Keeping the City Going by Brian Floca

Keeping the City Going by Brian Floca (9781534493773)

This picture book by Caldecott Award winner Floca explores the Covid-19 pandemic. Through New York City streets, the book shows how most people were forced to stay indoors and watch the streets go quiet. But the streets never emptied entirely, since there were people working at essential jobs. People were still out and about using all sorts of vehicles. There were people delivering mail and packages, people heading to work in hospitals, others making food deliveries on their bicycles, still others picking up trash, and police and fire protecting everyone. Then every night, the windows opened and people shouted and banged their appreciation for these people who kept on working through the danger and the emptiness to keep everyone safe, fed and looked after.

The text in the book is simple, explaining what happened to cause the streets to empty as people took refuge in their homes to stay safe. The book shows vehicles of all sorts but also shows lovely moments of connection, of toys being delivered or taxis stopping to get someone with lots of grocery bags.

Floca tells us in his Author’s Note that he created these images during the pandemic’s height in New York City. As the streets emptied, he found solace in drawing the vehicles that continued to move through the city. He then took those images and made them into this book, which explains the aching melancholy of some of the images as they show the empty streets and the vast change to a normally bustling city.

A beautiful yearning look at New York City in 2020 with plenty of interesting vehicles to explore. Appropriate for ages 3-5.

Reviewed from copy provided by Atheneum.

3 New Picture Books with City Settings

Bus! Stop By James Yang

Bus! Stop! By James Yang (9780425288771)

When a boy misses his bus, he finds himself in a city filled with strange vehicles that are certainly not his bus. One bus is too tall and the passengers have to use their propeller hats to board it. The next is pulled by horses and shaped like a covered wagon, just right for the people in cowboy hats who climb aboard. When people wearing sailor suits arrive next, readers can guess the ship is about to arrive. There is another bus that bounces passengers high. The boy catches the next bus, even though it isn’t his either. It floats high above, away from the little girl who just missed the bus.

Told in very simple lines of text that are shown as speech bubbles, this picture book is all about the illustrations. With a modern edge, they have a playful feel thanks to their bright colors and the wild sorts of transportation shown on the pages. The matching of passengers to each conveyance is particularly skillful and will have children guessing what sort of “bus” is about to arrive on the next page. Humorous and jolly, stop for this book! Appropriate for ages 2-4. (Reviewed from library copy.)

Daddy, Me and the Magic Hour by Laura Krauss Melmed

Daddy, Me and the Magic Hour by Laura Krauss Melmed, illustrated by Sarita Rich (9781510707917)

When the family arrives home, Daddy starts cooking while Mommy feeds the baby. After supper, the little boy heads outside with his father for Magic Hour, their after supper walk. They greet a neighbor watering her roses. Meet dogs out for a walk, run a bit, find sticks and feathers. They play at the quiet playground that they have all to themselves. On their way home, the crickets start to chirp, they catch fireflies and release them. The daylight disappears and they walk home in the moonlight.

A book about the specialness of time spent together, this picture book celebrates quiet moments that string together to make a childhood. The text is jolly and short, the images telling parts of the story that are not put into words. The illustrations use comic-like framing to show each moment and connection in a special way. Along the walk the little boy steadily fills his bucket with memories, each tangible and solid. A delight of a bedtime read. Appropriate for ages 3-5. (Reviewed from library copy.)

In the Darkness of the Night by Emily Rand

In the Darkness of the Night by Emily Rand (9781849764810)

This book invites children to think about what happens after they head to bed at night. In the deep blue darkness of the city, windows are lit. Dishes are being washed, car doors slam as people arrive home again. Some people are still out, the trains are running through the night. Sirens sound, mothers are up with babies, some people work at night too. City foxes begin to explore, airplanes land. And morning comes with garbage pick up, mail being delivered, and the cat returning home again.

There is a wonderful mix of sleepiness and activity in this book. Told in rhyme, the book really works thanks to its rocking structure and its inherent quietness. Throughout, readers get to peek into windows of the city both ones that are lit and those that are dark. It’s a clever way to invite readers to explore the images that support the story so well. Deep blue throughout, this book is a city lullaby worth sharing. Appropriate for ages 2-4. (Reviewed from copy provided by Tate Publishing.)

Moletown by Torben Kuhlmann

Moletown by Torben Kuhlmann

Moletown by Torben Kuhlmann (InfoSoup)

With just a few words at the beginning and ending of the book, this nearly wordless picture book looks at progress. It begins with one lone mole moving into a green meadow. He was soon joined by more moles and each dug out space of their very own. Soon there was electricity, plumbing and heat. The shaft got larger and deeper and then large machinery was used to dig the tunnels. The meadow was dotted with mounds. Public transport was added, cities grew up, apartments were jammed closely together, traffic was awful, and the lush green meadow disappeared. But not quite.

