The Andre Norton Award is part of the Nebula Awards and is given for the best young adult science fiction and fantasy book of the year. The winner of the 2016 award is:
Arabella of Mars by David D. Levine
At age seven, Edward was saved from his abusive stepfather, Harris, when a neighbor saw him peeking out of their apartment through a boarded-up window. He had been shut in with his mother for three years, unable to leave. The only glimpse of the real world that he had was through a series of videotapes that the previous resident had left behind. Thanks to those videos, he was able to learn about the world and mentally escape the horror of his life. After he is rescued, Edward struggles to adapt to real life. He is smart and fascinated by everything, but his peers realize how different he is. When Edward becomes a teenager, he is suddenly confronted by the idea that Harris might be his real father after all. Is there a monster waiting inside him to break free?
Shortlisted for the Carnegie Medal, this novel is heartrendingly realistic. The book is told in many voices. They include Edward himself and also the adults around him from the social worker who first rescues him from the apartment to the couple who foster him to the family that adopts him and his adopted sister. This is necessary as Edward begins to spiral out of control, so that readers can still view him clearly and better understand the hidden impacts and scars that his tortured upbringing have left on him.
Edward is a strong and interesting protagonist who is vastly human and easy to relate to. Fine uses the videos of a Mr. Rogers like figure to explain how Edward’s mind survived intact. As Edward seems completely fine much of the time, it is his fall into darkness that makes the book believable and allows readers to more fully understand the deep despair that has been lapping at him all along. Fine’s writing allows us hope for Edward’s future, then takes that away, only to restore it once again, showing that all of us have the potential to lose ourselves and find ourselves over and over again.
A powerful read that will be popular with those teens who like A Child Called It. Appropriate for ages 13-17.
Reviewed from copy received from Simon & Schuster Books for Young Readers.
This debut novel combines magical realism with the hard streets of modern Detroit. Fabiola and her mother are journeying to live with family in Detroit, leaving their native Haiti behind. But while Fabiola is allowed to continue on to Detroit, her mother is held in a detention center due to issues with her papers. Now Fabiola must get used to living with her American relatives, including three cousins who are loud, fierce and not to be messed with. Fabiola struggles with the food, the culture, and getting used to a new life and school while worrying about her mother. Just as it seems that she is finding a way forward with a new boyfriend and new friends, the dangerous life that supports her family comes crashing down threatening to sweep Fabiola along with it.
Zoboi’s writing is exceptional. She has drawn on her own experience as an immigrant from Haiti in this novel, infusing it with vodou religion and spirits that both guide and haunt. As Fabiola follows the spirits to the truth about what is really happening, she risks everything that she has found to hold onto and love. This is a book that doesn’t turn away from the violence of Detroit, the guns, drugs and power struggles happening even as children die.
There are many moments in this book that a situation is so fraught with danger that it sears into the reader’s brain. Against those moments, Fabiola and her three cousins stand strong and tall. They are four amazing characters who shine on the page each so different from one another and ferociously both independent and interdependent at the same time. This is family on the page, pushing against the dangers that surround them and include them.
Beautifully written with strong characters and danger, this book is exceptional. Appropriate for ages 15-18.
Reviewed from library copy.
The Locus Science Fiction Foundation has announced the finalists for the 2017 Locus Awards. Winners are chosen through a survey of readers in an open online poll. The awards are given in a variety of categories. Below you will see the finalists for the Young Adult Book category:
Burning Midnight by Will McIntosh
Crooked Kingdom by Leigh Bardugo
The Evil Wizard Smallbone by Delia Sherman
The Girl Who Drank the Moon by Kelly Barnhill
Goldenhand by Garth Nix
Lois Lane: Double Down by Gwenda Bond
Poisoned Blade by Kate Elliott
Revenger by Alastair Reynolds
This Savage Song by Victoria Schwab
Truthwitch by Susan Dennard
Addison lives inside the protected border of the Spill Zone, where an event changed the city of Poughkeepsie. No one is allowed into the spill zone, but Addison has found a way to support herself and her younger sister by taking photographs of the strange things happening inside the city. A certain energy keeps the dead floating in the are with glowing eyes, creates strange wolf-like lightning creatures, makes designs out of objects and flattens others into the ground. Addison has only a couple of rules that keep her alive, like not getting off of her motorcycle and never entering the hospital where her parents died. Soon though, a strange woman who has been collecting Addison’s photographs offers her a huge payout for Addison to take on a dangerous mission and break all of her own safety rules.
