This historical graphic novel takes a modern-day teen and puts her back in time. Kiku is vacationing with her mother in San Francisco, when she first travels through time back to World War II. As the mists form around her, she finds herself watching her grandmother play her violin as a teen. It happens again the next morning, when Kiku finds herself joining the line of Japanese-American people heading for the internment camps. Those experiences were shorter. But then Kiku finds herself back in time for a longer period as she experiences the internment camps herself. She lives near her grandmother, but can’t bring herself to actually meet her face to face. As Kiku witnesses and actually lives the experiences of Japanese-Americans in the internment camps, seeing how they suffered, the restrictions, the injustice but also the communities that were formed in the camps.
Hughes uses a dynamic mix of modern and historical in this graphic novel. She takes the sensibilities of a modern teen and allows readers to see the world through Kiku’s eyes. When Kiku is stuck in time, readers get to experience the full horror of the internment camps and what our country did to Japanese-Americans. Hughes ties our current political world directly to that of the camps, showing how racist policies make “solutions” like internment camps more likely to happen. She also keep hope alive as well, showing Kiku making friends and also developing a romantic relationship with a girl she meets.
The art is done in full color throughout. The color palette does change between modern day and the internment camps, moving from brighter colors to more grim browns, grays and tans. Hughes uses speech bubbles as well as narrative spaces that let Kiku share her thoughts. There are no firm frames here, letting colors dictate the edges of the panels.
Timely and important, this is a look at what we can learn from history and stop from happening now. Appropriate for ages 12-15.
Henry started out life talking and able to hear, until a fever took his hearing as a small child. By the time Henry is six, he is labeled as “unteachable.” He is turned away from the school for the deaf after failing their test, refusing to blow out a candle when asked. His parents are encouraged to send him to an institution where he will be cared for. Given their lack of money during the years before World War II, they reluctantly agree. Henry is sent to Riverview, where his life becomes bleak, food is often scarce, children are beaten and restrained. He makes some dear friends there though, working to protect and care for them even as the system works to tear them down. When World War II starts, Victor arrives at Riverview. He’s a conscientious objector, sent to work as an attendant there. He quickly learns that Henry is far from unteachable, reaching out to Henry’s family, including Henry’s beloved sister who has always seen that Henry is smart and kind.
Frost is a master at the verse novel, creating entire worlds that spin by with her poetry. Here the verse draws readers into the darkness of Riverview. One could get caught in that dark, but Henry is there to show a way to see the squirrels outside the window, make friends with some of the other children, and find a way to live one day at a time. While he misses his family horribly and does not understand what happened to make them send him there, he understands much more than everyone thinks he does.
Frost keeps hope at the center of the book. She uses both Victor and Henry’s sister and family members in this way. They all love Henry, trying to figure out how best to deal with an impossible situation exacerbated by poverty and wartime. But hope really is an inherent part of Henry himself, who faces every day and its brutal challenges with a touch of humor, a courage to defend his friends, and a determination to survive.
An important look at how those with disabilities were treated in our country and how conscientious objectors made a difference in their lives. Appropriate for ages 9-12.
Reviewed from copy provided by Farrar, Straus & Giroux.
Bruno and Julie aren’t really friends anymore, but in the small town of Belle Beach, Long Island, they still see one another. That’s how Bruno sees Julie discover the baby that was left on the steps of the new children’s library. Julie carries the baby off, leaving Bruno to discover the note that Julie never found. Bruno though is on a mission for his brother who is overseas fighting in World War II, and he must decide if he will miss the train to New York or not. Told through flashbacks that show the story of Bruno, Julie and Julie’s little sister, Martha, this book explores the impact of the war on families and also how one complicated situation can somehow tie their entire summer together.
Hest creates a marvelous story told in brief chapters by each of the three characters. Their perspectives are beautifully individual, filled with misunderstandings about one another, views that are entirely their own, and opinions that they form along the way. The book is almost a puzzle, where one must figure out what is actually happening through these independent lenses that show a fractured image of the truth.
Each of the three characters has their own personality, deftly created and shown by Hest. Her writing is brief and clear, allowing each character’s words to stand strong as their own. It is the quality of her writing and the profound respect she shows her young characters that really let this delight of a novel work, revealing the moments and experiences of a single sun-drenched summer on the beach.
Ideal for summer reading, this work of historical fiction is masterful. Appropriate for ages 9-12.
