Oh No!: Or How My Science Project Destroyed the World

Oh No! (Or How My Science Project Destroyed the World) by Mac Barnett, illustrated by Dan Santat

It all started when a smart girl builds a giant robot as a science project.  When it goes on a rampage, she realizes all of the features that she should have included and ones that it definitely should not have, like the laser eye.  She also realizes that it is up to her to stop it.  She tries to communicate with it, but when that and hitting it fail, she comes up with another solution.  She builds a gigantic toad programmed to destroy the robot.  And it works!  Now just to solve the problem of what can stop a giant toad…

Riotously funny, this book is a brilliant tribute to the monster flicks of the 1950s.  Barnett’s dry, understated text heightens the drama and action of the story.  Santat’s illustrations pay homage to vintage comics in the colors and stylings, but remain firmly modern too.  The illustrations are worth lingering over, especially the many and varied signs shown throughout the city, some in Chinese letters, strengthening that tie to monster movies. 

This is a picture book worth sharing with a wide range of ages, even young teens who may have seen some of the type of movies this book references.  Happily cheesy, wonderfully funny, this book is extraordinary.

Reviewed from library copy.

Mama Is It Summer Yet?

Mama, Is It Summer Yet? by Nikki McClure

This lovely, gentle book shows the slow approach of summer through the spring as buds appear on trees, seeds are planted in the garden, trees blossom, and baby ducks follow their mothers.  Focused on the natural world and the seasonal changes around us, this book has a wonderful connection to the earth.  McClure’s stunningly detailed cut-paper illustrations add to the appeal with subtle colors warming the black and white.  A great read aloud for a toddler story time on spring or summer, or a great book to snuggle together with on a wintry day and dream of the warm days to come.

This book features charming, brief writing that offers information on the seasons and ties directly in to what the illustrations are showing.  The relationship of the mother and child throughout the book is very organic and loving.  The illustrations are so deftly done that it is sometimes hard to even imagine that they are cut paper.  The detail would be impressive enough with pen and ink. 

A pleasure of a book, share this with children who are enjoying summer right now but make sure to pull it out to warm up cooler days as well.  Appropriate for ages 2-4.

Reviewed from library copy.

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Can I Play Too?

Can I Play Too? by Mo Willems

If you are ever looking for a picture book or easy reader sure to pull a child in and get them adoring books, pull any of Mo Willems books off the shelf.  His Elephant and Piggie series is so simple, yet profound and funny.  This latest book in the series is one of the best in the bunch.  Here we see Elephant, the careful and more serious character, and Piggie, who is loud and enthusiastic.  The two of them are best friends, which alone has led to some great books.  Add Snake who wants to join them in playing ball.  Of course, that’s a problem because Snake can’t really catch since he doesn’t have arms.  But that doesn’t mean he can’t try and it certainly doesn’t mean that Piggie can’t figure out a solution that will have them all playing together.

Willems is the master of brevity, capturing entire scenes in a few words and his simple illustrations.  His book are perfection for early readers but also make great read alouds thanks to his skill in writing.  His characters are beautifully drawn, offering so much in so few words and images.  It is magic on a page.

In this book, Willem’s natural humor comes pouring forth into a vaudeville-like scene that will have children laughing aloud, guffawing even.  It is a special easy reader that will have my teenage son crowding us on the couch to be able to see.  But then, all he needed to hear was that it was a Mo Willems book and it was funny. 

Guaranteed success between two covers, this book is laugh-out-loud funny, wry and as always with Willems, big hearted.  Appropriate for ages 3-6 and the occasional thirteen-year-old.

Reviewed from library copy.

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The Boneshaker

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The Boneshaker by Kate Milford

Natalie Minks grew up surrounded by strange tales about her town near the crossroads, and everyone knows that odd things happen at crossroads.  Natalie’s father was the bicycle mechanic in town and he also worked on the new cars like the one for the town’s doctor.  Natalie too loved machines, especially automatons.  She was also trying to master riding a strange bicycle that her father rebuilt for her, but embarrassingly enough, she simply couldn’t ride the thing at all.  The town too was used to weird things happening, but no one was prepared for the day when Dr. Jake Limberleg’s Nostrum Fair and Technological Medicine Show came to town bringing all manner of weird medicinal remedies and even machines that never stopped running, even though Natalie knew that was impossible.  As Natalie slowly discovers the mystery of the Medicine Show, readers will be drawn into this book that is just as intricate and mesmerizing as the show itself.

