I Can Make This Promise by Christine Day (9780062871992)
Released October 1, 2019.
Edie knows that her mother was adopted by a white couple, but the only thing she knows about her mother’s background is that she is Native American. Her mother won’t talk about her childhood at all. While looking in the attic with her friends, Edie discovers a box of old photographs and documents with a woman who looks a lot like her and has the same name! As Edie explores the documents, she realizes that her parents have been lying to her for her entire life. Even when she tries to give them a chance to tell the truth, they continue to avoid it. One of her best friends seems to be more interested in filming Edie’s story than in really supporting her, so Edie must figure out who she can really trust.
This is Day’s debut children’s book and it’s a very special one. Based on her own family history and the government’s role in separating Native children from their families, the book offers a glimpse into the heart wrenching loss of a child. Day also takes on the vital need for Native Americans to be portrayed fully in film, TV and the media.
With those big issues at play, it is to Day’s credit that this story stays firmly focused on Edie and her own journey to understanding her family and her culture. As the mystery of her name and her family is solved, readers will get to experience Edie’s first glimpses of her Native family. The stories are full of deep wounds caused by white government policies that damaged Native families for generations. Still, it is full of hope as well and the promise that healing can continue and justice can be found.
An important book about one Native girl’s journey to learn about her people and herself. Appropriate for ages 9-12.
Reviewed from e-galley provided by HarperCollins.
At the Mountain’s Base by Traci Sorrell, illustrated by Weshoyot Alvitre (9780735230606)
In a cozy cabin under a hickory tree, a grandma sits and weaves. She also worries. Her family gathers around her, singing. Their song tells of a woman in a battle, flying in a plane, protecting and defending. Their song sings of a dream of peace too. The family gathers together, wishing for her return. Told in the beautiful simplicity of a single poem, the words and the weaving work together to create something very special.
By the author of We Are Grateful: Otsaliheliga, this book focuses on a fictional Cherokee family and is inspired by Native women who served in past wars and continue to serve in the military today. The Author’s Note tells of one Native woman who helped train male student pilots, risking her own life as she did so. She served as a cargo pilot during World War II and also as an air traffic controller during the Korean War.
The illustrations of this picture book truly weave the story together. Thread and yarn appear as borders to the images, linking and looping them together. The Native family and the pilot are shown as strong women full of love for one another.
An important tale of female Native soldiers and the families who wait for their return. Appropriate for ages 4-6.
Reviewed from e-galley provided by Kokila.
Awâsis And The World-Famous Bannock by Dallas Hunt, illustrated by Amanda Strong (9781553797791)
When Awâsis accidentally loses her grandmother’s world-famous bannock as she is taking them to a relative, she starts to cry. When a duck hears her crying, the duck offers to help and gives her some tohtosapopimehkan or butter. A rabbit in the woods offers her some flour or askipahkwesikan. As Awâsis walks on, more animals offer her ingredients to make the bannock again. Readers will see a bear lingering nearby and wonder about what he is up to. When Awâsis returns home to her grandmother, she is still missing one key ingredient for the perfect bannock. Who will provide it?
Hunt skillfully integrates Cree words into his tale about a Cree girl, her grandmother and the animals who help her. In the author’s note, he also mentions that the story celebrates traditional indigenous storytelling methods and readers will notice the strong structure of the story and the way it reads aloud beautifully. A pronunciation guide and glossary of Cree words is provided as well as the recipe for world-famous bannock. The illustrations have a lovely softness to them that invites readers into a forest filled with helpful animals.
A marvelous picture book celebrating the Cree language, storytelling and food. Appropriate for ages 2-4.
Reviewed from e-galley provided by Highwater Press.
We Are Grateful: Otsaliheliga by Traci Sorell, illustrated by Frane Lessac (9781632896339)
This picture book looks at modern life in the Cherokee Nation. Looking at being grateful, the book explores the year and its seasons. Along the way, various Cherokee words are shared with the reader both in English lettering and also in Cherokee syllabary. Throughout the book, a strong connection with nature is shared with buckbrush, cane flutes, wild onions, and large gardens. There is also a clear connection with Cherokee history from the Trail of Tears to family members who have passed on to festivals and memorials. This is a book about community that celebrates the earth, survival, and family.