Brace yourself for this teen novel that brings you along with fourteen teens who are taken into the Japanese detention camps in the United States during World War II. The teenagers have all grown up together in Japantown in San Francisco. But when Pearl Harbor is bombed, their lives are destroyed when their families are relocated to the detention camps. Told in each of their voices, the story revolves around their daily lives in the camp, the intolerable racism and injustice that they face, and how they navigate still being Americans.
Chee moves from her successful fantasy trilogy to this incredibly impactful story of a group of friends who are taken from their lives. Her writing is exceptional, moving from straightforward storytelling to passages that sing with poetic touches to direct verse. All of it screams of the injustice, demanding that people see what actually happened in the camps and the impossible decisions faced by the Japanese Americans who were held there. She also very successfully moves to the battlefields of World War II, breaking lives and hearts.
Fourteen voices are a lot to manage as an author, but Chee does it with such a deep understanding of each character that readers can simply allow the characters to flow around them at first. By the end of the book, readers will have connected with each of the characters both from their own perspectives and from the adjoining stories of the other characters that include them as well. It is deftly done, capturing readers into this powerful story and making it impossible to look away or deny.
Incredibly eloquent and compelling, this historical fiction for teens is one that can’t be missed. Appropriate for ages 13-17.
Reviewed from e-galley provided by HMH Books for Young Readers.
Welcome to 1986, the year of the Challenger disaster and a year when all three of the Thomas children find themselves in seventh grade together. Fitch and Bird are twins and used to be very close. Bird loves science and exploring how things are made. As the Challenger nears its launch, she finds herself spellbound by the potential it represents for women in space and for her own future. Fitch meanwhile is struggling to deal with the anger that rises inside of him constantly, filling his days playing Major Havoc in the local arcade. Cash has been held back a grade and no longer plays basketball, which he misses desperately. He finds himself wondering if he is actually good at anything at all in life. The three siblings grow up in a family that is filled with anger, regular arguments and verbal abuse. As the three grow apart, circumstances including the Challenger disaster pull them back together, just in time to allow them all to find a potential way forward.
Kelly is a Newbery Medalist and this book shows her skill and superb understanding of the minds of youth. Using the setting of the mid-1980’s, she invites readers to see that while some things are different, much of the emotions, family tensions and life was the same as today. The Challenger disaster provides the ideal unifying factor in each of the sibling’s stories which are told from their own points of view. Yet Kelly does not overplay that element, never drawing the lines starkly but allowing readers to connect elements themselves.
The three siblings are quite different from one another and yet their shared upbringing and lack of safety at home create a unified experience that they all emerge from in different ways. Bird, the smart one, who takes things apart and does well at school, wonders if she is disappearing. Fitch burns with an anger he can’t explain, lashing out at others. Cash too is frustrated but he takes it out on himself and struggles internally.
A deep and magnificent middle-grade novel. Appropriate for ages 9-12.
Reviewed from e-galley provided by Greenwillow Books.
Darleen has grown up in the movie industry, first appearing as a baby and now at age twelve as “Daring Darleen” in a series of silent films. It is 1914 and the trend is to have the worlds of film and real life converge, so Darleen’s uncles make a plan for her to be kidnapped from outside a movie theater while being filmed by them. Everything seems to be going to plan until Darleen is snatched by the wrong kidnappers and discovers that she has been taken along with Victorine, a girl just her age who is an heiress. The two must figure out how to escape, using Darleen’s natural penchant for heights and daring moves that her dead mother also had. Still, she had promised her father to keep her feet on the ground, but that’s hard to do as her adventures continue almost like being in a real screenplay.
There is so much to love here! Nesbet creates the daring and inventions of early film-making in this middle-grade novel. The chapters are meant to be episodes, some offering a great cliffhanger until the next installment. The series of adventures makes for a page-turner of a book with two girls at its center who form a grand friendship along the way and adore one another for being just who they are.
Darleen is a heroine through and through from her day job in front of the camera but even more so in real life as she skillfully figures out puzzles, finds ways to escape, and does it all with real courage. In many ways, Victorine is her opposite. She wants to tell the truth at all costs, knows all sorts of facts and loves books and travel. The two together form an unstoppable force. It is also great to see Nesbet pay homage to Alice Guy Blache by having her as a secondary character in the novel.
A grand adventure of a novel that will have readers enthralled. Appropriate for ages 9-12.
