16 Words: William Carlos Williams and “the Red Wheelbarrow” by Lisa Jean Rogers, illustrated by Chuck Groenink (9781524720179)
This nonfiction picture book explores the inspiration behind Williams’ most famous poem as well as the life of the poet who wrote it. The book begins with Williams on his doctor’s rounds, noticing the red wheelbarrow that belonged to Mr. Thaddeus Marshall, who works harvesting and selling vegetables in Rutherford, New Jersey. Williams uses his spare time at work writing poems and noticing small things around him. He types between office visits and takes notes as he walks through the town. Then one glimpse out of a window on a rainy day created a moment that inspired one of the greatest poems.
Rogers writes a biography focused on Williams himself and on the inspiring white chickens and red wheelbarrow. She takes time to not only capture that iconic image once but several times on the page, showing how inspiration lingers and returns. She also makes sure to linger on how Williams works writing into his role as the town doctor and how he notices small things that inspire him.
The illustrations are done digitally and feel very organically with pencil and brush lines on each page. The colors are pastel and gentle, encouraging readers to look more closely and linger just as Williams himself was doing.
A nonfiction picture book about writing, poetry and life. Appropriate for ages 6-9.
Reviewed from e-galley provided by Schwartz & Wade.
Imagine by Juan Felipe Herrera, illustrated by Lauren Castillo (9780763690526)
Poet Laureate of the United States, Herrera here writes a poem that is filled with wonder and possibilities. He invites young readers into his own childhood, filled with tadpoles in creeks, sleeping outside, and feeding chickens. Though his childhood also had goodbyes to people when he moved away and fetching water through the forest. Herrera shares moving to the United States and learning English. Filling pages with words and ink, creating poems and songs. The book ends with him speaking on the steps of the Library of Congress and then asks readers to imagine what they could do.
Herrera’s poem is exquisitely crafted for young readers. He takes them on a full journey of his childhood, showing them the beautiful side, the hard work and the difficulties of learning a new language and moving to a new country. It is a powerful work just right for small children about immigration and the impact the immigrant voices have on our country in so many ways.
Castillo’s art is filled with a sense of memory and longing. She lights her pages with bright sunlight and then haunting moonlight appears. There is a sense of being a witness to Herrera’s life in her work, of watching things happen right at his shoulder. It’s a beautiful way to view someone’s life.
Rich, memorable and timely, this picture book is something special. Appropriate for ages 3-5.
Reviewed from library copy.
Jabberwalking by Juan Felipe Herrera (9781536201406)
From the first Mexican-American Poet Laureate of the United States comes this call to become a person who can write and walk at the same time. It’s a book that demands that you record your thoughts, messy and wild and raw. That you use documents to find words, that you draw ideas while on airplanes, that you walk a lot, think a lot, write a lot. That you embrace the voice that is inside you and create. Whatever that creation looks like in all of its “fuzzy, puffy, blue-cheesy, incandescent, brave Jabber!”
Looking for a straight-forward and rule based book on being a writer or creative person? This is not the book you are looking for! Instead this is a book that shows raw creativity, using inspiration from Lewis Carroll and the Jabberwocky, this is a book filled with emotion, encouragement, and acceptance about the way that our human brains work best when creating. It invites readers into a playful world where words are toys, content is loose, and ideas flow freely.
The writing here could initially be seen as too loose and raw. But as you read more and more of the book there is a gorgeous continuum of content throughout the chapters. Soon blue-cheesy starts to make sense and jabberwalking is all you want to do for awhile to see what comes out of your brain too.
Inspiring and incredibly joyous, this book about writing is entirely unexpected. Appropriate for ages 9-12.
Reviewed from ARC provided by Candlewick Press.
Out of Wonder: Poems Celebrating Poets by Kwame Alexander with Chris Colderley and Marjory Wentworth, illustrated by Ekua Holmes (9780763680947, Amazon)
This book is an exploration of famous poets through poems in their honor. Each one captures a sense of that poet whether it is in format itself or subject matter or simply a frame of mind. Turning the pages, one encounters new poets but also old friends. It is with those poets that one knows well that the book truly shines, the homage is clear and the cleverness of the poetry is wonderful.
