Based on the author’s childhood growing up in a Hmong refugee family, this picture book looks at the impact of poverty on childhood and the incredible importance of a loving family. Kalia grew up with her grandmother who had been born across the ocean and once threatened by a tiger there. Now her grandmother is old with only a single tooth left. The luckiest of the grandchildren got to help take care of her. It was Kalia’s job to trim her fingernails and toenails. Her grandmother’s feet were rough and her toenails thick. They were cracked with dirt in the cracks from long ago. The family didn’t have a lot of money so regular ice had to stand in for ice cream, peppermint candies shared together took the place of a new dress. Kalia grew tired of not having enough money for treats, eventually asking for braces to fix her crooked teeth. But the family could not afford them. Her grandmother pointed out her own single tooth, and suddenly Kalia realized what beauty is, and it was not perfection.
Yang vividly tells the story of her childhood, inviting readers into her childhood home to see the care and love there. The dedication goes both ways, with her grandmother offering wisdom and love and the grandchildren sharing in taking care of her needs too. The book steadily builds to the take away, a moment that reminds me of the Russian folktale about the little girl describing her mother as the most beautiful person in the world when by societal standards she was clearly not. Throughout the book, poverty is handled in a matter-of-fact way with love as the healing force.
Le’s illustrations depict a household full of children, plants and toys. The wobbly family table and brightly covered couch add to the feel of a family in need but making do together. The Hmong tales told by the grandmother are lush and bright, carrying readers into a mystical world of jungles and creatures.
A thoughtful and rich picture book featuring a Hmong-American family. Appropriate for ages 3-5.
Reviewed from e-galley provided by Carolrhoda Books.
The Shared Room by Kao Kalia Yang, illustrated by Xee Reiter (9781517907945)
This picture book tackles what happens when a family loses a child. Set months after the death, the family is living in dim rooms with no fire lit. Shadows fill the rooms. There is a picture on the wall of their fourth child, who died by walking into water and drowning when she couldn’t swim. Her room is empty with her items still in place. Her parents visit the room every day and regularly watch a video of the little girl singing. The oldest boy was ten and shared a room with his brother. Then one day, his mother asked if he would like to move into his sister’s room. He agreed, then the emotions hit him and for the first time he is able to cry with the loss and the fact that she was never going to return. That night, he slept in his new room. A snowstorm blew in and the family lit the fire and gathered together in its warmth.
Yang’s prose is filled with poetic moments throughout this heartfelt story. Even introducing winter in St. Paul, Minnesota is done with imagery that opens this book with gray clouds and cracked ice. Yang’s depiction of a family in mourning is done with a delicacy and little drama. The sorrow soaks the pages, the shadows fill them, these moments are dramatic and terrible enough. The emotions ache in the prose, offering a Hmong family’s response to a tragedy.
Reiter’s paintings fill the pages with silence and shadow. She uses white space beautifully, positioning the family as a huddle at times and other times embracing the full page. She plays with shadows and light, using them to show the sorrow. The image of the older brother finally weeping is heart wrenching and very effective.
A quiet book of sorrow and loss. Appropriate for ages 4-6.
Reviewed from copy provided by University of Minnesota Press.
A Hmong girl moves into a new home in this picture book that celebrates community. The house had a swing and a garden full of melons and beans. Inside, the family hung the story cloth about how the Hmong came to America. Ruth and Bob, were two elderly neighbors who had a special bench they sat on. They waved to the girl and her family, and they were even older than the girl’s grandmother, Tais Tais. After her mother had her two little baby brothers, the little girl wanted to escape the crying sometimes, so she headed outside. In fall, the trees lost their leaves and the neighbor worked outside to rake them up. In the winter, no one sat outside anymore and no one waved. Then one day, the girl found out that Ruth had died. As spring arrived, they began work in the garden and saw Bob outside alone. That’s when the girl has an idea about how to show Bob that she cares.
There is a beautiful delicacy to this entire book from the fine-lined illustrations to the skillful balancing of seasons changing, new babies and someone passing. Yang invites readers into a Hmong family, showing elements such as story cloths and multiple generations of families living together. The friendly way of welcoming people to a neighborhood but also not intruding is shown here as well as how seasons in the Midwest connect everyone together in a shared experience of beauty and weather.
Kim’s illustrations embrace the natural world, showing the changing seasons with color and using grass and trees to depict a neighborhood and a home. When the little girl at the end of the book draws images on the sidewalk, there is a direct connection to the story cloth, showing a map of life that is universal but also specific to a Hmong tradition.
Deeply humane and community oriented. Appropriate for ages 4-6.
Reviewed from e-galley provided by Carolrhoda Books.