Northbound by Michael S. Bandy and Eric Stein, illustrated by James E. Ransome (9780763696504)
Michael has always stopped work to watch the trains go by the farm he lives on with his grandparents in Alabama. Then one day he gets his dream and takes a train trip north with his grandmother to Ohio to visit cousins. Though Michael has caught sight of a boy his age on the train, he isn’t allowed to go into the car where the boy is riding, because it’s closed to Black people. As the train leaves Atlanta, the “Whites Only” sign on the door is taken down and now Michael is allowed to enter the car. The two boys quickly start to play together and explore the train. They discover they have all sorts of things in common. But when the train reaches Chattanooga, Tennessee, Michael has to return to his own car and the sign goes up again. Luckily, his new friend knows it is fair and shares a final drawing of all people riding in the same train car together.
In a book that starts with the wonder of trains and the joy of a train ride, this picture book shows the impact of arbitrary race laws throughout the United States in the early 1960s. While consistent racism in Alabama is an everyday occurrence for Michael, it is the on-again, off-again rules that will catch readers’ attention as well as that of the train passengers. It clearly demonstrates the differences in the way racism impacts lives in different parts of our country, speaking clearly to today’s issues as well as that of our past.
The art by Ransome is a grand mix of train travel with tunnels, bridges and cities together with a diverse group of passengers and staff on the train. There is a sense of frustration and limits in the illustrations with the closed doors and signs that is replaced with a joyous freedom as the two boys explore the train together.
A critical look at our shared civil rights history and a call for us to do better. Appropriate for ages 6-9.
Growing up in 1950s San Francisco isn’t simple for a Chinese-American girl who loves to dream of working on math that will send people into space. Even her best friend isn’t interested in the same things as Lily is. As Lily becomes more aware of her sexuality, she soon realizes that she is queer. She’s particularly intrigued by a male impersonator in San Francisco. As her love of math draws her closer to a white classmate at school, she realizes they may have even more in common. Soon the two teens are heading out to a club together to watch that same male impersonator that Lily was dreaming about. But remember, it is the 1950s and Chinese girls are not allowed to be gay, so Lily is risking a lot. It’s the time of McCarthyism too, so Lily’s family is threatened by the fear of Communism when her father’s papers are taken away. Lily must find a way to navigate the many dangers of being Chinese, queer and young.
Lo’s writing is so incredible. She creates a historical novel that makes the historical elements so crucial to the story that they flow effortlessly along. She avoids long sections of exposition about history by building it into the story in a natural and thoughtful way. That allows readers to feel Lily’s story all the more deeply while realizing the risks the Lily is taking with her family and friends. Lo also beautifully incorporates San Francisco into the book, allowing readers to walk Chinatown and visit other iconic parts and features of the city.
As well as telling Lily’s story, Lo shares the stories of Lily’s aunt and mother. They took different paths to the present time, making critical decisions about their careers and marriages. These experiences while straight and more historical speak to Lily’s own budding romance and finding of people who support her as she discovers who she is. They remove the simple look at who her mother could be been assumed to be and make her a more complex character.
Layered and remarkable, this book speaks to new, queer love and shows that intersectionality has been around forever. Appropriate for ages 15-18.
Amber & Clay by Laura Amy Schlitz, illustrated by Julia Iredale (9781536201222)
The Newbery-Medal winner brings us into the world of ancient Greece with her new novel. Rhaskos is a slave working in a Greek household where he spends his days picking up horse manure. He doesn’t mind the hard work, but he’d much rather be drawing the horses around him. He works in secret, steadily building his craft, inspired by a painting his master owns. Melisto is a girl hated by her mother, abused by her, but someone who has grown up used to wealth and luxury. She is precious, particularly for the connections she will make when she marries. She is selected to serve the goddess Artemis for a year, living wild and free for the first time in her life. By the time our two protagonists meet, one of them has died, though their destinies are entwined with one another.
Schlitz has created a masterpiece of a novel where she blends verse and prose, moving freely between the two. It is a complex novel with elements of Greek society explained, wars imminent and friendships being forged. Schlitz adds the voices of the god Hermes to the mix, also including the philosophical musings of Socrates who appears as himself in the novel. The book is marvelous, each of the elements working to support the whole and weaving together into a tantalizing tale that is surprising and fascinating.
Schlitz’s writing is exceptional. She explores ancient Greece along its dusty paths and roadways, showing readers how it felt to be these characters in these times. She speaks as Hermes and Socrates in voices that are unique to them and feel perfectly suited. The question of the value of a life runs throughout the book along with looking closely at suffering and pain. These deep questions and philosophies are ideally suited to the world Schlitz has created. They are enhanced by the illustrations that show various Greek artifacts and explain what they were used for.
Deep, dramatic and classical, this book is the best of historical fiction for children.