I read many shining reviews of this book and still was unprepared for how great it is. This is a book that should be part of poetry units in elementary school. It shows two sides of poetry, both paying respect to poets who have gone before but also creating in poetic form a real honor for their work. It’s smart, clever and so beautifully done. As I turned the pages to discover some of my favorite poets on the page, I found myself smiling with delight and amazement as that poet was revealed via poetry.
The illustrations by Holmes are also a way that the poets themselves are depicted on the page. They vary from a focus on a bowl of oatmeal for Billy Collins to zinging reds and oranges and yellows for Rumi to a natural focus for Mary Oliver and Neruda. The varied illustrations also imitate the focus on structure or free style that each poet uses; they are adept reflections of the poet and their poetry.
This book belongs in every elementary school collection and every public library. It is extraordinary. Appropriate for ages 7-12.
Reviewed from library copy.
The Poet’s Dog by Patricia MacLachlan (InfoSoup)
Released September 13, 2016.
Newbery Medal winning author Patricia MacLachlan returns with a gorgeous little book. Two siblings, brother and sister, are trapped in a snowstorm. They had been left with the car when their mother went for help, but were warned that if the car was entirely covered with snow, it might be a dangerous place to stay. Nearby lives Teddy, a dog raised by a poet, so a dog who understands words and can even speak. However, only two kinds of people understand him, poets and children. Teddy discovers the children and brings them back to the poet’s home, a home that he hasn’t entered since his beloved human companion died. Soon the children are making the house into a different kind of home, but no less filled with the beauty of words and the feelings of love.
MacLachlan has created a lovely short book that wraps readers in warmth. It is as if readers too have been rescued from the cold and the dark, welcomed into a place of firelight and sustenance. It is an enchanting book that brings back the feelings of being at home during a storm and knowing you are safe and secure. MacLachlan’s writing is assured and masterful. She is so succinct and deft in her storytelling that she manages to offer a full story in less than fifty pages and even make it feel leisurely and special.
Throughout the book, Teddy the dog explores what it is to be special to someone, loved by someone and then to lose that person. Through his memories readers see how Sylvan, the poet, died and how Teddy has managed to stay on the property. As he works through his grief with the children near him, there is a strong sense of the importance of poetry and words and expression.
A very moving and noteworthy addition to MacLachlan’s exceptional body of work, this book is exquisite. Appropriate for ages 8-11.
Reviewed from digital galley received from Katherine Tegen Books and Edelweiss.
Poet: The Remarkable Story of George Moses Horton by Don Tate
Released September 1, 2015.
George’s family were slaves in North Carolina. Though he loved words, George was not allowed to learn to read. But he listened when the white children did their ABCs and then got himself an old spelling book along with a book from his mother and taught himself how to read. He read everything that he could find, but loved poems most of all. He spent his workdays composing poems in his head, though he didn’t know how to write them down. Soon after, his family was split apart and he was sent to live on another farm. He worked in the fields and was sent to Chapel Hill to sell fruit and vegetables to the students. While there, he started to share his poetry aloud. The students loved his words and helped him by giving him more books to read and paying him to write poems for them. He was also taught to write his poems down and soon had his writing published in newspapers. George could then negotiate with his master to pay him for his time away from the farm where he could write. As George created the best life he could while still living a slave, the country was changing and a war for freedom was about to be fought. It was a war that would free George finally and allow him to continue writing but this time a free man.
Tate captures the life and times of this remarkable man with a tone of wonder at times. What Horton managed to do in his lifetime under slavery is amazing and a sign of the quality of the words he wielded so well. As readers watch Horton grow up and then fight for his freedom in his own way, with words, they will be devastated when he continues to be a slave despite his best efforts. Even the work of others on his behalf could not get him free.
Tate’s illustrations are exceptional. One can see the yearning for education on Horton’s face as he watches the white children learn to read. Tate also makes sure that Horton’s image shines on the page. He is regularly lit from outside lights of candles and the sun, creating a light around him. The illustrations also show North Carolina in the mid-1800s and Chapel Hill in particular. Tate also incorporates some of Horton’s poems into the illustrations, allowing them to flow past visually.
This is a choice nonfiction picture book that shows the strength of one man, his intelligence and the power of his words. Appropriate for ages 6-8.
Reviewed from digital galley received from Peachtree Publishers and Netgalley.
