Moth’s family were all killed in a car accident that left her face scarred. Now she lives with her aunt, who barely acknowledges her presence. She goes to school where is also ignored. Moth used to be a dancer, movement was her way of expressing herself, but she can’t dance anymore. When Sani, a new boy, starts at her school, Moth is immediately drawn to him. Sani too is grappling with his own depression. He lives with his mother whose new boyfriend beats him. So when Moth’s aunt leaves her without even saying goodbye, Sani and Moth set off on a road trip together, heading across the country to Sani’s father’s home with the Diné people. The trip brings them closer together and they both discover the connections that were there all along.
It’s hard to believe this is a debut novel, since it is done with such skill and confidence. Written in verse, so much is left implied and unsaid, unrevealed until McBride is ready for us to understand and the characters are ready to see it too. Combining Hoodoo Black traditions with Navajo/Diné, the book is filled with a deep sense of spirituality and connectivity to ancestors and those who have passed on.
The writing is exceptional, filled with moments that are breathtakingly and achingly gorgeous and others that are difficult and dark. The book is filled with wonder despite the difficulties both characters face. It’s a love story, of two people coming together through their families’ traditions, the way they are initially drawn to one another, and then a slow-building deeper connection they create together.
A book like a moth that will metamorphose right in front of you. Appropriate for ages 13-18.
Reviewed from e-galley provided by Feiwel and Friends.
Felicity is returning to Dalloway School after the tragic death of her girlfriend ended her previous senior year early. But it’s not easy to return to the ivy-covered school that is filled with dark legends that Felicity finds herself drawn to. The early days of the school date to the witch trials and five Dalloway students died early in the schools history, their deaths filled with connections to witchcraft. As Felicity starts her senior year again, she meets a compelling new student, a young novelist who is working on her second book. When Ellis reveals her book is going to be about the Dalloway Five, Felicity agrees to help her with her research. As the two research documents, they also form their own coven and begin to explore the occult. There is so much history filled with questions, and that includes the death of Felicity’s girlfriend a year ago too.
This book is beautiful and delicious. I love that it has its own distinct vintage style too, combining elbow patches and fifties sweaters with cell phones. The witch elements of the story are an invigorating mix of real history with existing covens but also may be covering up more realistic reasons for the deaths of the five girls. The setting itself is marvelously isolated and allows the characters a lot of freedom. These are wealthy girls, who flaunt their privilege at times and deny it at others.
The book is layered and complex. It turns from being a gothic, vintage witchcraft tale to something even darker. As Felicity’s mental health destabilizes, the truth emerges in fits and starts. The book becomes far more about the power of young women, the way society has frowned upon them gaining agency in the world, and what that means today. Beautifully, that doesn’t mean that the bloody nature of the book goes away. Far from it.
Dark, dangerous and delightful. Appropriate for ages 14-18.
Reviewed from e-galley provided by Delacorte Press.
Cash doesn’t have much in his small Appalachian town, but what he does have, he loves. He loves spending time with his Papaw on the porch even as Papaw struggles to breathe due to his emphysema. He loves time out on the water in his canoe, which is how he helped his best friend, Delaney, make a scientific discovery of a lifetime. Delaney uses that discovery to secure them both full scholarships to an elite prep school in Connecticut. Cash agrees to go with her, knowing that he will struggle to keep up and will feel entirely out of place among the rich students. Cash doesn’t count on the power of words and poetry to keep him afloat as well as new friends. But even they may not be enough when Papaw takes a turn for the worse.
Zentner is an award-winning author and his writing here is truly exceptional. In Cash, he gives us a natural poet who looks at the world through metaphors and connects readers directly to the beauty of Appalachia. Both settings, Appalachia and Connecticut, are captured with such astute clarity and powerful wording that readers feel as if they are there seeing the light, the trees, the weather, and feeling it all in their chests. There is also a direct emotionality to the writing that reveals Cash’s struggles, his self doubts, his loves and allows readers to see his path forward long before Cash allows himself to.
The characters push back against every stereotype. Cash is a deep thinker, connected viscerally to the place where he came from, and a deep feeler who connects directly to those he cares for. It is easy to see why Delaney wants him with her. Delaney herself is a scientific genius, full of sarcastic wit and a directness in her speech that offers just the right amount of offset to Cash’s rich language. The two best friends that they meet offer diversity to the story and also a clarity that prep schools can be full of interesting people worth loving too.
Brilliantly written, full of great characters and insisting that poetry changes lives. Appropriate for ages 14-18.
Reviewed from e-galley provided by Crown Books for Young Readers.
Here are 22 of the YA books releasing in September that have received starred reviews and praise. You will find a combination of well-known voices and new ones to discover as well as some amazing nonfiction among the novels. Enjoy!
Moon has always lived in the shadow of her beautiful sister, Star. Now Star is a Fotogram influencer, making enough money to have bought their family a new house. Their mother is ecstatic with Star but has always had problems showing any sort of love to Moon. Star has been offered a seat on a tour bus of influencers traveling the nation for the summer, and Moon is sent along as her photographer, a role she has played for years. Moon will also be the tour’s “merch girl,” manning the booth that sells items for the influencers to all their fans. Moon has been planning her escape to college after the summer and pockets her money for the meal plan to help pay for board at college, deciding to live off peanut butter and grilled cheese on the bus. But she hadn’t planned on Santiago, an impossibly gorgeous guy who is the grumpy and rude brother of the owner of Fotogram. He’s also the other person doing merch sales. It’s hate at first sight, at least until Santiago starts to share his talent with food and Moon starts to question everything that her mother has ever told her.
