The Island at the End of Everything by Kiran Millwood Hargrave

The Island at the End of Everything by Kiran Millwood Hargrave

The Island at the End of Everything by Kiran Millwood Hargrave (9780553535327)

Ami has grown up on Culion, an island in the Philippines filled with people who have leprosy, like Ami’s mother. Ami loves her home, the others who live there with her, the kind nun who helps everyone out. But then things change and new government rules are implemented. Ami and her mother must be tested to see if Ami is also “Touched” with the infection. When Ami is declared to be free of leprosy, she is taken with the other children to a neighboring island and placed in an orphanage. Watched over by a cruel man who is terrified of disease and by extension hates the children from Culion, Ami slowly makes new friends, longing for news from home. After finding a letter withheld from her, Ami makes a desperate journey to see her mother once more.

Using butterflies as a beautiful metaphor throughout the book, one of strength and fragility, Hargrave has crafted a book that looks past the surface level of leprosy and deeply at the people who suffer from the infection and those who love them. Throughout the book, butterflies emerge from cocoons, appear suddenly and inspire those who see them, die at the hands of a collector, and eventually form a way of life. There is a resilience throughout this novel, a tale of overcoming not leprosy but expectations and limitations of all sorts.

The setting of Culion and the Philippines is brought lushly to life on the pages. From journeys through the jungle with its fruits, fish and streams to the coral reefs that tear at boats to the colony itself, each place is drawn with care. The setting is evoked through sounds, scents and sight.

A complex book that takes a deep look at grief, loss, courage and family. Appropriate for ages 9-12. (Reviewed from e-galley provided by Edelweiss and Alfred A. Knopf.)

Thornhill by Pam Smy

Thornhill by Pam Smy

Thornhill by Pam Smy (9781626726543, Amazon)

Released August 29, 2017.

A grand Gothic graphic novel, this book is surprising and delightfully dark. The story is told in two parallel stories, one in images and one in text. Both stories take place in the same neighborhood and revolve around Thornhill, a home for orphans. Mary’s story is told in text and is set in 1982 where she is one of the last children to leave Thornhill. As the other girls leave, Mary is left with a girl who has been bullying her for some time and the story builds to a terrible climax. The illustrated story is that of Ella in 2016 who has just moved to town and doesn’t have any friends yet. She can see Thornhill, now disused and old, from her house. When she glimpses a girl there, she decides to figure out the story of Thornhill and the girl.

This is the sort of story, you curl up with and read as fast as possible. Happily, Smy’s writing and illustrations make it almost impossible to leave this book behind for even a moment. The illustrations linger with the reader, haunting in their black and white details. The text invite readers into the past, showing them what being an orphan in was like before rules were put in place to protect children. There is a brilliance to not setting the history piece in the 1800’s, but allowing shocking situations of a more modern time to surface.

The art pieces in the book allow the reader to piece together that the girl being described in the text is not the one in the images quickly. The images are done only in black and white, filled often with deep shadows and lit by bright light at other times. They are dynamic and interesting, telling their own wordless story of Ella and her own losses.

Get this into the hands of children who enjoy ghost stories, because this one will haunt readers. Appropriate for ages 9-12.

Reviewed from ARC received from Roaring Brook Press.

 

 

Review: Audacity Jones to the Rescue by Kirby Larson

Audacity Jones to the Rescue by Kirby Larson

Audacity Jones to the Rescue by Kirby Larson

Released January 26, 2016.

Audacity Jones is the only orphan at Miss Maisie’s School for Wayward Girls. She’s also the only student there who knows that the Punishment Room is actually a lovely library, so she is very well read. When Commodore Crutchfield visits the school and asks for a girl to take on a journey, Audie is up for the challenge. But all is not what it seems with the reason for the travel and Audie finds herself in Washington, DC with the distracted Commodore and his shifty chauffeur. As this historical novel unfurls, Audie will need to call on all of the friends she has made in her adventure to foil a plot of presidential proportions!

This historical novel takes place in 1910 when President Taft was in office and features Taft, Mrs. Taft and their son. Larson weaves real history into her novel, cleverly combining the two into a truly engaging read. The story of a poor girl brought into luxury and then used as a potential pawn in a heist is entirely engrossing. Larson’s plotting is noteworthy, allowing her merry chases and close calls but also offering enough space to give historical details that make the setting clear and important.

I fell hard for Audacity. She’s exactly the sort of girl protagonist that is engaging to read and she will remind readers of other great girl protagonists who also love books and adventures alike. She takes her place by other literary orphans who capture your heart with their spirit and determination.

A delight of a novel, this is the first in a new series from the Newbery-Honor winning author. I can’t wait to see what Audie gets up to next! Appropriate for ages 8-11.

Reviewed from ARC received from Scholastic Press.

Review: Rooftoppers by Katherine Rundell

rooftoppers

Rooftoppers by Katherine Rundell

Sophie was found floating in a cello case after a shipwreck, scooped out of the water by a fellow passenger, Charles, who became her guardian.  He was a single man and a scholar, and unlikely to be a suitable parent, but the two of them got along perfectly well.  The Welfare Agency did pursue the two of them and it finally got so bad that the two fled to Paris before Sophie could be sent to an orphanage.  Sophie knew that her mother was still alive although everyone else thought she was dead.  And her guardian always taught her to never ignore a possible.  So they searched Paris for her mother, following the clue she found in the cello case.  There she met Matteo, a boy who appeared in her skylight and led her to a world of the rooftops.  Together they search the roofs of Paris for the sound of her mother’s cello.  But how long can Sophie search before she is caught by the authorities?

Rundell writes so beautifully, it is impossible not to stop and linger over her phrases.  She uses unusual metaphors like “…he held her in his large hands – at arm’s length, as he would a leaky flowerpot…”  She also paints gorgeous images of her characters, “Think of nighttime with a speaking voice.  Or think how moonlight might talk, or think of ink, if ink had vocal chords.”  And she also vividly shows how characters think, “Mothers are a thing you need, like air, she thought, and water.  Even paper mothers were better than nothing – even imaginary ones.  Mothers were a place to put down your heart.  They were a resting stop to recover your breath.”  I could go on and on with quotes, since her entire novel is filled with moments like this.

Sophie and Charles are great characters, entirely unique and quirky.  At first they are living in a normal society where they don’t fit at all and the tension between them and normalcy is finely conveyed.  It is when she reaches the rooftops of Paris though that the book becomes pure quicksilver magic.  Impossible to put down, one wishes that they too could climb to the rooftops of Paris in the confident hands of Matteo, who is also a vivid and amazing character.

Profoundly original and filled with shining prose, this novel is a wondrous read.  Appropriate for ages 11-13.  Reviewed from digital galley received from Edelweiss and Simon & Schuster.