The Américas Awards are awarded by the Consortium of Latin American Studies Programs to “encourage and commend authors, illustrators and publishers who produce quality children’s and young adult books that portray Latin America, the Caribbean, or Latinos in the United States” as well as to provide recommended titles for classroom use. Here are the 2020 awards that were announced in May:
Beast Rider by Tony Johnston and Maria Elena Fontanot De Rhoads
Efren’s family works hard all day to provide for him and his younger twin siblings, Mia and Max. Efren’s mother, Ama, really holds the family together, creating delicious meals from leftovers every day. He thinks of her as “Soperwoman” because of the delicious sopes she makes. When Ama is seized by ICE and deported, it falls to Efren to watch his younger siblings, getting them ready in the morning, to bed at night, and trying to distract them from missing Ama. Efren’s father is working two jobs and not sleeping at all, just to send money to his mother in order to get her back into the U.S. As Efren’s school work and friendships start to suffer from the pressure he is under and his worry for his entire family, he looks for ways to make sure that his little brother and sister still feel loved, the way his mother would want them to.
Cisneros has created an ownvoices novel for middle graders that grapples with the state of immigration in the United States. The book is timely, speaking directly to situations that children across our country face every day if their parents are undocumented. The level of fear and dread that ICE has for these families, the danger of being deported, and the risks of returning to their families is all captured here,
Efren is a marvelous protagonist. He is smart and has a huge heart as well as an astounding amount of patience towards his little brother and sister. Living in real poverty, his only wish is for his family to be whole, not for a phone, a bigger TV or anything but having his mother back.
A gripping and rich look at the impact of current immigration policies on children of undocumented families. Appropriate for ages 9-12.
Inspired by her grandson’s picture of Super Octo, his grandmother decides to make octopus stew. So the two set off for the fish market where she gets the biggest octopus in the store. The boy gets a warning about octopi on his phone, but she won’t listen to him. She starts the water and gets out the biggest pot when they get home. As the two sit together in the living room, a strange noise comes from the kitchen. The octopus is now so big that it has blown the lid off the pot! It grabs grandmother and holds on to her. Now it’s up to her grandson to figure out how to get an octopus to let go!
Velasquez has won both a Pura Belpre and a Coretta Scott King John Steptoe Award. Here, he writes a layered story that has a gatefold in the middle where the entire story is revealed to be just that, a tale being told. Cleverly, the book can be read both ways either as a story being shared aloud or as a full-on monster tale. However you choose to read it, the book has brisk pacing and plenty of action. It features a Latinx family with Spanish words and phrases sprinkled throughout the text.
The illustrations offer a dynamic superhero feel that works well, since the main character is a superhero fan. The action is captured with plenty of drama and the size of the octopus is enough to pose quite the threat.
Grab this picture book and squeeze it tight! Appropriate for ages 4-6.
The author of As the Crow Flies returns with a queer western story that tells a different tale from the traditional male-focused guns-blazing westerns. This is the story of Flor, also known as the Ghost Hawk, a Latinx woman who steals from stagecoaches with the help of her trained hawk. On one of her heists, she takes a woman hostage looking for a ransom payout. But it turns out that Grace is not wealthy and many don’t understand that she is transgender. The two of them start talking and realize that Grace may be the key to one of Ghost Hawk’s biggest treasures, stealing some crucial documents from some rich confederates. Grace has a perfect Georgia accent, so all they need are some great dresses and plenty of courage.
I fell so hard for this thin graphic novel. I want to have the second book immediately so that I can continue to explore the West with these two amazing women. Gillman’s story is rich and masterful. She offers such empathy to her queer characters, many who are also secondary characters in the story and also pays homage to people of color in the West too. Her notes at the end of the book offer historical details for what she shows on the page, giving context to her characters.
Daisy loves to ride with her father on his motorcycle. After he finishes his work in construction, he always has time for an evening ride with her. They ride like a comet on the hot asphalt, zigzagging through the streets. Together they rumble through their Southern California town and visit all of the sites that Daisy loves. There is Joy’s Market where they see their librarian shopping. Murals on the walls tell the story of their history as Mexican-Americans. They plan to stop for a sweet treat, but the store has closed. They pass her grandparent’s home with happy waves and a plan to visit tomorrow. Their ride ends with a visit to her father’s workplace and then a curving race around Grand Boulevard. They return home to find that the owner of the closed shop has is running a food cart instead.
Quintero’s text is lush and beautiful. It’s remarkable for a picture book to use language the way that she does, yet she manages it without leaving small children behind. It is particularly evident in the places where Daisy’s imagination soars. As Daisy pictures them as a comet flying, Quintero’s prose flies alongside her imagination lifting it with colors, and sentences like “We become a spectacular celestial thing soaring on asphalt.” What more could a reader want?
The illustrations are a true celebration of the community Daisy and her Papi right through. The murals are shown in bright colors, the city itself bathed in the heat and sunshine of a summer day. Perspectives are done playfully at times with chasing dogs and narrow streets.
A summer treat of a book, this one is worth the ride. Appropriate for ages 4-6.
