Tag: religion

Preaching to the Chickens by Jabari Asim

preaching-to-the-chickens-by-jabari-asim

Preaching to the Chickens by Jabari Asim, illustrated by E. B. Lewis (InfoSoup)

John Lewis, renowned Civil Rights leader and Congressman, dreamed of becoming a preacher as a child. When he was put in charge of the family’s flock of chickens on their farm, he knew it was a great responsibility. John loved going to church on Sunday and took what he learned in church back to his flock. He would sermonize to them, the chickens mesmerized by his voice. He would also baptize them, speak up for them when they needed a voice and rescue them when they needed help. As he preached the words he learned in church, he put those words into action while tending his flock.

Asim beautifully ties together the lessons in church to actions in caring for others. There is a richness to the writing in this picture book biography, capturing both scripture and the beauty of life on a small farm filled with hard work. This is not a fantasy farm, but one where toil is what makes for a successful harvest. Still, it is a place that grew an activist like John Lewis, who learned about using his voice for a cause right there on the farm with his chickens.

The illustrations by Lewis are done in watercolor, capturing the chicken coop and John himself with just enough detail to convey their simplicity but also their stature. Lewis uses the play of light spectacularly in the book, deftly incorporating shadow and light into John’s childhood sermons.

A beautifully crafted picture book biography that speaks of the power of childhood dreams to create activism and a man with a voice to change generations. Appropriate for ages 6-8.

Reviewed from library copy.

 

The Passion of Dolssa by Julie Berry

The Passion of Dolssa by Julie Berry

The Passion of Dolssa by Julie Berry (InfoSoup)

The author of All the Truth That’s in Me returns with another historical novel that once again speaks to the role of women in history. Here we follow the story of two very different young women in medieval France. There is Dolssa, born to wealth who speaks directly with Jesus and who gains the attention of the Church who brands her as a heretic and sentences her to death. There is Botille, who is a matchmaker and who owns a tavern along with her two sisters in a small seaside town. When their two stories collide, Botille discovers a person who both brings miracles and doom along with her.

Berry has created a novel that shows how power worked in the Middle Ages with two young women who are both products of their society and also find themselves outside of it some of the time. The two young women are as different as can be, both in their backgrounds and in their beliefs, but still between them there is a sisterhood that cannot be denied and a love that is transcendent.

Each of the women is fully formed on the page, shown in all of their questioning, their doubts and their beliefs. While Dolssa is certainly a different creature than Botille, it is the two of them together that is so brilliant it can be painful to read, particularly because there is no doubt that they are risking everything to support one another. Berry makes sure that readers understand the way that the Crusades and then the Inquisition worked, the holy people left to starve due to their heresy and the flames and torture that accompanied their work in France. It is a world of cruelty, particularly for two young women who have the audacity to think for themselves.

Brilliantly crafted, well researched and filled with the darkness of impending doom yet lit brightly with faith and miracles, this is a wrenching historical read. Appropriate for ages 14-18.

Reviewed from ARC received from Viking.

 

Review: The Patchwork Torah by Allison Ofanansky

patchwork torah

The Patchwork Torah by Allison Ofanansky, illustrated by Elsa Oriol

David’s grandfather was a scribe.   He had been asked by the rabbi to write a new Torah for their synagogue because the old one was fading.  David watched his grandfather work for a year on the new Torah and then store it away, explaining that a Torah is not something to be thrown out.  Years later, as David was learning to be a scribe from his grandfather, a couple came to them bringing a Torah that they had hidden from the Nazis.  It was badly water damaged and his grandfather tucked that Torah away too in the hopes of working on it someday.  David grew up to be a scribe and inherited his grandfather’s cabinet with the two scrolls inside.  One day, the rabbi called and told him that there had been a fire in the synagogue and the Torah was damaged.  That scroll too was put away.  Finally, Katrina hit New Orleans and a Torah was rescued but damaged too.  David suddenly had an idea and worked for months to take the four scrolls and patch them together into one complete Torah that would be unlike any other.

Ofanansky builds this story slowly and steadily.  Each Torah comes into the book with a full story and history.  Each is unique and ruined in some way, but worthy of being rescued and reused.  It is the ultimate in recycling.  The book also pays homage to the long history of scribes who care for and create Torah, showing the dedication that it takes to learn the art and skill. 

The art by Oriol has a quiet nature too.  The paintings are suffused in yellow light and warmth.  Even the days of the tragedies that happen to the people and the Torah are light-filled and hope filled. 

A quiet and powerful story about renewal and reuse, this book speaks across religions to the importance of hard work and resilience.  Appropriate for ages 6-9.

Reviewed from library copy.

Review: Engines of the Broken World by Jason Vanhee

engines of the broken world

Engines of the Broken World by Jason Vanhee

Merciful’s mother has finally died.  After years of growing more and more confused and cruel, she died as the weather grew colder and colder.  Merciful and her brother Gospel had wanted to bury her properly but the bitter weather had worsened and prevented them from digging a hole.  The snow came too, lashing the windows and keeping them from even venturing out to the barn to check on the animals.  So they put their mother under the table and went to bed.  The Minister, in an animal form, said prayers over her but was also firm in saying that she needed a proper burial.  Merciful is starting breakfast the next morning when she hears it, a voice she thought she would never hear again, singing her childhood song.