Milford has created a unique book here with its amazing mixture of historical fiction, fantasy and horror.  The steampunk elements of the book keep it current and hip, but there is far more going on here than automaton.  It is a story filled with the horror of demons on the Devil himself.  The book’s pacing adds to the dynamic nature with leisurely sections leading into almost frantic pacing.  It is a book that lures one in, offers one book and then changes, amazingly into another sort of book instead.  It is a book that blazes and burns against the setting of a small town in 1913.

Natalie is a great heroine, who really solves the mystery on her own without the help of the grown ups and also saves the town all on her own.  It is a celebration of girls who are smart, savvy and who question authority. 

This gripping tale offers so many twists that one is never sure exactly where the book is headed.  Guaranteed to thrill, it is one great flying ride of a read.  Appropriate for ages 12-15.

Reviewed from library copy.

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Trickster

Trickster: Native American Tales, a Graphic Collection edited by Matt Dembicki

21 trickster tales are given the graphic treatment in this spectacular graphic novel.  With great attention to authenticity, Dembicki paired Native American storytellers with graphic artists to create this collection.  Readers will enjoy the diverse types of art within the book, moving from more painterly to cartoony and everything in between.  The text of each story is also quite individual, reflecting that storyteller’s cadence and style.  The collection as a whole is a celebration of Native American culture but also of tricksters and the great stories that revolve around them. 

Turning pages in this book is rather like an exploration.  One never knows what is behind the next page.  Dembicki has created a book that works as a collection but also allows each story to stand on its own with its own distinct feel.  There is an art at work in the selection, placement and creation of the book itself and of each and every story.  I love the sense one gets of an entire community of people creating this book, this celebration of story.

Use this to introduce children to Native American stories or to the idea of the trickster in folklore.  It is a powerful example of modern media meeting timeless tales that will resonate with children and adults alike.

Highly recommended, this graphic novel should find a place in most public libraries.  I would hesitate to catalog it as folktale, and allow the graphic novel reader to realize the depth of what a graphic novel can truly be.  Appropriate for ages 7-12.

Reviewed from library copy.

Ship Breaker

Ship Breaker by Paolo Bacigalupi

Nailer works light crew, climbing into the shells of the discarded oil tankers to gather copper wiring from ductwork.  His job requires him to be small, smart and loyal to his crew.  As a teenager, he knows that he will eventually outgrow the work and that his only hope is to get big enough to join heavy crew or to become a violent drug addict like his father.  When a huge hurricane strikes the Gulf Coast, Nailer discovers a wrecked clipper ship and a half-dead wealthy girl who owned her.  Now Nailer has found another option, to leave the Gulf Coast and his dangerous low-paying work and try to help this girl find her family and safety.  But nothing is a guarantee, especially with his father and others hunting them down.  Set in a future where oil is no longer used and the climate is wreaking vengeance, this book is a dynamic merger of adventure and questions about family and loyalty.

Teen readers of dark, dangerous fantasy will find a lot to love here.  Nailer lives in a world of filth, poverty and loyalty.  It is a society that is original and makes for a great setting against which to posit a hero like Nailer who has no idea he is a hero!  Just the creation of the Gulf Coast and the crews make for incredible world building, but Bacigalupi has created a world around it as well that is just as credible and detailed.  Violence is an important aspect of the book, binding characters together, used as punishment, and also to show bravery. 

The characters of the book are just as fascinating as the world itself and just as well built.  Nailer is a rat with a heart of gold.  He’s a disposable worker, unloved by his own father, who rises above all others in the book to heights of bravery and selflessness.  He grows believably throughout the book, but never stops being himself.  The other characters also show dimension and growth, except for his father, but there are reasons for that that you must discover for yourself.

