Aniyah and her brother are new in the foster-care system. At ten-years-old, Aniyah grew up in a family where they worked hard to placate her father’s temper and eventually hid from him with her mother and little brother. Now her mother is gone, but Aniyah knows she isn’t gone forever. When Aniyah hears that a new star has been found in the sky, she knows that it is her mother transformed. But the international contest to name the star will get it wrong! Aniyah, her brother and two of the other foster kids in the house set out on a wild Halloween-night journey to London and the Royal Observatory to make sure that the star is named after Aniyah’s mother after all.
This is the second book by the author of the award-winning The Boy at the Back of the Class. It is a story of familial abuse and terror, but told through the eyes of a ten-year-old whose mother tried to shelter her from what was actually happening. Aniyah has stories built around all of the noises she heard, from “moving furniture” to “playing hide and seek.” It makes the truth of the matter all the more haunting for readers who will understand what happened to Aniyah’s mother long before the character does.
It creates a deep tenderness between the reader and the main protagonist. Aniyah and her little brother are voices of pure innocence in the book, accompanied by other children who have been warned not to reveal the truth to her. Their lengthy experience in foster care contrasts profoundly with Aniyah’s demonstrating to the reader how special their foster mother is and how traumatic many of the children’s lives are.
A fine weaving of grief, innocence and trauma. Appropriate for ages 9-12.
Reviewed from copy provided by Delacorte Books for Young Readers.
Mila has aged out of the foster care system and has found a job teaching at a remote farm in Northern California. The farm is owned by a couple who have taken in over 40 foster children over the years as well as offering internships, like the one Mila has gotten. Mila finds herself on a beautiful farm and warmly welcomed by the owners. She only has one pupil, 9-year-old Lee, who comes from a traumatized background just as Mila does. But no one told Mila about the ghosts on the farm, about how they would fill dance across the fields and play games together at night. As Mila gets more involved with helping on the farm, learning about the flowers and crops, and helping Lee face his trauma, she finds that her own memories are threatening to overwhelm her as her past continues to haunt her.
This new book from the Printz-award winner is another dynamite read. It’s a novel with such an unusual setting, haunting and remote. It echoes with elements of Jane Eyre and Rebecca while standing completely modern and unique. It may not be classically gothic with its warm and sunny rooms, merry meals together, and companionship, but other moments are pure gothic with the sea, the cliffs, and the ghosts. It’s a tantalizing mixture of sun and shadow.
Mila is a character to fall hard for. She is clearly traumatized by what happened to her before she entered the foster care system, setting herself apart from others even as she longs to be closer to people. She is careful, conscientious, and amazingly kind, everything that her past has her thinking she is not. She is a marvel of layers that the novel reveals with gothic precision at just the right times.
Gorgeously written and filled with icy darkness and glowing warmth, this novel is a triumph. Appropriate for ages 13-17.
Della has always been taken care of by her older sister, Suki. The two of them stayed together after their mother went to prison and they moved in with her mother’s boyfriend. That boyfriend did something horrible to Della, so the sisters fled. Now they are in foster care together, being really taken care of for the first time in their lives. Suki has always been Della’s protector so what happens when Suki suddenly is the one who needs help and caring for? Della is willing to talk in court about what happened to her, but Suki wants to be silent. Della is good at being loud, sometimes being too loud or swearing in class. It’s time for Della to use her voice to stand up for what they both need, but also to listen to her sister in a new way too.
This book is seriously one of the best of the year. Period. Written by an author who is consistently impressive, this is a book that is stunningly good. Bradley gives a voice to those who have experienced child abuse, showing them that they are more than the abuse, more than that trauma. It is a book that doesn’t duck what happened to these sisters, but builds towards the awful truth, warning readers that it is coming and then dealing with it when it happens. It removes the stigma of the trauma in a way that is full of compassion and empathy, giving space for assault and for the recovery from it.
Bradley’s writing is exceptional. She does so much with the voice of Della, making her both a clarion call to be heard and listened to, but also giving her a realistic vocabulary of swear words and a way to deal with them in a book for children. This book is beyond impressive. It is important and vital: a book to be shared with children and adults, an example of what children’s literature can be at its highest level.
Bravo! One of the best of the year, if not one of the best of all time. Appropriate for ages 10-13.
