When Lina woke up in the morning, snow had fallen and the street was quiet and hushed. Despite the snow, Lina headed out to visit her grandmother. She loved helping her grandmother cook and today was grape leaf day, when they would make warak enab. As Lina walked to her grandma’s, she heard all sorts of noises. There was her neighbor scraping her shovel on the sidewalk. There was the crunch of her own boots in the snow. A blue jay knocked a soft ploompf of snow down from a branch, a quiet sound. People swept off their cars, others scritched past on skis. Mittens patted newly-built snowmen. Lina reached her Sitti’s apartment and the two worked together filling grape leaves with lamb and rice. Lina could hear the snow melting off her mittens and coat. Her grandmother showed her the tenth way to hear snow, one you had to slow down to notice.
This picture book is beautifully cozy and warm despite being mostly set in the outdoors on a snowy day. The sense of discovery as Lina hears the snow in various ways is great fun. The marriage of a weather event and the use of one specific sense adds to the fun and the curiosity as Lina walks to see her grandmother. The Lebanese family and food is front and center here too, warming the beginning and end of the book with a glow.
Pak’s art moves from the cozy home setting out into the cold and then back into a different warm home. His characters are diverse with their neighborhood filled with people of different races. The outdoor light, filled with blues and whites, contrasts with the yellows, reds and golds of the interior settings. It’s a celebration of the beauty and sounds of winter.
This book encourages us all to slow down and listen. Appropriate for ages 3-5.
Based on the author’s childhood growing up in a Hmong refugee family, this picture book looks at the impact of poverty on childhood and the incredible importance of a loving family. Kalia grew up with her grandmother who had been born across the ocean and once threatened by a tiger there. Now her grandmother is old with only a single tooth left. The luckiest of the grandchildren got to help take care of her. It was Kalia’s job to trim her fingernails and toenails. Her grandmother’s feet were rough and her toenails thick. They were cracked with dirt in the cracks from long ago. The family didn’t have a lot of money so regular ice had to stand in for ice cream, peppermint candies shared together took the place of a new dress. Kalia grew tired of not having enough money for treats, eventually asking for braces to fix her crooked teeth. But the family could not afford them. Her grandmother pointed out her own single tooth, and suddenly Kalia realized what beauty is, and it was not perfection.
Yang vividly tells the story of her childhood, inviting readers into her childhood home to see the care and love there. The dedication goes both ways, with her grandmother offering wisdom and love and the grandchildren sharing in taking care of her needs too. The book steadily builds to the take away, a moment that reminds me of the Russian folktale about the little girl describing her mother as the most beautiful person in the world when by societal standards she was clearly not. Throughout the book, poverty is handled in a matter-of-fact way with love as the healing force.
Le’s illustrations depict a household full of children, plants and toys. The wobbly family table and brightly covered couch add to the feel of a family in need but making do together. The Hmong tales told by the grandmother are lush and bright, carrying readers into a mystical world of jungles and creatures.
A thoughtful and rich picture book featuring a Hmong-American family. Appropriate for ages 3-5.
Reviewed from e-galley provided by Carolrhoda Books.
Dayeon and her Grandmother watch the sea in the morning from their house. Dayeon’s grandmother is a haenyeo, a woman who dives deep underwater to find abalone. Dayeon is scared of diving though. For breakfast, the two have abalone porridge and practice holding their breath. They both put on sunscreen and diving gear and head to the water. Dayeon plans only to pull treasures from the shore though. After her grandmother finds ten sea gifts, Dayeon agrees to try diving with her grandmother. They walk out into the water together, but during their first dive, Dayeon heads right back to the surface. On her second try though, she manages to hold her breath longer and notice the beauty of the sea around her. Soon though, the dolphins warn them of potential danger and they surface and get picked up by a boat. That’s when Dayeon gets her first sea gift.
Cho tells an engaging story that layers Korean tradition with the joy of grandmotherly love. The grandmother here is patient, allowing Dayeon to approach the challenges at her own pace, but also encouraging her to try again when she fails. Dayeon herself shows how an early scare can turn to triumph by facing your fears head on. These elements work particularly well when the challenge is something as large as diving for abalone in the deep sea.
Snow’s illustrations are full of light and steeped in color. The sky and sea are purples, oranges, blues on the page. In one amazing illustration, the characters walk to the sea through a field with mermaid shadows behind them.
A picture book about resilience, challenges and tradition. Appropriate for ages 3-5.