This is Sorell’s debut picture book. A member of the Cherokee Nation, her prose here reflects her skill as a poet, bringing a soaring feel to the moments she shares. The book ends with a glossary of terms that will inform readers about the connection to things like stickball and gigging. Sorell uses the title phrase of “We are grateful” again and again in the book, creating a rhythmic feel of a traditional tale.
Lessac’s illustrations are done in gouache, creating bright and rich colors that show entire scenes on the page. The greens of nature, the blues of the water and sky, the bursts of color in homes and gardens, all have a great depth of color.
A wonderful modern look at Cherokee traditions and our universal gratitude for community and family. Appropriate for ages 5-9.
Reviewed from library copy.
First Laugh – Welcome, Baby! By Rose Ann Tahe and Nancy Bo Flood, illustrated by Jonathan Nelson (9781580897945)
In Navajo tradition, the person who gets a baby to laugh first gets to host the First Laugh Ceremony. So an extended family spends time with their baby attempting to get him to laugh out loud. In a variety of settings from a city home to where he is too hungry to laugh and then too busy eating to giggle. He spends time on the Navajo Nation with his grandparents, time on horseback. Music is played, water splashed, tummies tickled and still no laugh. Until his grandfather lifts him high, his grandmother whispers a prayer. So the ceremony is held on the Navajo Nation and filled with family and more laughter.
There is such love on each page of this book, filled with people spending time with a baby. There are quiet times of weaving and before getting up. There are active times of play. It all comes together into a rich family experience that leads directly to a Navajo tradition. The end of the book offers more information on the settings of the book, the ceremony and ceremonies from other cultures for babies. The illustrations focus on the family as well, depicting the different settings of the book warmly. Just as with the text, there is love on each page.
A warm look at the Navajo First Laugh Ceremony and a great depiction of a modern Native American family. Appropriate for ages 3-6.
Reviewed from copy provided by Charlesbridge.
Hey Black Child by Useni Eugene Perkins, illustrated by Bryan Collier
First written in 1975, the poem at the heart of this picture book speaks directly to young African-American children. It encourages them to be who they truly are. To learn all that they can learn. To be strong and be leaders for themselves, their communities and their country. If they do all of that, their country may just change to be what they want it to be. The poem is profoundly simple yet speaks deep truths that uplift children of color to fully be the wonderful people that they are. The illustrations by Collier are exceptional. He ties the children directly to role models like President Obama and Mae Jemison. Using collage and paintings, the illustrations are layered and lovely. A call for young people of color to stand up and change their country, this picture book belongs on the shelves of every public library. Appropriate for ages 4-6. (Reviewed from library copy.)
I Wait by Caitlin Dale Nicholson (9781554989140)
Written in both Cree and English, this picture book quietly celebrates three generations of women in a Cree family. As the grandmother gets ready, a little girl and her mother wait. They all walk out into the fields together, then they all pray. They gather yarrow together, the mother a little bit more slowly than the others. Then they are done! Told in very simple sentences of just a few words, this picture book shows written Cree, Cree in English letters and also English. There is a gentle solemnity to the book, a feeling of importance and family. The illustrations are done in acrylic and show the landscape and also the three very different members of the family as they work together. Beautifully presented, this is a glimpse into modern Cree life for young readers. Appropriate for ages 2-4. (Reviewed from library copy.)
Princess Hair by Sharee Miller (9780316562614)
This book directly challenges the idea that princesses must have straight golden tresses in order to be proper royalty. In this picture book, princesses come in all colors and their hair comes in all sorts of types and styles. There are puffs, dreadlocks, frohawks, head wraps, afros, kinks, and much much more. The text here is joyous as it celebrates each type of hairstyle with rhythm and rhyme. Happily, the illustrations have girls of color outnumbering those who appear to be white. This is a book about differences and similarities that make it just fine to be royal no matter what type of princess hair you might be sporting. Appropriate for ages 3-5. (Reviewed from library copy.)