This novel offers first-person monologues from three generations of a Black family from Mississippi. They are a sharecropper family, caught in the aftermath of slavery and the cycle of poverty that resulted. Starting in 1927, Loretta tells the story of growing up picking cotton on land her family did not own. Her loving father died from exposure to the pesticides they sprayed in the fields. He gave her sapphire socks made with his own hands and she placed her other most valuable possession inside them, a marble that glowed like the sun. Loretta found Roly left outside as an infant. He grew into a boy who had a way with plants and animals. When the family got their own plot of land, they were attacked at night by someone who brutalized their animals, killing most of them, and poisoned their land. Roly slept out in the fields, hoping to draw the poison out and return the land to fertility. Then he caught the eye of Tess, a girl who he eventually married and had a daughter with. Aggie was that daughter, a girl who would not back down, much as her father would not make a hasty decision. Aggie fought for the right to vote even when she was not old enough to. She and Loretta worked together to pass the racist voting test and then to pay the toll tax. Beaten by police, Aggie finds comfort in the sapphire socks and the glow of the marble passed down to her. Just like the others in her family, she never stopped and never gave up.
Told in three distinct voices that speak directly to the reader, this novel takes a direct look at the systemic racism that has created such privilege for some and injustice for others. The use of monologues is brilliant, as the voices come through to the reader with real clarity, each speaking from their personal experience and from history. There is a sense of theater to the entire novel, helped by the introduction to each chapter that give stage directions and offers a visualization of how this would appear on stage. Often these are haunting images, transformative and full of magical realism.
The three characters are marvelously individual, each with their own approach to life, each facing daunting challenges and each ready to take those on, though in their own way. It is telling that as each new generation entered to become the new main narrator, I felt a sense of loss as the other moved off stage, since each was such a compelling character and each had more to share. I was pleased to see they stayed as part of one another’s stories all the way to the end of the novel.
Incredible writing, important civil right history, and a brilliant cast of characters make this novel glow. Appropriate for ages 9-12.
One January morning, Samuel’s mother mentioned that she wished they had a cow. His father smiled, took his best knife, and invited Samuel to come along to find a cow for his mother. So the two headed out into the cold and snow. At the Snow’s place, they traded the knife for two tin lanterns. Samuel got to play with their dog a bit too. At the Perry’s house they traded the lanterns for a book of poetry. Samuel got to visit some kittens in the barn and got a doughnut too. They traded the book to Widow Mitchell for a pitcher, then the pitcher for a sheep when Dr. Fulton went by. At the general store, the sheep was traded for a pocket watch after Samuel struggled to get it into the pen. He was glad they weren’t keeping the sheep! The pocket watch was traded for a pony and cart. With the storm brewing and night coming on, they almost stopped, but decided to keep trying for a cow. Soon Samuel was picking out a cow in trade for the pony and cart, and he got to choose something else besides!
Schmidt fills this simple story of trading with neighbors with so many small details that the entire small community is populated with characters. Each has a reason for needing to make the trade and often a treat for Samuel along the way. While the road is long and cold, it is also filled with a merry sense of community and shared responsibility. When Samuel makes the hard choice to not keep the little pony and cart, he is rewarded with more than a stubborn sheep for his sacrifice.
Yelchin’s illustrations are done in full-color in this chapter book. They show Samuel meeting each animal along his travels, each animal (except the sheep) one that he longs to keep with him. The illustrations have a marvelous old-fashioned, country quality to them.
A great wintry chapter book with lots of animals and a series of marvelous smart trades. Appropriate for ages 6-9.
Set in Los Angeles in 1982 during the Rodney King riots, this teen novel deals directly with racism and class. Ashley lives in a wealthy part of LA, attends a private school, and has only white friends who she has known since childhood. They spend lots of time around the pool drinking, flirting and planning their prom. As the protests engulf LA though, race becomes a part of everyone’s focus, something that Ashley has tried to ignore, including all the comments one of her friends keeps making. Ashley finds herself becoming closer with LaShawn, a Black kid at school who is a star athlete and whose home is threatened by the protests. He has gotten into Stanford while Ashley has been placed on the waitlist. Ashley makes a comment about his new shoes to her white friends and suddenly becomes a rumor, leading to LaShawn punching another student and potentially losing his place at Stanford. Ashley must figure out how to make things right and also what side she is on.
Reed takes a historical moment in time that continues to resonate today. Remarkably, this is a debut novel. Written with such assurance and clarity, the book allows Ashley to find her own way, something that is often not clear as she continues to make mistakes based on her friends and her class. Reed keeps from becoming didactic at all, instead giving us the perfect character to learn alongside, to hope realizes what is truly happening, and to empathize with and get really angry at.