The author of Wilder Girls returns with a novel that is a dangerous mix of fire, family and fate. Margot has always lived with just her mother, struggling to make ends meet. Her mother has strange rules, like always leaving a candle burning. Margot has always wondered about the rest of her family, her father and grandparents. When she discovers a photograph of her grandmother’s home, she finally has the key to find them. She doesn’t expect to enter the town of Phalene and be immediately recognized as a member of their family, and she certainly doesn’t expect her grandmother to be despised, living alone on a ruined farm. When a girl with Margot’s face is found dead, Margot finds herself at the heart of a mystery that she may never escape.
A dynamic combination of horror, mystery and science fiction, this book grabs readers up and doesn’t release them until the final ember dies down. It’s a book that is terrifying but also exceptionally written with a keen sense of pacing, allowing moments of revelation to slow and other moments to race past. Power deeply understands horror, giving readers just enough information to keep them guessing. Her use of a rural setting is marvelous, hearkening back to classics like Children of the Corn.
Margot is a flawed character who is prickly, challenging and demanding. In other words, the perfect heroine for a horror novel. Margot refuses to allow her mother or grandmother to control her, always pushing and questioning what they are doing. It’s what lands her back in Phalene and what gets her into the center of all of the trouble.
Smart, haunting and horrifying, this novel begs to become a horror flick. Appropriate for ages 13-16.
Reviewed from e-galley provided by Delacorte Press.
Grandparents by Chema Heras, illustrated by Rosa Osuna (9781771645669)
When Grandfather hears an announcement of a party in the main square, he knows just who to invite. He rushes home to ask his wife, Manuela, to join him. But Manuela isn’t quite as eager as he is to head to a party. Grandfather picks Grandmother a flower and tells her how beautiful she is. Grandmother heads inside to put on eyeliner, then mascara, then skin cream, but each time Grandfather tells her that she is lovely just the way she is and to hurry up so they can go dancing! Lipstick, hair dye and a change of clothes are the next delays, but Grandfather is ready to cajole Grandmother along. Finally, the two of them go dancing together, and Grandmother realizes that Grandfather is just as beautiful as the moon too.
First published in Portuguese, this charming picture book explores the power of love and of being oneself. Heras uses a series of metaphors to describe Grandmother’s beauty. Her eyes are “as sad and beautiful as stars at night.” Her white hair is like “a midsummer cloud” and her skin is wrinkly like “nuts in a pie.” Grandmother herself uses negative metaphors to describe herself, but those are all countered by Grandfather’s love and adoration for her.
The illustrations are quirky and interesting, filled with surreal combinations of spaces and objects. As they are together in the house, the couple sometimes appear sideways or upside down as well as right-side-up nearby.
A warm and lovely look at love and self-esteem. Appropriate for ages 3-5.
Reviewed from e-galley provided by Greystone Kids.
When Zura’s teacher announces that next Monday is Grandparent’s Day, Zura isn’t as enthusiastic as her classmates about her grandmother visiting the class. Her grandmother, Nana Akua, is one of her favorite people on earth, but Zura was worried that the other children and families might laugh or be mean. Her grandmother looks different than most people in the United States. She has marks on her face representing her tribal family as well as beauty and confidence. When Zura admits to being worried for her grandmother, the two work together on a plan which involves bringing Zura’s quilt with its Adinkra symbols from Ghana. Monday arrives quickly and several other grandparents do their presentations. Zura introduces her grandmother who explains the marks on her face and the important tradition they represent. Then it’s the class’ turn to do their own marks in removable makeup.
Walker explains in her author’s note how she learned about the Adinkra symbols and the tradition of facial marks in Ghana. She uses these elements to tell the universal story of children of color whose parents or grandparents immigrated from another country and whose culture carries through in stories and traditions to the present day. Walker shows how such visible differences can cause pain and worries but also how they serve as a bridge to a deeper understanding as long as we take the time to listen and learn.
Harrison’s art is beautiful. She fills Zura’s classroom with children from a variety of races and cultures. She uses patterns and colors, almost creating the effect of stained glass on the page. The faces of her characters shine, sometimes looking right at the reader, as Nana Akua does when explaining her marks.
A celebration of diversity that show how openness to being different creates community. Appropriate for ages 4-6.
Reviewed from e-galley provided by Schwartz & Wade.
