this cake.  The illustrations make great use of white space and pops of color.  The story is secondary to the illustrations, and with few select words talks of the steps of baking.

Charming, delicious and clever, this book will appeal to all sorts of children.  From those who only want books with diggers to those who love to cook to the broad number of children who enjoy the tiny and interesting.  This book will zoom off of shelves all on its own.  Appropriate for ages 3-5.

Inkheart Trailer

 

You can take a look at the newly released Inkheart trailer here at Moviefone.  Comingsoon also offered links to it and quite a conversation erupted about originality and quality.  I’m not completely sold on the casting of the film.  People certainly don’t look the way I thought they would.

I also have some reservations about a book this literary and verbose being made into what looks like an action film.  Yes, there was plenty of action in the novel, but I remember the stillness in some passages, the tension, the waiting breathlessly.  And I don’t see that here.

How about you?  Are you looking forward to the film?

The Black Book of Colors

The Black Book of Colors by Menena Cottin, illustrated by Rosana Faria.

This is a remarkable book.  One that offers insight into what it’s like to be blind.  It is a book about colors that contains only the color black.  Each color has a separate page with glossy raised pictures that are meant to be touched, not seen.  White text accompanies these images, describing what you are touching. 

Here’s an example of the text from the "green" page:

He says that green tastes like lemon ice cream and smells like grass that’s just been cut. 

Lovely, isn’t it?  Each page is like that, offering different ways to sense color and experience it. 

I applaud Faria, the illustrator, for not only taking on a colorless project, but creating images that when touched as just as evocative as when seen.  When we finished reading this book, my sons started trying to read the braille alphabet and traded back and forth going over the dark images again and again.  There is something wondrous in this book.

Highly recommended for art classes, diversity units, and just for the amazement of the book itself.  Sure to start discussions and interest, this could be nicely paired with Helen Keller’s biography.  Appropriate for a wide range of ages because of the fascination inherent in the book.  This could be used with even middle school students successfully.

The Worry Tree

The Worry Tree by Marianne Musgrove.

Juliet is a born worrier.  She worries about lots of things: her grandmother falling, her little sister driving her batty, hygiene, her parents arguing and especially her two best friends fighting over her.  After things with her little sister finally come to a head, she gets to move into her father’s old junk room.  There she discovers a mural on the wall, hidden behind the wallpaper.  It shows a tree filled with animals, designed to take your worries and watch over them for you.  Exactly what Juliet (and her grandmother as a little girl) needs. 

This is a lovely timeless story perfect for those children who find themselves victims of their own worries.  Juliet is nicely portrayed as a worrier, not a whiner.  She feels responsible for so many things, just as many children do.  Her family is seen as busy but still involved: a true modern family.  Additionally, the process of telling your concerns to someone or something else is sound advice. 

This book would work as a read aloud for classes as well.  A nicely done, Australian import, it is appropriate for ages 7-9.

Tales from Outer Suburbia

Tales from Outer Suburbia by Shaun Tan.

Tan follows up his amazing The Arrival with another unique look at modern society, this time focusing on the peculiar world of suburbia.  Rather than one story, this book is a series of short stories or vignettes with a common theme.  It is a cohesive book, but one that surprises in wonderful ways.  Tan captures the odd and unique in a way that makes it all seem normal and every day.  The tone is exactly right and the stories are utterly believable but at the same time magical and strange.

The stories move from vary in the amount of images and text.  Some are almost all text and others are nearly graphic novel amounts of images.  Tan created a table of contents using stamps that bear images from the stories.  I found myself turning back to the table of contents to discover what the matching stamp looked like.  Just a glimpse of the whimsy and unique approach that Tan uses.

I was going to list my favorite stories, but they are the vast majority of the book.  Each story stands on its own, but also contributes to the whole.  In turn, Tan’s art changes from story to story in both style and medium.  He is almost chameleon-like in this book, yet his voice stays true and on target.

Highly recommended where The Arrival was popular.  Make sure this gets in the hands of graphic novel fans and artists.  Fans of Ray Bradbury short stories will also adore this.  Tan writes with much the same spirit and takes similar risks in his stories.

Sex and the City the Book Series

 

Candace Bushnell has a contract with HarperCollins children’s division to write two novels for teens about Carrie Bradshaw’s high school years.  The first book is due out in 2010.

I’m sure that the plans to have a crossover hit between teens and adults will come to fruition.  One wonders if it will be of better quality than Gossip Girls…