The award-winning author returns with a companion book to her memoir Enchanted Air. In this book, Engle writes in verse about her time in high school. Margarita thinks often of her time in her childhood spent in Cuba, but now that world is entire inaccessible to her and her family. As she attends high school in Los Angeles, Margarita dreams of traveling the world. She is also involved in the unrest of the 1960s as the issues of war, peace, civil rights, and freedom cause protests. Engle finishes high school and goes on to find her own winding path through college on her own terms. It is a memoir filled with hope, longing for peace, and a discovery of personal identity.
Engle is the national Young People’s Poet Laureate, a well-deserved honor given her body of work for children and teens. This second memoir takes a long look at the 1960s in America and the tensions between war and peace. She doesn’t shrink away from topics such as drug use. Her own path to a college degree will also help young people who may be wondering whether they have to go to Ivy League schools to succeed. The joy of finding teachers who are passionate and supportive eclipses the need for the school to be acclaimed.
As always Engle’s writing is exceptional. Here with the personal lens, it is all the more powerful and moving. There are poems that are intensely personal and others that take a less immediate and more philosophical view. The play of the two together allows the book to give a real look at her time growing up and the times of her youth.
Another amazing read by Engle, a poet to be celebrated. Appropriate for ages 13-17.
Reviewed from copy provided by Atheneum Books for Young Readers.
The deep impact and life of librarian Pura Belpre is shown in this picture book biography. The first Puerto Rican librarian in New York City, Pura entered the job with a deep understanding of her native folklore and the power of storytelling with children. But the shelves of the library did not have any of the Puerto Rican tales. So Pura sets off to fix that as well as demonstrating ways to tell stories using puppets. Soon her first book is published and she can use it when she travels to different library branches to share her stories. Pura gets married to a musician and the two of them travel to different cities to perform his music and her stories. When her husband dies, Pura returns to New York City to discover that the stories she planted years ago have germinated something bigger.
Denise writes with a tone of wonder as she tells of this librarian who created her own way to tell the stories she loved. The text is infused with Spanish in a way that allows for comprehension and also clearly ties this book to its Puerto Rican subject. The text reads like poetry, gamboling across the page filled with activity and Pura’s own decisiveness.
The illustrations are rich and vibrant. They depict the library, Pura’s storytelling with children, and the subject matter of her stories. Filled with textures and deep colors, the illustrations pay close attention to the time period of the book and yet have a playful lightness to them as well.
A strong picture book biography of a remarkable librarian. Appropriate for ages 5-8.
Celi loves to dance, especially when her best friend is drumming. She’s danced since she was a toddler, but now everything else seems to be changing. Her body is changing into a woman’s body. She has a crush on a boy. She has to figure out how to support her best friend being genderfluid. Meanwhile, her mother is pressuring her to have a moon ceremony when Celi gets her first period. Celi can’t imagine anything more embarrassing. Celi has some difficult decisions to make, and she makes mistakes along the way. As Celi pushes people she loves most away, she will need to figure out how to be the person she wants to be before she loses her best friend forever.
Written in verse, this novel is dazzling. Salazar combines themes of feminism, connection to one’s culture, self expression, and gender fluidity into one amazing novel. Her verse is well written and just right for young readers without being overly simplistic. Comparisons to Are You There God, It’s Me Margaret are apt with its focus on menstruation and growing up as a young girl.
Celi is a marvelous character. She is a character who makes mistakes that are bad enough that readers will get angry at her as she makes certain decisions in the novel. Still, she is always likable and the book shows the flawed reasons she has for making the choices she does. Celi’s connection to her mother is strained in most of the novel and one of the most important parts of the novel is when they finally start communicating and working together.
A great verse novel for middle grade readers that takes classic themes and makes them fresh again. Appropriate for ages 9-12.
Reviewed from ARC provided by Arthur A. Levine Books.
After moving to a new city with her parents, Harriet is stuck sitting around their new apartment alone while her parents start new jobs. She is missing camp back in Indiana and writes her camp friends postcards about sightseeing in Chicago, even though she hasn’t gone anywhere. She starts to pretend that the mailman is sinister, that the third floor of the house is haunted and that the kind owner of the house, Pearl, is a murderer. Pearl though continues to try to connect with Harriet during her long summer, using books and stories as a way to relate to one another. As the book steadily reveals, Pearl’s son had polio while Harriet herself has MS. This book beautifully portrays a teen’s long summer and dealing with a chronic illness.
Set in the 1990s, this graphic novel depicts a Latinx family as they move closer to Harriet’s doctors in Chicago. The family is warm and lovely, connected to Harriet but not hovering or overly worried about her. The graphic novel uses warm colors, sultry breezes and just enough mystery about what the truth of the house could be to keep the pages turning. The focus on books and reading is conveyed through the eyes of a teen who doesn’t really enjoy reading her assigned books. Filled with diversity, there are lots of people of color as well as people experiencing disabilities in this graphic novel.
Harriet herself is a rather prickly character, so I loved when she faked reading The Secret Garden, saying that she didn’t really like the main character that much. Readers will develop a sense of connection with Harriet as her vivid imagination comes to life, even though she may have misled the readers as well as herself at times. There are few graphic novels that have characters with invisible disabilities who sometimes need mobility aids and other times don’t. This is particularly effective in a graphic novel and portrayed with grace and gentleness.
A quiet graphic novel for tweens and teens that is just right with some lemonade and pizza. Appropriate for ages 12-15.
Reviewed from e-galley provided by Graphic Universe.