At the ALA Youth Media Awards, the 2019 Asian/Pacific American Awards for Literature in youth categories were announced. However, those announcements did not include the book given honor awards. Here is the full list of medal and honor recipients:
YOUNG ADULT LITERATURE WINNER
Darius the Great Is Not Okay by Adib Khorram
YOUNG ADULT LITERATURE HONOR BOOK
The Astonishing Color of After by Emily X.R. Pan
CHILDREN’S LITERATURE WINNER
Front Desk by Kelly Yang
CHILDREN’S LITERATURE HONOR BOOK
The House That Lou Built by Mae Respicio
PICTURE BOOK WINNER
Drawn Together by Minh Lê, illustrated by Dan Santat
PICTURE BOOK HONOR BOOK
Grandmother’s Visit by Betty Quan, illustrated by Carmen Mok
A Thousand Beginnings and Endings edited by Ellen Oh and Elsie Chapman (9780062671158)
This collection of short stories is lush and beautiful. Written by fifteen female authors of Asian descent, the stories are modern twists on more traditional tales. Using the folklore of East and South Asia, the stories in this book take those tales and modernize them with clear feminist and girl-power themes. The stories are grand, mythological, stirring, and amazing. Readers will find themselves swept away, learning of myths they have never heard before and finding new ways to love tales they grew up with.
Compiled by Ellen Oh, the CEO of We Need Diverse Books, these stories are women speaking from their own diverse backgrounds. One of the most vital components of the book are the short paragraphs that follow each of the stories, tying them to that author’s upbringing, the original tales, and explaining their inspiration. Throughout the book there are themes of love and loss, death and redemption. No matter whether they are fantasy or contemporary fiction, these stories are each tantalizing and rich.
One of the best teen short story collections I have read in recent years, this one should be in every public library. Appropriate for ages 13-16.
Reviewed from ARC provided by Greenwillow Books.
The Shadow in the Moon: A Tale of the Mid-Autumn Festival by Christina Matula, illustrated by Pearl Law (9781580897464)
The whole family gathers for the Mid-Autumn Festival to give thanks for the harvest. They will look at the moon and then each person makes a wish for the upcoming year. As the mooncakes are served, Ah-ma tells the story of Chang’e, the Spirit and Lady in the Moon. It was in a time when there were ten suns in the sky, baking the earth. The suns would not listen and stop shining so hard, so a young archer, Hou Yi, shot down nine of the moons. The last one he asked to share the sky with the moon. Hou Yi was given a magic potion for his courage by the Immortals. When a thief came to steal the potion, Hou Yi’s wife, Chang’e, drank it rather than have it fall into the wrong hands. The potion turned her into the Spirit and Lady in the Moon. Hou Yi discovered what had happened and would sit in the garden and look up at the moon, providing mooncakes on the anniversary of the day she transformed. After the story, the girls are ready to light their paper lanterns and make their wishes, inspired by the heroism of Hou Yi and Chang’e.
Matula merges a modern tale of a Chinese family with the legend that inspired this festival. The two stories are clearly separate, which works really well for a young audience. Her writing is clear, describing the mooncakes in a mouthwatering way and the inspiring actions of the legendary characters in a way that allows the melancholy yet beautiful tale to shine. The illustrations also make a clear distinction between the stories. The modern family is shown on white backgrounds that are clean and crisp. The legend is shown with primarily deep jeweled colors as the background, inviting readers into the richness of the tale.
A wonderful and warm introduction to Chinese festivals, this picture book offers a look at how festivals carry on in modern society while also telling the story behind it all. Appropriate for ages 4-6.
Reviewed from copy provided by Charlesbridge.
A boy heads to stay with his grandfather and is clearly not excited to be there. The two of them eat different foods, the grandfather has ramen and the boy has a hotdog and fries. When they try to talk together, they don’t even speak the same language as one another. When they try to watch TV, the language barrier reappears and the grandson walks away. He gets out his sketchpad and markers and starts to draw. Quickly, his grandfather joins him with his own pad of paper, brushes and ink. Soon the two of them are drawing together, communicating and seeing one another for the first time. It’s not all perfect, sometimes the distance reappears but it can be bridged with art that combines both of them into one amazing adventure.