Westerfeld excels at creating parallel worlds for readers to explore. This graphic novel is no exception, inviting readers to ride fast alongside Addison into a confusing and neon-bright world with rules all its own. Westerfeld combines horror elements and science fiction in this graphic novel, a combination that is vastly appealing and allows Westerfeld to twist and change the world, filling it with surprises that either delight or dismay. Perhaps the best of these is the doll that Addison’s younger sister has that comes alive thanks to energy in the Spill Zone, a secret that Addison isn’t aware of.
The art of the graphic novel is crucial to bringing Westerfeld’s twisted world to life. The play of normalcy against the dangers and horrors of the Spill Zone makes both of them darker and even stranger. The elements of the Spill Zone splash across the page in a blaze of color and oddities. One both wants to return to that area and also avoid it, thanks to the depiction on the pages.
A very successful first book in a new graphic novel series, this one will be popular with Westerfeld fans and fans of horror and sci fi. Appropriate for ages 12-15.
Reviewed from copy received from First Second.
This novel looks at a piece of history that many people don’t know about. Mariah and her brother Zeke have been freed from slavery in Georgia as part of Sherman’s march. As she starts to realize that she may not have to return to the brutality she has lived in all of her life, Mariah begins to see new options for both her future and that of her brother. She is given a ride in a wagon by a young man Caleb who was raised in freedom. The two slowly begin to form a relationship with one another, born on their shared hope for the future and it being spent together. Still, there are soldiers and generals on the march who do not appreciate that the freed people are taking supplies from the military scavenging. Dangers continue to surround all of them as they make their steady way towards freedom.
Bolden writes in a poetic prose in this novel. She shares both the hope of freedom and the evils of slavery in the book. The horrors of slavery are offered with a frankness that allows them to fully be realized, each person having experienced their own personal hell. She makes sure to keep the tension high with the Rebels raiding the camps, pressures from within the northern forces, and the dangers of the march itself.
The relationship of Mariah and Caleb matches the pace of the march, steady and filled with bumps and revelations as well. It is a lovely lengthy courtship, given the space to blossom in a natural way that feels like the reader is falling in love along with them. The long journey gives them that time, even as the foreshadowing and dangers allow the reader to know they are not safe at all.
An important book on a little-known episode during the Civil War, this book is intensely personal and a dangerous mix of romance and horror. Appropriate for ages 14-17.
Reviewed from ARC received from Bloomsbury.
Sophie can vaguely remember leaving England on a train with her mother when she was a small child. Now Sophie is fourteen and her family has been in Belgium since they left England. She attends school, has a best friend and knows how to speak several languages. Her father owns a car service station, she has a new little brother born in Belgium and things seem normal. But her mother won’t leave the apartment and a strange man comes to her father’s shop and calls him by a different name. As Sophie starts to piece things together, she will have to travel back to England to figure the entire puzzle out and find out who she truly is.
Long has written this novel for teens in code as Sophie tries to stop anyone from publishing her story if they find it. The coding is a fascinating layer to the story, creating a puzzle for the readers even as Sophie is unravelling her own. Readers will grow better and better at figuring out the code, allowing the story to shine through the puzzle. The writing beyond this layer is deft and the mystery is incredibly rich. Readers will be able to figure it out before Sophie does, but questions linger that continue the riveting nature of the novel.
Sophie herself is a strong and smart heroine. As she pieces the mystery together, she uses her intelligence but also has a strong streak of optimism and hope as she faces the truth about her family. Her ability to not only face the unknown but seek it out and discover things is noteworthy. Even as she discovers that she is not the person she thought she was, Sophie does not fall apart. She faces the future with a new clarity and understanding.
An unusual and fascinating novel, it grips you right from the beginning and won’t let you loose until the final pages. Appropriate for ages 13-15.
Reviewed from ARC received from Candlewick Press.