gardens

Review: That’s Not a Daffodil by Elizabeth Honey

| Tasha

thats not a daffodil

That’s Not a Daffodil by Elizabeth Honey

When Tom’s neighbor gave him something that looked like an onion and said it was a daffodil, Tom was very skeptical.  Mr. Yilmaz told him to plant it to find out.  So they planted it in a large pot and Tom waited, and waited, and waited with nothing happening at all.  When Mr. Yilmaz asked how the daffodil was doing, Tom answered that it was not a daffodil, it was a desert.  So the two watered the pot.  Later, Mr. Yilmaz asked again and Tom said that the small green point sticking out of the dirt was a green beak, not a daffodil.  The beak slowly began to open.  Soon the daffodil looked more like a hand, hair, and even a rocket!  It even survived being toppled over by a dog.  Until finally, Tom gets to show Mr. Yilmaz exactly what that onion turned into.

Not only does this book perfectly capture the wonder of gardening with children with the impossibly long wait for results, but it also offers a beautiful zip of creativity along with it.  As Tom learns about patience with his daffodil, he also incorporates it into his playing.  The writing is simple and straight forward, yet has a sense of playfulness too.

Honey’s illustrations appear to be a mix of watercolor and pastels that have a homey warmth.  They also have a great texture that works well for the rough ground, dirt in the pot, and sweater knit.  At the same time, the watercolor smoothness plays against that. 

A sweet book about patience, gardening and creativity, this book would make a great addition to springtime story times.  Appropriate for ages 3-5.

Reviewed from library copy.

Review: Seed Magic by Jane Buchanan

| Tasha

seed magic

Seed Magic by Jane Buchanan, illustrated by Charlotte Riley-Webb

Rose and her brothers make fun of the old man who feeds the pigeons all day long from his wheelchair.  When Rose asks him why he likes pigeons so much, he tells her how beautiful they are.  But Rose can’t see it at all; she thinks that gardens are much more lovely than birds.  So Birdman gives her some seeds to put outside her window and grow a garden on her windowsill.  Rose knows that it won’t work, since there’s no dirt for them to grow in, but Birdman is insistent that they will grow a garden on her bare windowsill.  Her brothers make fun of her for even trying, but Rose starts to dream of the incredible flowers that could sprout there.  Then one day, something magical does happen, much to her surprise and delight.

Buchanan’s writing is poetic.  It has a strong rhythmic quality that beats to the heart of the urban setting perfectly.  She plays with imagery, describing the sunflower seeds as “black as tar, slick as oil” as Birdman share them with Rose.  This is a book that speaks to the power of making connections, rather than dismissing those around us.  It is also about beauty and seeing it in the most unlikely places.

The illustrations have a wonderful texture and thickness to them, the paint layered and deep.  Riley-Webb uses plenty of color to depict the urban park: greens, blues, and rich browns.  There is movement to her illustrations from the people, the birds and the gardens.  It is a fresh way to show a city, rather than the cold of concrete.

This book celebrates nature in an urban setting and the sharing of beauty.  Thanks to the rhythm of its writing, it’s a great read-aloud as well.  Appropriate for ages 4-7.

Reviewed from copy received from Peachtree Publishers.  

Review: The Humming Room by Ellen Potter

| Tasha

humming room

The Humming Room by Ellen Potter

When Roo’s parents are murdered, it’s her ability to hide that saves her, as she retreated to her favorite spot under their trailer.  There she can look at the items she has “collected” or stolen, and she can press her ear to the ground to hear the tiny movements of animals, worms and roots.  After spending some time in foster care, Roo is taken to live on an island with her wealthy uncle who looks very similar to Roo’s father but with none of the carefree spirit her father had.  The island is on the St. Lawrence and the house used to be a tuberculosis sanatorium.  Now Roo is left there with little attention from her often-away uncle, and two servants.  The island is filled with life, including tantalizing glimpses of a wild boy who seems to live on the river.  Roo has to discover the truth of the strange house and the many secrets it holds.

Potter has stated that this is a novel inspired by The Secret Garden, and readers familiar with that work will definitely see it woven into this story.  At the same time, this book stands on its own beautifully.  It is a delightful blend of character and setting.  Roo is a prickly child, one who would be difficult to relate to except for her connection to nature.  That small piece of her character alone makes her human and accessible for the reader.  She is also prickly for very good reasons, including her parents’ death but also her misery of a life before their death.  The reader understands Roo deeply.   The secondary characters are all quirky and fascinating as well, especially the wild boy.

Then there is the setting.  Potter brings the St. Lawrence, the island, and this house to life.  This story could not be set anywhere else, as the setting is so closely married to the story.  The river is a large part of the book, including Roo’s growing understanding of its moods and the isolation of the island.  The house is central to the story as well, brooding and huge, its very walls hiding secret doors to wonders.  Then there is the garden itself, because of course there is a secret garden, and its rebirth that echoes Roo’s. 

Haunting and lovely, this book unfolds like the petals of a flower as each new discovery is made.  Environmentalism permeates the book in a gentle, green way that leaves readers wanting to connect with nature and preserve it without ever being preached to about the issue.  This is a delicate, wondrous read that is sure to be a hit with fans of The Secret Garden or those of us who are already fans of Ellen Potter.  Appropriate for ages 9-12.

Reviewed from copy received from Feiwel & Friends.