The story here is mostly told in images with many of the pages having no text at all. The text that is there though moves the story ahead, explains what is happening at a deep level and fills in the blanks for readers. Santat’s illustrations are phenomenal. He manages to clearly show the child’s art and the grandfather’s art as distinct and unique while then moving to create a cohesive whole between them that is more than the sum of the two. This is pure storytelling in art form and is exceptionally done.
Look for this one to be on award lists! Appropriate for ages 4-6.
Reviewed from ARC provided by Disney Hyperion.
Emergency Contact by Mary H. K. Choi (9781534408968)
Penny heads to college in Austin, Texas, eager to leave behind her uneventful high school years, her dull boyfriend and her over-the-top mother. Her roommate Jude takes her to a coffee place where her uncle works, and Penny finds a connection with Sam immediately. Their friendship steadily grows as they communicate exclusively through texts with one another. But Sam’s life is not a simple one. His ex-girlfriend has announced she is pregnant, he is sleeping in a small room above the coffee shop he works in, and he is trying to break is alcohol habit. As Penny and Sam continue to text one another, their connection grows more serious and soon they are sharing things that they have never told anyone else. But can their friendship survive meeting in real life again?
I fell completely head-over-heels for this teen romance. Penny is a character who is rather neurotic with her bags of supplies and her need for cleanliness. Yet she is also artistic and has a thought process that is just as unique and wonderful as she is. Choi doesn’t try to fix Penny and how idiosyncratic she is, which is a wonder and a relief. Sam too is incredibly written, grappling with so many things at once. One of my favorite scenes happens early in the book when Penny rescues Sam from a panic attack, which demonstrates the amount of anxiety both of these characters have and how they live and love with it.
As the background of both characters is revealed to the reader, their reactions begin to make more and more sense. It’s as if the reader too is meeting a stranger, building a relationship and falling for both of these characters at the same time. A large part of both of the characters are their mothers from Penny’s sexy Asian mother who acts far younger than she is and is constantly getting into trouble to Sam’s mother who ran up credit card debt in Sam’s name, they are influential and painful for both characters.
Beautifully written, awkward in the best way and entirely empowering and accepting, this novel is a warm hug for readers struggling with anxiety. Appropriate for ages 13-17.
Reviewed from ARC provided by Simon & Schuster Books for Young Readers.
American Panda by Gloria Chao (9781481499101)
Mei is a freshman at MIT. Her Taiwanese-American parents have decided that she will become a doctor, though Mei tends to be a bit freaked out by germs. They also want her only to marry a Taiwanese boy selected by them. As Mei chafes under their expectations and excessive attention, she starts to date a Japanese-American boy at MIT. But her brother was kicked out of the family for dating a girl her parents didn’t approve of, so she has to keep him secret. She is also keeping her love for dancing and her dream of owning a dance studio from her parents. And when she starts to see her brother again, she also can’t tell them that. As Mei’s lies and secrets grow larger, it becomes inevitable that they will topple over and the truth will come out. But what does that mean for her relationship with her parents and extended family, going to MIT and her own dreams?
Chao has created a book that she needed as a teenager, one that reflects the deep-seated expectations of a family. At times, the reactions and actions of the family are horrifying, including the put downs of Mei, the disowning of children, and the expectation that the parents’ opinions are all that matter in every scenario. And still, readers will see the love shine through since Chao allows spaces to form that give Mei and her family hope for reconciliation in the future.
The book is masterfully written allowing readers to see culture as both a foundation but also as a constricting world at times. She imbues the entire novel with humor, since Mei is funny and smart, seeing the world through her own unique lens. The messages from Mei’s mother pop up between chapters, offering their own moments of laughter. The steady growth of connection between Mei and her mother is one of the most vital parts of the book, as Mei’s discovery of her own voice allows her mother to step forward too.
A book that belongs in all public libraries, this novel will speak universally to all teenagers looking to make their own paths. Appropriate for ages 13-16.
(Reviewed from copy provided by Simon Pulse.)