Kuhlmann shows human progress but with a mole point of view. His gorgeous illustrations show the wheels of change, the machinery of digging, the way that progress takes over and has a speed all of its own. It is a story that is dark and sad, one that shows that starting with a lone mole and freedom to make choices can quickly turn into a society bound by the machines that once built it. Much like our own, perhaps exactly like our own.

As I mentioned, it is Kuhlmann’s illustrations that show all of this without words. Each illustration is detailed and lush. The little mole homes are cleverly depicted from the happiness of the early days to the jammed apartments at the end. I particularly enjoyed the page filled with paperwork and records with one bored mole at a desk. All of these work together to show what loss was suffered with progress.

A book to start discussions or to pore over on your own, this picture book takes a mole-eye view of what we humans are doing to ourselves. Appropriate for ages 5-7.

Reviewed from library copy.

 

Review: Little Elliot, Big City by Mike Curato

little eliot big city

Little Elliot, Big City by Mike Curato

Eliot loved living in the big city, but sometimes it was hard being such a small elephant in such a huge place.  He had to watch out so he didn’t get stepped on, doorknobs could be too high, and he could never catch a cab.  Even at home, Eliot had to find a way to make everyday things work.  Eliot also loved cupcakes, though when he tried to buy  one in a shop he couldn’t get noticed by the person at the counter.  He felt very small and invisible then, but on the way home he discovered a mouse trying to reach some food and found that even though he may be small he can make a big difference.  Even better, he can make friends!

Curato uses only a few words to tell his story, making the most of the illustrations to show the ways that Eliot solves his height issues at home as well as how the new friends solve the cupcake buying problem.  Children will enjoy reading about this little polka-dotted elephant who faces the same issues that they do in life.  They will easily relate to the sadness of being ignored too. 

The illustrations in this book are filled with charm.  Eliot himself is a wonderfully unusual little fellow, shining on the page.  The images of the city are mostly done in a dark and subtle color palette.  The entire book has a fifties vibe to it and some of the images are pulled right out of an Edward Hopper painting.  It’s a courageous choice that works particularly well.

A charmer of a protagonist and an urban landscape make this one delicious cupcake of a picture book.  Appropriate for ages 3-5.

Reviewed from copy received from Henry Holt & Co.

Review: Little Humans by Brandon Stanton

little humans

Little Humans by Brandon Stanton

The photographer behind Humans of New York brings his talent to a children’s book.  Using photographs taken on the streets of New York, this book speaks to the power of children.  Children may fall down, but they get back up, because they are tough.  But they still need love and friends.  Children are helpful, playful and talented.  They learn and grow.  They also know how to ask for help when they need it.  And they do so very much so well that they just might insist they are are not little after all, they are big!

On each and every page, Stanton celebrates urban culture and diversity.  There are children of every color here, each with their own unique sense of style and and distinct personality that pops on the page.  His photographs speak volumes beyond the text that does little more than support the gorgeous, hip photographs. 

A dynamic and diverse book that can be enjoyed by the smallest of children.  Appropriate for ages 2-4.

Reviewed from library copy.

Review: Tap Tap Boom Boom by Elizabeth Bluemle

tap tap boom boom

Tap Tap Boom Boom by Elizabeth Bluemle, illustrated by G. Brian Karas

Join a group of city kids as a thunderstorm bursts overhead.  It starts with just a “tap tap” of rain and the umbrellas come out.  Then a “boom boom” enters and a “crackle” of lightning too.  Puddles form and the wind swells.  So the children head down into the subway to get underground.  Lots of people gather and shelter in the subway, including some very wet dogs that shake themselves dry on everyone.  People stop, talk with one another, share umbrellas.  Then the storm ends and there is a gorgeous surprise in the sky.

Bluemle offers a jaunty rhythm in her poem that also has rhymes that work well.  She captures the unexpected nature of a summer storm and combines it with the camaraderie that forms when people shelter together.  This is a very positive book, one that has all different sorts of people put together in one large urban community. 

Karas’ illustrations are done in his signature style.  His pictures are a mix of drawings, paintings and photographs.  The combination creates a slick urban feel with added warmth from his very personable characters who fill up the space. 

A great choice for thundery spring weather, this picture book celebrates storms.  Appropriate for ages 3-5.

Reviewed from library copy.