#NotYourPrincess edited by Lisa Charleyboy and Mary Beth Leatherdale (9781554519576)
This is one powerful book about the experience and strength of Native women. The book is a collection of art, stories, poems and interviews of and by Indigenous women. The pieces in the book explore the intersectionality of being both Indigenous and female, demonstrating with a searing cry the damage done by abuse and stereotypes. There is power in the book, strong voices that insist on being heard and no longer being invisible in our modern world.
This book fights back against the harmful boxes that our society puts Native women in, labeling them with stereotypes of drunkenness or princess. This book shows instead the wide range of Native voices with art and words that shout on the page. Both the art and textual pieces are impressive separately, but put together into a whole, the book becomes more than its pieces. The result is a brilliant collection, building piece by piece. It is not an easy read, but one that is honest and raw.
Beautiful, angry and insistent, this collection of the voices of Native women belongs on the shelves of every library serving teens. Appropriate for ages 13-17.
Reviewed from library copy.
Stone Mirrors: The Sculpture and Silence of Edmonia Lewis by Jeannine Atkins (9781481459051)
Edmonia Lewis was the first professional African-American sculptor. She lived and worked in the period right after the Civil War. This verse novel takes the little information known about Edmonia and fills in the gaps with what may have happened. Edmonia attended Oberlin College, one of the first colleges to accept women and people of color. Half Objibwe and half African-American, Edmonia struggles to find her place at Oberlin. When she is accused by other students of poisoning and theft she is forced to leave college despite being acquitted of all charges. The book follows Edmonia as she moves to Boston and eventually Italy, becoming a successful sculptor.
This is an exceptional verse novel. Each poem reads like a stand-alone poem and yet also fits into Edmonia’s complete story. Atkins uses rich and detailed language to convey the historical times right after the Civil War to the reader. She also works to share the real soul of Edmonia herself on the page, a girl who has given up the freedom of life with the Ojibwe to study art at a prestigious college only to have it all fall apart again and again. It is a lesson in resilience and the power of art that Edmonia continues to strive to become the artist she truly is despite all of the odds.
This book reads like a series of stunning pieces of art, strung together into a larger display. The use of language is so beautifully done, carefully crafted with skill and depth. Atkins uses the few details of Edmonia’s life to craft a real person of flesh, bone and dreams on the page. Throughout the book, care is taken that no one forget the historical times the book takes place during and their impact on Edmonia as a person of color.
Timely and simply amazing, this verse novel is uplifting and deeply moving. Appropriate for ages 13-16.
Reviewed from copy received from Atheneum Books for Young Readers.
I Am Not a Number by Jenny Kay Dupuis and Kathy Kacer, illustrated by Gillian Newland (InfoSoup)
Based on the true story of the author’s grandmother, this picture book captures the experience of First Nations people in Canada being sent to boarding schools. Under threat of fines and jail time, First Nation parents were forced to give their children up to the government. When Irene is taken to her new home, she tries to never forget her real home, her parents and their way of life. Irene is called only by a number at the school and told to scrub the brown off of her skin. Her hair is cut off. She is punished when she speaks her native language by a nun burning her hands. Irene is eventually allowed to return home for the summer, where she continues to have nightmares of her time at school. Finally, her parents decide to hide the children rather than sending them back.
This is not a picture book for preschoolers, rather it is ideal for elementary-aged children closer in age to 8-year-old Irene in the story. The horrific treatment of First Nation children is shown with real clarity. The use of Irene’s own voice to tell the story makes it personal and much more painful. While there is a lot of text on the pages, the book reads well and the text is straightforward and necessary to explain the loss of culture and the darkness of the boarding schools.
The illustrations by Newland are almost like painted photographs. They show the family losing their children, the stern nuns, and the punishment scene is carefully captured afterwards in terms of pain and emotion rather than depicting the punishment itself. There is a feeling of constraint and loss in the images of the boarding school and then freedom when the children return home.
A powerful look at Canadian history and First Nation children, this book would work well paired with When I Was Eight by Christy Jordan-Fenton. Appropriate for ages 7-10.
Reviewed from library copy.