Chef Roy Choi and the Street Food Remix by Jacqueline Briggs Martin and June Jo Lee, illustrated by Man One (9780983661597, Amazon)
Roy Choi was born in Seoul, Korea and moved to Los Angeles with his family when he was two years old. His family owned restaurants and he grew up loving his mother’s cooking. When his family got successful, they moved into the suburbs where Roy didn’t fit in. He eventually found his way to being a chef and worked in prestigious kitchens until he lost his job. When a friend had the idea to open a food truck that served tacos, Roy agreed. Soon his food truck was a huge success. Still, Roy wanted to do more. He decided to open fast food restaurants in neighborhoods that needed them. Roy stayed in the neighborhoods where he felt most at home and where he was needed, and that’s exactly where you will find the very successful chef today.
This is the third book about chefs and food people by Martin. As with the previous two books, she captures the essence of this person with skill. Her prose is shown as poetry on the page and often reads that way too. Her take on things so succinct and focused, she uses only the necessary words to tell the story. Her collaborator, Lee dances poems on the page that have the feel of modern lyrics.
The illustrations are entirely unique. Done with backgrounds of spray-paint on large canvases that were then photographed, there is a wild energy to them. The play of music and food on the page is apparent, the graffiti inspired art ties to the urban setting and the poorer neighborhoods.
Strong and successful, this picture book captures a modern master of food. Appropriate for ages 6-10.
Reviewed from library copy.
The Sun Is Also a Star by Nicola Yoon (InfoSoup)
A finalist for the National Book Award, this book for teens is exceptional. It is the story of two teens, Daniel and Natasha who meet one another through a series of events. Daniel, a poet, firmly believes in love at first sight and destiny bringing them together. Natasha though does not, believing in science and what is provable. The day is a big day for both of them. Natasha’s family is being deported back to Jamaica that night unless she can figure out a way to stop it. Daniel is being interviewed for Yale, a school and a career path that his Korean parents have chosen for him. When the two meet, the chemistry is palpable, but the timing is horrible. Daniel decides that he can prove to Natasha that love is real and measurable, but can he do it in time with their deadlines working against them both?
I can see why this book is getting all of the attention and praise that it is. It’s an amazing read, filled with possibility and the sense that the universe may just be on our side sometimes. It’s filled with romance and chemistry. The prose has a lightness that is exceptional, creating space for these two amazing characters to meet, breathe, and tumble head over heels in love with one another.
Meanwhile, it is also a story of New York City. It’s a story of immigration and illegal immigrants, of losing a culture and then losing the dream of America as well. It’s a story of overt racism and the new generation of teens who see beyond that and into hearts. It’s a story of profound loss, of parental betrayal, of hope that manages to rise again and again.
A book perfect for today, this teen novel is a voice of hope despite our challenges and loving through it all. Appropriate for ages 14-17.
Reviewed from library copy.
Double Happiness by Nancy Tupper Ling, illustrated by Alina Chau
Told in individual poems, this is the story of a brother and sister who must move away from San Francisco and the extended family they have there, including their beloved Nai Nai. Before they leave, their grandmother gives them empty boxes to fill with reminders of where they have been. For Jake there is a penny, gum rolled into a snake shape, and a blue-green marble. For Gracie, there is a panda from home, a eucalyptus leaf, and one final elusive element from home. The children have adventures in the airport, make the transition to a new home with wintry weather, and throughout their connection with their family and their heritage stays strong.
Ling writes poems that shine with warmth. She captures what it feels like to be a beloved child in an extended family and the angst of leaving that place for another. Wrapped throughout the poems are references to China and Chinese-American culture that makes this book a real joy for its diversity that stays so strong throughout. The poems are individual but work together into a picture book that offers a way to cope with a move and to capture the changes and experiences along the way.
Chau’s illustrations are bright and friendly. The children are small on the page compared to the adults, and their size changes with the emotions they are feeling. Both are bright rays of colors on the page with their banana yellow and plum outfits. The illustrations too swirl with Chinese characters as well as symbols like the phoenix and dragons.
This book speaks to the emotions of moving through lovely poetry but also a concrete way to focus on the positive in the change. Appropriate for ages 4-6.
Reviewed from copy received from Chronicle Books.