Review: Herman and Rosie by Gus Gordon

herman and rosie

Herman and Rosie by Gus Gordon

Herman is a crocodile who lives in New York and finds it very lonely.  He loves playing his oboe in his apartment.  His job selling things on the telephone, makes his life less lonely because he can talk to people, but doesn’t make him very good at his job.  Rosie lives in the building next door to Herman and she loves to sing.  She has a job washing dishes but loves most of all her singing lessons and performing in a little jazz club on Thursday nights.  The two are lonely but fairly happy because both of them hear great music floating into their windows from time to time.  Then one day Herman loses his job and Rosie discovers that the jazz club is closing.  The two of them head home and don’t make any music for a long time.  Until they wake up one morning and things have changed.  They are craving their favorite food and want to make music. 

Gordon has written a picture book ode to big city living, particularly New York.  He incorporates the potential loneliness of urban life but also praises the bustling, the music, the lifestyle.  The characters are quirky and believable.  They are the sort of characters who make perfect sense, whose actions are credible, reactions ring true, and they make the entire book work. 

Gordon writes and illustrates with a playful tone.  His illustrations are done in mixed media, including photographs, paint, and pencil.  The different media are worked together so thoroughly that at times you never notice the photos mixed in.  They are so cleverly done that it all forms one unified piece until something catches your eye.

Two musical souls in one big lonely city where they live next door to one another.  It’s a combination just as exquisite as New York itself.  Appropriate for ages 4-6.

Reviewed from copy received from Roaring Brook Press.

Review: Farmer Will Allen and the Growing Table by Jacqueline Briggs Martin

farmer will allen

Farmer Will Allen and the Growing Table by Jacqueline Briggs Martin, illustrated by Eric-Shabazz Larkin

Will Allen is a farmer who can see the potential where others can’t.  When he sees a vacant lot, he sees a farm with enough to feed everyone.  When he was a boy, he grew up helping care for a large garden that kept their family fed.  But Allen did not want to spend his life weeding and digging in the dirt, so he decided to become a basketball player, and he did.  But then living in Milwaukee, he saw empty greenhouses standing vacant and realized that he could feed people who had never eaten a fresh vegetable.  First though, he had to clear the land and then figure out how to improve his soil so that something could grow there.  That was the first time that the neighborhood kids helped out, bringing compost items to feed the worms.  Slowly and steadily, a community garden emerged and Will Allen taught others to be farmers too.  His Milwaukee farm now gets 20,000 visitors a year so that others can learn to grow gardens where there had only been concrete. 

I had seen the documentary, Fresh that includes Will Allen as part of the film about new thinking about food.  So I was eager to see a picture book about this inspiring figure.  It did not disappoint.  Martin captures the natural progression of Allen’s life from child eating from the garden to farmer giving other children that same experience and spreading the word about what is possible in an urban setting.  Martin’s tone throughout has a sense of celebration of Allen and his accomplishments.  She captures his own inherent enthusiasm on the page.

Larkin’s illustrations are striking.  Each could be a poster for farming and urban gardens on their own.  Combined into a book, they become a celebration of this large man with an even larger dream.  The colors are bright, the textures interesting and the image backgrounds evoke farming and nature.

This picture book biography is a visual feast that invites everyone to its community table.  Librarians and teachers in Wisconsin should be particularly interested in adding this to their collection, but it will hold interest in urban and farming areas across the country.  Appropriate for ages 6-9.

Reviewed from copy received from Readers to Eaters.

Review: Dusk by Uri Shulevitz

dusk

Dusk by Uri Shulevitz

On a snowy December evening, a boy, his dog, and grandfather talk a walk.  They stop to watch the sun sink over the river and then they head into the city.  There people are in a great hurry.  There are people shopping for gifts for their children, others heading home to feed their cats, and even an alien speaking its own language.  As darkness falls, the lights in the city start to turn on.  First just a few, then more, and finally the boy and grandfather are downtown near the large shop windows and it is revealed that this is a holiday book with different windows celebrating Christmas, Hanukah, and Kwanzaa. 

It took until that final reveal to realize that I was reading a holiday book, and that is a wonderful thing.  Instead of centering on the holidays, this book is about quiet moments and time spent together just looking at the changing light in the sky and in the city.  The text is so simple, then becomes dancing complexity when the people start to talk, then returns to the simplicity again.  Readers will be jolted by the change, just as if their own quiet walk at dusk was interrupted.

Shulevitz’s art is so beautiful.  He captures the setting sun with colors that will make readers linger alongside the characters in the book.  He plays throughout the book with shadows, light and darkness.  As the lights come on in the book, the light is warm against the winter darkness and pools in liquid on the ground.  In the reveal of the holiday windows, the illustrations become detailed and honeyed.  Again, a place to linger and bask in that holiday mood.

A top holiday pick, this book is a lovely companion to Snow and stands on its own too.  Appropriate for ages 3-5.

Reviewed from copy received from Farrar, Straus and Giroux.