The Children’s Book Prize for Social Justice is the juvenile version of the Goddard Riverside Stephan Russo Book Prize for Social Justice. In its inaugural year, the award is given by The Children’s Book Council and Goddard Riverside in New York. The prize is given to nonfiction books for young readers that “represent urban life and themes of community, compassion, and equality.” The winner will be announced on October 29th. Here is the shortlist:
A little girl takes a coach ride with Hans Christian Andersen. As they head to Copenhagen, the author answers her questions and then tells her a fairy tale. It’s the story of a boy who learned to fly, the story of his own life. Born on a Danish island, Hans’ father was a cobbler who mended shoes. In the evening though, he would read to Hans from a big book of fairy tales. He also built Hans a puppet theater and performed shows for his son. Then Hans’ father was sent to war and returned tired and sick. He died when Hans was eleven. As Hans grew up, he was inspired to try to join the theater as an actor but his voice broke at age fifteen and he had to find a different way. Hans truly loved writing and was sent to school tuition free. Now Hans was on his way, a boy who grew up to be famous by sharing parts of himself in his fairy tales.
First published in Switzerland, this translated version is a rich look at a famous author who has captivated children for generations. Framing his life with questions from a small child is a clever device to allow the character to answer questions about his life and his stories. Allowing Andersen to tell his own life story as a fairy tale is also a believable format that invites readers to really get immersed in the life of this amazing figure in literature.
The illustrations by Kastelic are dreamy watercolors that move from realistic colors on the carriage ride to sepia tones as Andersen tells his personal story. They really burst from the page though when Andersen talks of his fairy tales, becoming rich and vibrant, the colors fantastical and wild. These changes beautifully show just as the story does, the power of story.
A superb picture book biography. Appropriate for ages 4-6.
The finalists for the National Book Award have been announced. The awards go to the best of the year’s adult fiction, adult nonfiction, poetry, translated literature and young people’s literature. The winners in each category will be announced on November 18th. Here are the finalists for the Young People’s Literature category:
If You Were Night by Muon Thi Van, illustrated by Kelly Pousette (9781525300141)
How would you feel and act if you were night? Would you hide under covers or head outside? When you heard a moth drinking nectar would you hush it or lean in? If something touched your ankle would you freeze or skitter? Would you search for treasures in the garbage with the raccoons? Would you join in the chorus of the frogs at the pond? Would you dive alongside the otters or stitch with the spiders? Would you hunt with the owl? Would you stand still and listen to all the night noises? When dawn arrived would you linger and taste the first morning dew or cuddle back in bed carried by the light? There is so much to love about the night, what would you choose?
Through asking a series of inspired questions, the author shows readers the many delights of the night. Focused on animals and their nighttime activities primarily, the book invites readers to make choices about joining in or witnessing. The options to join in are particularly captivating, allowing the reader to see themselves exploring and living in the night.
The illustrations are done in photographed dioramas that are light with a moon-bright bulb, creating nighttime shadows. The images are a delicate mix of greens and flowerbeds and also greys that truly evoke the moon at night. The dioramas are done in cut paper, creating a detailed nighttime world.
A marvel of a nighttime book that is perfect for bedtime or camping outside. Appropriate for ages 3-5.
Reviewed from e-galley provided by Kids Can Press.
Henry started out life talking and able to hear, until a fever took his hearing as a small child. By the time Henry is six, he is labeled as “unteachable.” He is turned away from the school for the deaf after failing their test, refusing to blow out a candle when asked. His parents are encouraged to send him to an institution where he will be cared for. Given their lack of money during the years before World War II, they reluctantly agree. Henry is sent to Riverview, where his life becomes bleak, food is often scarce, children are beaten and restrained. He makes some dear friends there though, working to protect and care for them even as the system works to tear them down. When World War II starts, Victor arrives at Riverview. He’s a conscientious objector, sent to work as an attendant there. He quickly learns that Henry is far from unteachable, reaching out to Henry’s family, including Henry’s beloved sister who has always seen that Henry is smart and kind.