This is a book that will leave you sweating with panic, heart pounding and pulse racing.  It is a very intense novel perfect for fans of The Hunger Games.  Appropriate for ages 14-17.

Reviewed from library copy.

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Brown Rabbit in the City

Brown Rabbit in the City by Natalie Russell

This book follows the story which began in Moon Rabbit about the friendship between Brown Rabbit and Little Rabbit, though this story focuses on Brown Rabbit’s point of view.  Brown Rabbit was headed to the city for the very first time to visit his friend Little Rabbit.  Little Rabbit is so excited to see him that she takes him on whirlwind tour of the city, dashing in and out of shops, sightseeing, and finally dancing.  But it’s all too much for Brown Rabbit, who finally heads out on his own.  Little Rabbit realizes then that she hadn’t really spoken to Brown Rabbit all day long and sets out to find him and make things right again.

Russell makes a nice exploration of friendship that children will easily relate to.  By mixing in the bustle and rush of the city with the excitement of a visiting friend, the story becomes about taking time in life in general and taking time with those we love.  It never gets too sentimental, but keeps it all simple and heartfelt.  Once again, it is the illustrations that really shine here in their simplicity and style.  Done in an organic palette of browns, greens, robin egg blue, and warm earthy yellow, the book is truly lovely.  Add to that the simple lines and hip styling and you have a modern classic.

Highly recommended, though you should start with Moon Rabbit first, this book builds on the first book and offers an unrushed look at our busy lives.  Appropriate for ages 3-6.

Reviewed from copy received from Viking.

Red Green Blue

Red Green Blue: A First Book of Colors by Alison Jay

On a rainy day, a little boy escapes into a world of nursery rhymes that is filled with a rainbow of colors.  He moves past icons of nursery rhymes like Little Boy Blue, Miss Muffet and her big black spider, Bo Peep’s white sheep, and five pink piggies.  Keep a sharp eye out for other nursery rhyme characters in the background, because there’s a list at the end of the book to see if you spotted them.  Told in a style that only Alison Jay could achieve with her vintage, crackling illustrations that maintain a modern energy, this book is sure to be a winner with preschoolers.

Jay has such a distinct and unique style that you can spot her books from afar.  Just as she has with counting books and alphabet books, Jay has once again captured the timelessness of childhood here.  Her exceptional illustrations bring energy and fun to the simple text which focuses on colors and characters.  It is in the illustrations that the world comes to life and there is a depth that makes exploring them ever so much fun.

Make room for this one in your section on colors and in your section on nursery rhymes.  Combining the two is a brilliantly colorful idea.  Appropriate for ages 2-5.

Reviewed from copy received from Dutton.

Also reviewed by On My Bookshelf.

That Cat Can’t Stay

That Cat Can’t Stay by Thad Krasnesky, illustrated by David Parkins

When Mom rescued the the black and white cat from the downpour, Dad insisted that it not be allowed in the house.  Then he relented and let it stay until the rain stopped.  After the rain stopped, it was too late and they had a cat.  Then Mom found a calico cat. And the story is the same, Dad said no, gives in a little, and finds himself owning another cat.  Dad came up with very funny reasons why the cats can’t stay, but one after another, he found himself allowing the cats to be their pets.  In the end, the family discovered Dad’s soft spot.  Dogs!

Krasnesky’s rhyming text is very funny with a great rollicking flow to it.  It begs to be read aloud, especially Dad’s litany of reasons he doesn’t like cats, which are sure to have children giggling since they all rhyme with one another: “They eat my cheese.  They hairball-wheeze.  Their licking makes my stomach quease.”  Parkins’ art adds a lot to the story, ensuring that the reader is charmed by the cats thanks to their friendly furriness.  He uses white space with skill, changing the illustrations for Dad’s litany of cat complaints to make each one a bit more frenzied and dynamic. 

Recommended for cat storytimes.  This is a purr-fect readaloud for any family that finds that they too seem to collect animals.  I’d even recommend it happily to dog lovers.  Appropriate for ages 3-6.

Reviewed from copy received from Flashlight Press.

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