This novel is completely unique.  It is the story not of a post-apocalyptic world but of the days leading directly into an apocalypse.  Yet it is also a book that explores religion in a way that will certainly bother many people.  This is a religion beyond decay, heading into the final days, one that is flagging but still powerful.  Even better, it is one that is familiar to many of us.  Now add zombies to this complex world, and you are starting to understand why this book is so difficult to explain.

Against this dire setting, we have two young characters Merciful and Gospel.  The two do not get along, both approaching the world from different places.  Yet given the claustrophobic setting, the two are forced to see the truth about each other and their strengths.  It is this setting of a blizzard at the end of the world that makes this book so haunting.  Vanhee writes in a voice that we haven’t heard before either, he tinkers with perception of the characters, and he has created a book where you can’t trust much at all.  It is a wonderfully slippery book, that changes underneath you and turns into something unexpected.  Yet it is also filled with moments of great beauty and character. 

A horror book for teens, this is also something much more.  It is a beautifully written apocalypse that is harrowing, striking and powerful.  Appropriate for ages 13-15.

Reviewed from copy received from Henry Holt and Co.

Review: Deep in the Sahara by Kelly Cunnane

deep in the sahara

Deep in the Sahara by Kelly Cunnane, illustrated by Hoda Hadadi

Released October 8, 2013.

Lalla wants to wear a malafa just like the other women in her family do.  Lalla tells her mother she wants to be beautiful just like her, but her mother says that a malafa is about more than beauty.  Lalla tells her sister that she wants to be mysterious just like her, but her sister says that a malafa is about more than mystery.  Seeing all of the women in their malafa, Lalla tells her cousin that she wants to be like all of them, but she replies that a malafa is more than that.  Her grandmother too says that a malafa is about more than tradition.  Finally, Lalla goes back to her mother and explains that she wants to be able to pray like her mother does.  Her mother agrees, saying “A malafa is for faith."  And the two face east and pray together in their malafa.

Set in Mauritania, this book celebrates the Muslim faith in a very beautiful way.  Written in the second person, readers are invited to see themselves as Lalla and learn about her faith and her world.  Cunnane writes beautiful descriptions of both the malafa themselves and also the community where Lalla lives.  There are donkeys, camels, and other exotic things, but Cunnane goes deeper than that and paints a world with pink houses shaped like cakes and silver heels that click on tiles.

Hadadi’s art is jewel toned and filled with details.  She has created a warm and loving community for Lalla to explore with the reader.  The beauty of the malafa are shown, the colors of the rooms, and the tangible love of an extended family.

An accessible and beautiful look at a Muslim community that dazzles.  Appropriate for ages 4-6.

Reviewed from digital galley received from Edelweiss and Schwartz & Wade.

Review: The Longest Night by Laurel Snyder

longest night

The Longest Night: A Passover Story by Laurel Snyder, illustrated by Catia Chien

This Passover picture book tells the story of the Exodus from the point of view of a young slave girl.  Readers first get a sense of the harsh environment and difficult lives of the Jewish people: the heat, the hard labor, the slavery.  Then come the plagues, one after another.  Finally there is the Exodus itself, the thrill and fear of fleeing in the darkness.  And finally, the miracle of the sea splitting in two, giving them safe passage away from Egypt. 

Written in rhyme, Snyder has created a book filled with rhythm and a story that moves swiftly along through the different parts of the Exodus.  Her choice of telling the story from the point of view of a child makes the story all the more personal and dramatic. 

Chien’s illustrations are just as dramatic with their deep color palette.  Especially moving are the natural moments, when the little girl finds openness and freedom in the world around her, though she can’t find it personally.  At these moments, the sky is huge and beautiful, but quickly the grit and sand return. 

A powerful and lovely exploration of the Old Testament tale of the Exodus given a fresh and personal aspect.  Appropriate for ages 5-7.

Reviewed from copy received from Schwartz & Wade.

Review: Under the Baobab Tree by Julie Stiegemeyer

under the baobab tree

Under the Baobab Tree by Julie Stiegemeyer, illustrated by E. B. Lewis

Brother and sister, Moyo and Japera, travel to a neighboring village to gather under the baobab tree, the tree of life.  Different people gather under the baobab at different times.  Sometimes the market wagon is there selling pots, pans and cloths.  Other times, the elders are gathered there talking.  Sometimes it’s a storyteller sharing stories.  As the children walk to the tree, they see all sorts of wildlife like weaver birds, gazelle, and a termite mound.  The siblings reach the baobab tree and more and more people join them, along with the minister and his Bible for church under the tree.

The setting of this book is clear from the very moment you open it.  For some people, from reading the title.  The setting stays true throughout the story, as details about Africa are woven into the story.  The children pass all sorts of creatures as they travel.  The different people under the baobab tree are shared in detail as well.  Clues about what will happen under the tree today are also shared in the text, so religion is tied nicely throughout as well.

Lewis’ art really make this book appealing.  He uses soft lines and almost gauzy colors to tell the story.  The watercolors seem to shimmer in the heat of Africa.  At times there is clarity in the images and great detail, other times the reader is moved further back and the scene itself is captured in its vastness and heat.

A picture book that embraces religion with a gentle touch, this book is a heartfelt welcome to Africa.  Appropriate for ages 4-6.

Reviewed from library copy.