Enormous Smallness: A Story of E.E. Cummings by Matthew Burgess, illustrated by Kris Di Giacomo (InfoSoup)
This picture book biography of the great poet E. E. Cummings is exceptional. Focusing on Cummings’ early years primarily, the book invites young readers to view their own world with wonder and to try to put it into words. As a young boy Cummings was already creating poetry, starting at age three. His mother wrote down his poems for him as he recited them aloud. His imagination extended to art as well, but his real love was words which he approached very playfully, often creating his own words or mashing ones together into new ones. The book emphasizes the hard work that Cummings put into his craft, including spending lots of quiet time observing the world around him for inspiration. After graduating from Harvard, Cummings headed to New York City where he found new inspiration all around him. He served in World War I and published his first books soon after the war ended. His poems were both loved and controversial as he toyed with form and words. Filled with Cummings’ poems as examples, this picture book is a joy to read.
Burgess does a great job with his prose which introduces the young Cummings and his early poems and then follows him as he grows older and his poems grow with him. I appreciate that the book was not attempted to be written using Cummings’ unique style. Rather it is a book that pays homage to the art, the inspiration and the man himself. Spending so much time on Cummings’ youth makes the book much more appealing to young readers who will find inspiration both in Cummings’ age when he began to write and in his poems simplicity.
The art by Di Giacomo is filled with textures and patterns. Words dance across the page, playful and light. They often break free of the lines of prose, merging to be part of the art itself. Words float up on breezes, lengthen with hot summer days, and zing with the style of New York City.
A fabulous biographical picture book, this book is a great introduction to E.E. Cummings and his work. Appropriate for ages 6-9.
Reviewed from copy received from Enchanted Lion Books.
The Lightning Dreamer by Margarita Engle
Margarita Engle, award-winning author of verse novels, continues her stories of Cuba. In this book, she explores the life of Gertrudis Gomez de Avellaneda, also known as Tula, who becomes a revolutionary Cuban poet. Raised to be married off to save the family financially, Tula even as a young girl relates more closely with slaves and the books she is reading than with girls of her own age and her own social standing. As she reads more and more, sheltered by both her younger brother and the nuns at the convent, Tula starts to explore revolutionary ideas about freedom for slaves and for women. In a country that is not free, Tula herself is not free either and is forced to confront an arranged marriage, the brutality of slavery, and find her own voice.
Engle writes verse novels with such a beauty that they are impossible to put down. Seemingly light confections of verse, they are actually strong, often angry and always powerful. Here, Engle captures the way that girls are asked to sacrifice themselves for their families, the importance of education for young women, and the loss of self. She doesn’t shy away from issues of slavery either. At it’s heart though, this novel is about the power of words to free people, whether that is Tula herself, her brother or a family slave and friend.
Highly recommended, this is another dazzling and compelling novel from a master poet. Appropriate for ages 12-15.
Reviewed from digital galley received from NetGalley and Houghton Mifflin Harcourt.
Emily and Carlo by Marty Rhodes Figley, illustrated by Catherine Stock
When Emily Dickinson was 19 years old, she was lonely in the big home in New England since her siblings were off at school. So her father bought her a puppy that she named Carlo. The quiet and reclusive poet was an odd match with her bounding, huge Newfoundland. Carlo gave Emily more courage to be out and about, visiting others. He was with her always, a large drooling dog. They explored Amherst together with its woods, meadows and ponds. Their time together inspired her poetry, as shown in this book through stanzas that she wrote. This friendship with a dog makes this literary figure much more human and approachable for children. It’s a very special way to see an author.
Figley truly found the key to Emily Dickinson’s personality for children. All it took was a large messy dog to break through into Dickinson’s quiet, contemplative world. Interspersing the verse with the story also makes this a friendly window into Dickinson’s work. The book maintains a fresh, light tone throughout, showing the two friends aging together.
Stock’s art is a radiant mix of playfulness and contemplation, matching the subject matter beautifully. It shows the deep connection of woman and dog, the natural world they explored, and pays homage to the verse that is embedded in the book.
A simply lovely look at Emily Dickinson through her love of a pet, this book should be used with anyone working with Dickinson’s poetry and children as a lens through which to view the person and her writing. Appropriate for ages 6-8.
Reviewed from copy received from Charlesbridge.