Two-time National Book Award finalist Wiles takes a deep look at the Kent State shooting in 1970. Using oral histories and articles from the incident, Wiles writes a searing book that looks at the various viewpoints at play in 1970 in Kent, Ohio and the nation. Beginning a few days before the shooting, Wiles sets the stage and captures the tensions between the town, the college, and the National Guard. As the tragedy looms, the horror of the moment grows. Still, when the shooting happens in the book, though one knows what is about to occur, it is written with so much empathy that it is almost like learning about it for the first time.
Brace yourself for this one. Wiles doesn’t pull any punches here. She allows all of the voices to speak, almost a chorus of the times, speaking about the draft, the Vietnam War, the incredible pressures on college students, the attitudes of the town, and the expectations for the National Guard. Her writing is a dramatic mixture of poetic verse, social justice, historical quotes, and passion.
It is great to see Wiles also entwine the voices of Black students into her story. So often forgotten or assumed to be included, they speak with a clarion voice here, insisting on being heard. Even more importantly, their perspective draws a clear line between what happened in history and the shootings of Black Americans happening today.
Incredible writing and strong historical research make this much more than regular historical fiction. Appropriate for ages 13-18.
Hanna and her father travel by wagon in 1880 to a small town in the Midwest where they plan to sell dress goods. Hanna though has another plan, one that her father doesn’t support, to design, sew and sell dresses for the women in town rather than just selling the materials. Hanna also wants to graduate from school, but that is not without a lot of controversy in the town. Hanna is half Chinese, her Chinese mother died in California, and her father is white. While her father is entirely accepted by the town, Hanna faces prejudice on a daily basis. In fact, most of the other students drop out of school when it is clear that Hanna will be allowed to attend. Meanwhile, their family shop is being built and stocked. Hanna and her teacher work on a plan to get her to graduate by the end of the year, though it seems less like a solution for Hanna and more of a way around the controversy she creates. As the opening of the shop nears, Hanna will face one of the most daunting and frightening moments of her life and must figure out how to keep it from ruining their future.
In her afterword, Park explains her connection as a child to the Little House on the Prairie book series by Laura Ingalls Wilder. Her book clearly pays homage to the best of that series, set in a similar community with characters who echo some of the most iconic from the series. But Park takes the opportunity to right a lot of what is wrong with that series. She carefully includes Native Americans in the book, paying attention to all they have lost by this time in American history and to their language and way of life. This is beautifully done.
Park also creates a space for Americans of color on the prairie, showing that the settlement of America was done by more than the white people we usually see depicted. She works with the prejudice, stereotypes and aggression that people of color faced then and continue to face today. This is a book that un-erases people from history.
Marvelous, timeless and important. Appropriate for ages 10-13.
A deaf author writes the story of a deaf protagonist living on Martha’s Vineyard in the 19th century in a community with many deaf residents where the majority of people use sign language when they speak. Mary has never known any other place than her beloved village on Martha’s Vineyard where her deafness is not seen as a disability. Her great-grandfather came from England and settled on the island over a hundred years ago. So when a scientist intent on figuring out the cause of the deafness of the island community enters their world, he is first welcomed. Mary and her best friend decide to follow him around, since Mary has noticed him saying derogatory things about the deaf. When Mary gets too close, the scientist reveals his frightening plan of taking a “live specimen” from the island. Mary is taken to Boston, where she discovers the harshness of being a prisoner and being unable to communicate with anyone about her plight. Mary’s fight to survive and be understood speaks to what we see as disabilities even in our modern world.
This ownvoices novel is a rich glimpse into the world of the deaf community and its long history in the United States. Based on the history of Martha’s Vineyard, the author’s note mentions how she recreated the sign language used on the island which is no longer in use. Her care with acknowledging the land issues between the white settlers and the native tribes of the island is evident on the page. She offers detailed accounts of the community itself, giving a deep understanding to the reader of the warmth, love and acceptance of the community. That is then shown in stark contrast with the reactions of the rest of the world.
The writing is frank and clear. The author speaks about how she comes at English from a different angle, both as a deaf person and being bilingual. She also shares in sign language conversations some direct translations that allow hearing readers to better understand how conversations flow in that language. The characters are all seen through Mary’s eyes, including her parents. Mary shines at the center of the novel, her experiences and perceptions make up the story, which at times is incredibly difficult to read as Mary is abused and veers towards despair of ever seeing her family again.
This historical novel is both important and impressive. Appropriate for ages 9-12.