This book doesn’t duck away from anything. Reed takes on micro and macroaggressions around race and class. She explores how wealth does not protect Black Americans from being targeted, treated differently in our justice system, or stopped by police at gun point. She shows readers this with such power and straightforward honesty that it is impossible to rationalize it away.
Beautifully written, this historical novel is powerful and gripping. Appropriate for ages 14-18.
Reviewed from e-galley provided by Simon & Schuster.
This historical graphic novel takes a modern-day teen and puts her back in time. Kiku is vacationing with her mother in San Francisco, when she first travels through time back to World War II. As the mists form around her, she finds herself watching her grandmother play her violin as a teen. It happens again the next morning, when Kiku finds herself joining the line of Japanese-American people heading for the internment camps. Those experiences were shorter. But then Kiku finds herself back in time for a longer period as she experiences the internment camps herself. She lives near her grandmother, but can’t bring herself to actually meet her face to face. As Kiku witnesses and actually lives the experiences of Japanese-Americans in the internment camps, seeing how they suffered, the restrictions, the injustice but also the communities that were formed in the camps.
Hughes uses a dynamic mix of modern and historical in this graphic novel. She takes the sensibilities of a modern teen and allows readers to see the world through Kiku’s eyes. When Kiku is stuck in time, readers get to experience the full horror of the internment camps and what our country did to Japanese-Americans. Hughes ties our current political world directly to that of the camps, showing how racist policies make “solutions” like internment camps more likely to happen. She also keep hope alive as well, showing Kiku making friends and also developing a romantic relationship with a girl she meets.
The art is done in full color throughout. The color palette does change between modern day and the internment camps, moving from brighter colors to more grim browns, grays and tans. Hughes uses speech bubbles as well as narrative spaces that let Kiku share her thoughts. There are no firm frames here, letting colors dictate the edges of the panels.
Timely and important, this is a look at what we can learn from history and stop from happening now. Appropriate for ages 12-15.
Henry started out life talking and able to hear, until a fever took his hearing as a small child. By the time Henry is six, he is labeled as “unteachable.” He is turned away from the school for the deaf after failing their test, refusing to blow out a candle when asked. His parents are encouraged to send him to an institution where he will be cared for. Given their lack of money during the years before World War II, they reluctantly agree. Henry is sent to Riverview, where his life becomes bleak, food is often scarce, children are beaten and restrained. He makes some dear friends there though, working to protect and care for them even as the system works to tear them down. When World War II starts, Victor arrives at Riverview. He’s a conscientious objector, sent to work as an attendant there. He quickly learns that Henry is far from unteachable, reaching out to Henry’s family, including Henry’s beloved sister who has always seen that Henry is smart and kind.
Frost is a master at the verse novel, creating entire worlds that spin by with her poetry. Here the verse draws readers into the darkness of Riverview. One could get caught in that dark, but Henry is there to show a way to see the squirrels outside the window, make friends with some of the other children, and find a way to live one day at a time. While he misses his family horribly and does not understand what happened to make them send him there, he understands much more than everyone thinks he does.
Frost keeps hope at the center of the book. She uses both Victor and Henry’s sister and family members in this way. They all love Henry, trying to figure out how best to deal with an impossible situation exacerbated by poverty and wartime. But hope really is an inherent part of Henry himself, who faces every day and its brutal challenges with a touch of humor, a courage to defend his friends, and a determination to survive.
An important look at how those with disabilities were treated in our country and how conscientious objectors made a difference in their lives. Appropriate for ages 9-12.
Reviewed from copy provided by Farrar, Straus & Giroux.
Bruno and Julie aren’t really friends anymore, but in the small town of Belle Beach, Long Island, they still see one another. That’s how Bruno sees Julie discover the baby that was left on the steps of the new children’s library. Julie carries the baby off, leaving Bruno to discover the note that Julie never found. Bruno though is on a mission for his brother who is overseas fighting in World War II, and he must decide if he will miss the train to New York or not. Told through flashbacks that show the story of Bruno, Julie and Julie’s little sister, Martha, this book explores the impact of the war on families and also how one complicated situation can somehow tie their entire summer together.
Hest creates a marvelous story told in brief chapters by each of the three characters. Their perspectives are beautifully individual, filled with misunderstandings about one another, views that are entirely their own, and opinions that they form along the way. The book is almost a puzzle, where one must figure out what is actually happening through these independent lenses that show a fractured image of the truth.
Each of the three characters has their own personality, deftly created and shown by Hest. Her writing is brief and clear, allowing each character’s words to stand strong as their own. It is the quality of her writing and the profound respect she shows her young characters that really let this delight of a novel work, revealing the moments and experiences of a single sun-drenched summer on the beach.
Ideal for summer reading, this work of historical fiction is masterful. Appropriate for ages 9-12.