Lou loves to sing, but she hates to perform. Truly hates it, complete with panic attacks. A large part of it is that she doesn’t deal well with loud noises, so applause causes her real distress. But Lou’s mother insists that Lou is their way out of the financial problems they are in. Currently living in their truck, Lou and her mother look for her big break when Lou performs at a local coffee shop. Just as things seem to be going their way though, an accident leads to social services discovering how Lou and her mother have been living. Soon Lou is being sent across the country to stay with an aunt and uncle she hasn’t seen since she was a young child. Enrolled in a fancy school, Lou misses her mother horribly even though she now has her own room, plenty to eat and adults who love her. With a new friend who insists she joins theater, Lou starts to see a new future for herself, though she’s not sure where her mother fits in.
The author of Roll with It returns with another story about a child with special needs. Lou’s sensory processing disorder plays a large role in the story and in the way that she feels about herself, too. From riding on planes to appearing on stage to letting her voice be heard, it is all more difficult for Lou. Lou’s special need is portrayed with empathy as is the homelessness that Lou and her mother experience and the other struggles that her mother faces.
Throughout the book there is a sense of hope, a feeling that there are adults around to help. Whether it is social workers, school counselors, teachers or relatives, Lou is surrounded by adults willing and able to help her move forward and make big decisions about her life. Still, while they lend a supportive hand, it is Lou who makes her own decisions, challenges herself, and finds her own unique path.
A deep look at a child with a disability, poverty and community. Appropriate for ages 9-12.
Reviewed from e-galley provided by Atheneum Books for Young Readers.
Grimes writes a searing verse memoir of her years growing up with a mother suffering from alcoholism and schizophrenia. Removed from her mother at a young age and separated from her older sister, Grimes found a loving foster family where she discovered the power of writing her feelings and experiences out on paper. She visited her mother occasionally during that time and they were eventually reunited when her mother got sober and remarried. But it wasn’t that simple or easy. Grimes was trapped in a home filled with a cycle of addiction, mental illness and sexual abuse from her stepfather. Told with a strong sense of hope and resilience, this book is a brave look back into a traumatic childhood.
Grimes has created a book that carries readers back into her previous experiences, showing how she survived, how writing helped, and how she found hope and strength in people other than her mother. Grimes has recreated some of her childhood and teen journals which were destroyed. In these small glimpses told in the voice of her youth she shows her confusion and strength vividly.
Throughout the book, Grimes mentions that she doesn’t have clear memories of much of her youth due to the trauma that was inflicted upon her. Her willingness to explore such painful subjects even though her memories are incomplete or entirely gone is a concrete example of her resilient spirit and hope.
A powerful and poetic look at trauma and the building of a new life. Appropriate for ages 16-adult.
Nova’s big sister, Bridget, taught her all about space exploration and the planets. She is the person who has protected and defended Nova all of her life, from when they entered foster care to when people at school think that Nova is not smart. Nova finds talking difficult, so she doesn’t speak much at all, something has has gotten her labeled by their social worker as not understanding anything at all. But Nova understands a lot. In her new foster home and new school, her sister is not with her. Bridget promised that the two of them would watch the launch of the space shuttle Challenger as it takes the first teacher into space. But as the countdown of days to the launch comes to a close, Bridget has not yet appeared.
In this debut novel, Panteleakos gives readers insight into the mind of a non-verbal, autistic girl who struggles to express herself to the world though she is intelligent and full of potential. The author tells the story from Nova’s point of view which creates a real bond between protagonist and reader. Readers will find themselves wanting to protect Nova as she works through testing, new friends and a new family.
The novel is full of hope, offering a new sense of safety for Nova and potentially ways to communicate that she has never been taught before. The connection between the two sisters is also beautifully shown. The final scenes contain a revelation about what has prevented Bridget from coming to see Nova. These wrenching moments bring a new clarity to Nova’s experience in life and still result in a hope that she can move forward.
Beautifully written, this big-hearted story is a poignant tale of families and strength. Appropriate for ages 9-12.
11-year-old December has moved from one foster family to another over the past several years. As she moves, she has learned not to have many possessions, enough that she can carry them in a couple of bags. One item she brings with her every move is her biography, a book that reminds her why she is special and different from those around her. With her large scar on her back, December believes that she was raised as partially a bird and will eventually have her wings and feathers and be able to take flight. But when she jumps from a tree, she is moved to another foster family. This time, she is taken in by Eleanor, a women with a large garden, bird feeders, bird baths, and who works in an animal rehabilitation center. Eleanor’s quiet and loving approach starts to work on December, much as it does on her wounded birds. As December starts to trust, her desire to be separate from humans and different from them ebbs away. But could she ever give up her desire to fly?