Incredible writing, a fresh plot and lots of character growth make this teen novel a pure joy to read. Gilliland has real skill with dialogue, making all of the conversations seem natural and realistic but also clever and sharp-witted. Throughout the book there are wonderful slow reveals of information, such as how Moon actually got her scar (she did not fall out of a tree). The nature of Moon’s relationship with her sister and mother is honest and painful, each moment scalpel sharp and devastating, even when Moon herself doesn’t realize how bad it is.
Moon is a magnificent Latina protagonist. She is not waif-thin nor muscular, moving through her life with wobbly and jiggly bits that she struggles to love. She is herself a gifted earth artist and someone with a deep and meaningful connection to nature. One that often leaves her covered in insects like luna moths, ladybugs and dragonflies, something her mother considers a curse. Moon is complex, acerbic, funny and immensely vulnerable, just like the novel itself.
One of the best of the year, this is a book to fall for. Appropriate for ages 14-18.
Blackout by Dhonielle Clayton, Tiffany D. Jackson, Nic Stone, Angie Thomas, Ashley Woodfolk, and Nicola Yoon (9780063088092)
In New York City in the heat of summer, there is a sudden blackout citywide. Caught in the darkness are several groups of Black teens who all find themselves heading to the same party. There are couples who have already broken up and find themselves the only safe way to get back home. There are pairs who are not yet together but find themselves trapped on the stopped subway system. There are people in one relationship and longing for a new one that is right there. Told in loosely-linked short stories, these stories all tell the joyous tale of young Black love in the dark.
Written by six award-winning Black female authors, these stories are a summer delight to read. The authors have their own unique voices that all come together into a single book that really sings. Cleverly, one story bridges across the entire book, following one couple’s long walk across the city together. Each story shows romance in a different light and different stage, showing how even waning romance can be the beginning of something new and amazing.
In all of the stories, the characters are interesting and well written. They have personalities that stand out against the crowd of characters, taking the spotlight for a time and then allowing it to move on. The writing throughout is skilled, creating a book that is romantic, funny and a tribute to New York City herself.
A testament to the talent of the writers, this book is a great summer read. Appropriate for ages 13-17.
Haley loves Gothic romances and has turned in four English papers on Wuthering Heights. So when she sees someone drowning in the river, she knows just what to do. After rescuing the drowning man, Haley awakens to find herself in Willowweep, a manor filled with characters who are Gothic novel tropes. There is the housekeeper who looms and lurks, the three brooding brothers, and even a ghost who haunts the manor. But there is more happening in Willowweep. The external features of the manor hide the fact that this is a pocket universe, created to keep two larger universes from colliding: a universe full of evil and Earth. Willowweep’s defenses are beginning to crack and crumble, allowing the evil to enter the Gothic world. It is up to Haley to figure out how to use her deep knowledge of Gothic novels to stop the evil invasion.
This uproariously funny graphic novel plays beautifully upon Gothic tropes. Haley serves as the voice of the reader, exclaiming as each new trope becomes apparent. The twist of being in a decaying pocket universe works really well with the Gothic overlay. The clockwork style of the universe’s inner workings are a delight as is the solution worked out in the ending. Add in that all beings must stay in the Gothic style, and the evil monk who arrives is perfection. It’s all a very funny yet great adventure with a well-read smart heroine at its center.
The illustrations are a delight as well, leaning into the Gothic elements like the looming housekeeper, the ghost only Haley can see, and the three brothers. The green glowing eyes of those taken in by the evil add to the marvelous joy of the book.
A delight of a graphic novel that mixes Gothic and science fiction into something new and wonderful. Appropriate for ages 12-16.
Shiori is the only princess of Kiata, a land where magic is forbidden. She lives in the palace with her six older brothers, her father the emperor and his consort, her stepmother. None of them know that Shiori has magic of her own, but her stepmother, who is also a sorceress, discovers it. Shiori meets a dragon in the waters when she almost drowns, soon becoming friends and learning more about her magical powers with his help. But when Shiori followers her stepmother into her snake-filled garden, her stepmother banishes her and her brothers. Shiori is cursed with having to wear a bowl on her head that covers most of her features and being unable to utter a sound without killing one of her brothers. Her six brothers are turned into cranes by day and human by night. Shiori must find a way to reunite with her brothers and break the curse before her stepmother takes over the empire. But things may not be as simple as Shiori first thinks, and certainly meeting her betrothed while unable to speak was never in her plans.
An impossible book to summarize in any way that conveys it fully, this novel is a wonderful interwoven net of The Wild Swans and other folk tales. The world building here is so masterful where the magic makes sense, the curses bind and force the story forward, and there are layers of the empire, magical and human to explore. The setting of Kiata offers extensive forests, an icy northern castle, long stretches of sea, and mountains of magic and demons.
Against that setting, Lim offers readers characters who change and grow as the novel progresses. The most changed is Shiori, who steadily learns about herself and her betrothed, thinking deeply about who she once was and who she has become due her stepmother’s curse. The romance is slow and steadily builds in a way that is organic and lovely. Readers will love the secondary characters too. Plus the villains themselves are complicated and add to the twists and turns of the novel.
A great fantasy full of magic and curses. Appropriate for ages 13-17.