Frost is a master at the verse novel, creating entire worlds that spin by with her poetry. Here the verse draws readers into the darkness of Riverview. One could get caught in that dark, but Henry is there to show a way to see the squirrels outside the window, make friends with some of the other children, and find a way to live one day at a time. While he misses his family horribly and does not understand what happened to make them send him there, he understands much more than everyone thinks he does.
Frost keeps hope at the center of the book. She uses both Victor and Henry’s sister and family members in this way. They all love Henry, trying to figure out how best to deal with an impossible situation exacerbated by poverty and wartime. But hope really is an inherent part of Henry himself, who faces every day and its brutal challenges with a touch of humor, a courage to defend his friends, and a determination to survive.
An important look at how those with disabilities were treated in our country and how conscientious objectors made a difference in their lives. Appropriate for ages 9-12.
Reviewed from copy provided by Farrar, Straus & Giroux.
The winners of the 2020 Harvey Awards have been announced ahead of the award ceremony on Friday. The big winner is the amazing Gene Luen Yang, who won Book of the Year AND Best Children or Young Adult Book, for two different books! The entire list of winners is here.
Bea lives with her adopted grandfather, the Pig Wizard. Their life is quiet and simple with Bea entering the forest each day to gather ingredients for the potions they sell. Then one day, when Bea falls from a tall tree, she meets Cad. Cad is a Galdurian, a member of the ancient race who created the lights in the sky and rescued everyone from constant darkness. When they return to the shop, the Pig Wizard is gone, headed out on a quest that may or may not be real thanks to his faulty memory. Bea and Cad head after him, journeying across the land and encountering many strange and dangerous things. There are huge crabs that try to kill them, lizard men who try to eat them, and a pack rat who keeps stealing Bea’s Jar of Endless Flame. Meanwhile, in darkness, more creatures are stirring, creatures who are after what Bea has and who will follow her anywhere to get it.
In this debut graphic novel, Probert shows himself to be a graphic novelist of superb skill. The art and story flow together seamlessly, creating a world that shines with golden light. He creates vistas in his world so that readers can view the expanse of the continent. Then he populates this glowing world with amazing elements straight out of fantasies like the Last Airbender, Star Wars or Indiana Jones. With a sly sense of humor, he brings this world fully to life.
Cad is a marvelous hero, mowing down villains with his sword, and devoting himself to saving others. He is part frog, part giant, and full of myth and wonder. Bea is a great contrast with him. She worries a lot, the darkness spreading around her limbs and head, almost carrying her away at times. But she is also a hero, jumping in when she is needed, bravely fighting off foes and having cold feet (literally) along the way.
The first in a new graphic novel series that is sure to delight young fantasy fans. Appropriate for ages 9-12.
I Talk Like a River by Jordan Scott, illustrated by Sydney Smith (9780823445592)
Based on the author’s own childhood, this picture book explores the life of a boy with a stutter. The boy wakes every day surrounded by words, many of which he can’t say aloud. They tangle his tongue and stick in his throat. So every morning, he stays silent. He’s quiet at school too, hiding in the back of the class and hoping not to be asked to talk. After a particularly hard day, his father picks him up from school and takes him to the river. After seeing how upset his son is by his “bad speech day,” his father points to the river and says that how the water moves is how his son speaks. The river runs over rocks, bubbling and churning, but it also goes quiet and still after the rocks.
Scott is a poet and his skill with words is on full display here. He uses gorgeous metaphors throughout, including the connection to the river. The words around the boy in the morning connect with his inability to speak at times, the pine trees sticking out from his lips, the crow cawing from his throat, the moonlight shining from his mouth. Each of these gives readers a new way to experience a stutter, each beautiful and haunting.
Smith’s illustrations are done in watercolor, ink and gouache. They capture both the quiet of not being able to speak as well as the connection between father and son. When they go to the water of the river, the illustrations show the bubbling and crashing, taking the boy into the river as he swims to the calm open water. They are exquisite.
A marvel of a book that beams with empathy and understanding of stuttering. Appropriate for ages 4-6.
Reviewed from e-galley provided by Neal Porter Books.
Waking Brain Cells 