Stark-McGinnis has written a startling debut novel for middle graders. December’s belief that she is a bird is at first alarming as she jumps from a tree, then rather odd, but the author leads readers to deeply understand the injury and damage done to December by first her mother’s violence and then her foster parents. It is a slow and haunting journey as December begins to trust others. Tying her own personal journey to that of a wounded hawk relearning to fly, the book creates a path for December to come alive again.
The journey to trust also includes a wonderful secondary character, Cheryllynn, a transgender classmate of December’s. As both girls steadily learn to stand up to the class bullies, they also learn that doing it together is easier and has a bigger impact. The two girls accept one another exactly as they are, something one doesn’t see enough in books about young girls and their friendships.
A heart-wrenching novel of abuse, recovery and learning to fly. Appropriate for ages 9-12.
After brothers Caleb and Bobby Gene get into trouble for trading their baby sister for a bag of fireworks, they are sentenced to a summer of labor alongside the boy who traded with them. Caleb is determined not to be an ordinary person in life, something his father seems obsessed with him staying at all times, even calling him extra-ordinary! So when Styx Malone enters their lives and offers them a way to trade the ill-gotten fireworks for something even better, the two brothers eagerly join him. But Styx is not telling them the whole truth about his life or even about the trades they are making. As the boys are pulled farther into Styx’s world, Caleb worries that it will all fall apart and that he will be left being just ordinary again.
Magoon has created a story that reads smooth and sweet, a tale filled with adventures and riotous action. At the same time though, she has also created a book that asks deeper questions about family, the foster care system, children in need, and what makes a good friend. Readers may not trust Styx as quickly as Caleb does, so the book also has a compelling narrative voice that is naive and untrustworthy. Even as Caleb, in particular, is drawn firmly into Styx’s plans, readers will be questioning what they are doing. It’s a great book to show young readers an unreliable narrator who is also charming.
The book has complex characters who all rise beyond being stereotypical. Even the adults in the book show glimpses of other sides that create a sense of deep reality on the page. Styx himself is an amazing character. He is clearly doing things on the edge of the law, hustling for deals and acting far tougher than he actually is. The moments where Styx shows his softer side are particularly compelling, like the hotdog cookout and seeing him interact with a father figure. Beautifully nuanced, these moments take this book from a madcap summer to a book that speaks deeply about being a child.
A top read of the year, expect to find incredible depth in this novel about friendship and family. Appropriate for ages 9-12.
At age seven, Edward was saved from his abusive stepfather, Harris, when a neighbor saw him peeking out of their apartment through a boarded-up window. He had been shut in with his mother for three years, unable to leave. The only glimpse of the real world that he had was through a series of videotapes that the previous resident had left behind. Thanks to those videos, he was able to learn about the world and mentally escape the horror of his life. After he is rescued, Edward struggles to adapt to real life. He is smart and fascinated by everything, but his peers realize how different he is. When Edward becomes a teenager, he is suddenly confronted by the idea that Harris might be his real father after all. Is there a monster waiting inside him to break free?
Shortlisted for the Carnegie Medal, this novel is heartrendingly realistic. The book is told in many voices. They include Edward himself and also the adults around him from the social worker who first rescues him from the apartment to the couple who foster him to the family that adopts him and his adopted sister. This is necessary as Edward begins to spiral out of control, so that readers can still view him clearly and better understand the hidden impacts and scars that his tortured upbringing have left on him.
Edward is a strong and interesting protagonist who is vastly human and easy to relate to. Fine uses the videos of a Mr. Rogers like figure to explain how Edward’s mind survived intact. As Edward seems completely fine much of the time, it is his fall into darkness that makes the book believable and allows readers to more fully understand the deep despair that has been lapping at him all along. Fine’s writing allows us hope for Edward’s future, then takes that away, only to restore it once again, showing that all of us have the potential to lose ourselves and find ourselves over and over again.
A powerful read that will be popular with those teens who like A Child Called It. Appropriate for ages 13-17.
Reviewed from copy received from Simon & Schuster Books for Young Readers.