Mia is moving to Vermont where her grandmother has a cricket farm. Her arm is still recovering from being broken after a fall from a balance beam, but her mother insists that she go to summer camps. Mia chooses to attend a maker camp and also a warrior camp that will have her climbing rock walls and swinging from rings. As Mia makes new friends and finds new fans for her grandmother’s cricket treats, she is also helping by making a business plan for her grandmother’s farm. There are strange things happening at the farm though as disaster after disaster befalls the delicate crickets. Her grandmother insists that she is being sabotaged, but could her grandmother actually be losing her memory? Mia and her friends tackle the mystery, build up the business, and learn to speak out along the way too.
Messner writes a middle grade novel that neatly embeds sexual harassment and abuse information into the story. In fact, that is at the heart of Mia’s injury and also at the heart of many women and girls that are in the book too. This book is deeply about survival as a girl, a woman and as a cricket. It’s about finding your voice, using your power and finding ways to get justice. It is also about the incredible bravery it takes to be a survivor, whether you have spoken out yet or not.
Messner has written a compelling mystery to solve alongside the social justice. There are great suspects, more than one potential reason for the problems, and finally a dramatic resolution as well. Add in a science competition and you have one amazing Vermont summer filled with the crunch of crickets.
A great look at friendship, speaking out and taking back power. Appropriate for ages 9-12.
Reviewed from ARC provided by Bloomsbury Children’s Books.
In her first middle grade novel, Stone takes readers on a trip across the southern United States in an RV. Scoob’s spring break has been ruined by getting in trouble at school until his grandmother shows up in her new RV and offers to take him on a road trip. The two of them travel together, retracing the trip that Scoob’s grandmother and grandfather took together. The two of them had big plans, but were unable to visit many of the sights because of their interracial relationship, segregation and general prejudice and racism. Scoob has never met his grandfather who died in prison after being convicted of being a jewel thief. On their trip together, Scoob begins to notice that his grandmother’s memory is slipping, that sometimes she doesn’t know who he is, and that she just might be pocketing some gems herself! She is also switching the license plates on the Winnebago and not answering her phone. When Scoob sees himself on the news as being kidnapped, he knows that everything has gone wrong once again in his spring break plans.
Stone’s skill as a writer really shows in this shorter format. She writes with a deep empathy for both grandchild and grandmother, giving them both a real humanity. Her book offers insight into Civil Rights history and looks specifically at racism towards interracial marriages and families. But it is the history of this family itself that makes the book special. Laced with guilt, memories and anger, the story is unique but also universal, though it likely has more sparkle than most family tales.
Stone writes with a great sense of humor as well that will appeal to middle grade readers. There is a little mystery at play too, both about his grandmother’s role in the thefts but also about how Scoob got himself into trouble. The book sets a brisk pace, unlike the Winnebago itself.
A modern look at social justice history, race and families. Appropriate for ages 9-12.
Reviewed from copy provided by Random House Children’s Books.
Lily, her mother and sister move in with her elderly Korean grandmother. In the small town, Lily soon discovers that everyone knows and loves her grandmother, who wears glamorous clothes and tries to offer advice and help to her community. Halmoni has always been special to Lily too, sharing stories of tigers, girls and stars with her and her sister. So when they are heading to Halmoni’s house and Lily sees a tiger out of the car window, she knows it’s from her grandmother’s tales and that tigers are tricksters. As Lily starts to understand that her grandmother is severely ill, she believes that she can help by working with the tiger to release the stories from her grandmother’s jars. The stories emerge and shine in the darkness, returning to the sky as stars and allowing Lily to hear some of the more difficult stories for the first time. Yet, Lily isn’t sure if the tiger is actually real and if the tiger is, can she be trusted to really help Halmoni?
Keller’s novel for middle grade readers explores the complexity of stories both in terms of folklore but also stories of previous generations in a family and the difficulties they faced in other countries and in traveling to the United States. The power of stories themselves is never in question here, shining through as each tale is shared. They connect, explain and inspire. But stories here are also hidden, carefully kept from others so that their pain need not be shared. This too speaks to their incredible power and the importance of them being told. So in the end, whether you believe in the tiger or not, you will believe in the stories themselves and their magic.
This novel is so beautifully written. Readers will experience it as a series of jars to be opened and released by them. The tales themselves are told in language and tones that really make them understood to be part of an oral tradition. The rest of the book, the story of Lily and her family, is layered and fascinating. All of the characters are complex and have multiple dimensions to their personalities. Lily is caught up in her own world of tiger traps and magical jars, but everyone else has their own perspectives on what is happening to Halmoni and their family.
A powerful book of stories, magic and tigers. Appropriate for ages 9-12.
Reviewed from e-galley provided by Random House Books for Young Readers.