When Sonny finds a pink, soft bunny toy in the sandbox, he falls in love with it. He names it Bun-Bun and they spend lots of time playing together. Meemo, the dog, sniffs Bun-Bun but Sonny insists that Bun-Bun is “Mine!” Later, Honey and Boo come by. Boo is crying, because she has lost Suki, her favorite pink bunny. Honey searches everywhere for Suki, but Sonny keeps Bun-Bun out of sight. Honey even asks if Sonny has seen Suki, but Sonny says No! Sonny hides Bun-Bun in a safe place and then heads to help Boo feel better, but she doesn’t want to play. She is even too sad to eat cake. Now it is up to Sonny to see if he will do the right thing or not.
This is the first in a new series of books featuring these four characters. This first book looks at sharing and telling the truth. Hart’s animal characters have big personalities and their relationships with one another are well drawn and interesting. They are written as small children and show the same mistakes and learning.
OHora’s illustrations work really well here with their bright colors and simplicity. The emotions on their faces are clear and add to the understanding of how difficult the choices are for Sonny as he struggles with his desire for the toy and the need to make his friend feel better.
A charming new series starter that will start conversations about sharing and choices. Appropriate for ages 2-4.
All We Need by Kathy Wolff, illustrated by Margaux Meganck (9781619638747)
This picture book explores what we need to live. That includes essentials like air, food and water, then the book also explores the importance of learning opportunities, having a home, and the joy of family and friends. Told in poetic text, the book explores the necessities in ways that show how they bring special moments to our lives. For example, air is explained first as stillness and deep breaths. Food is explored both for filling bellies but also through the illustrations as cultural connection. This picture book takes simple essentials and shows the way they allow us to form community and inclusion.
Wolff’s poetic writing establishes those connections clearly, exploring the deep connection we have to air, water, food and one another. The book ends by establishing what we should do when we have enough or more than we need. Sharing becomes just as essential as the other elements here, connecting to new people and a larger community through generosity and giving.
Meganck’s illustrations are bright and colorful with a diverse cast of characters, including diverse races, religions and LGBT representation. The illustrations tell a lot of the story, showing playful elements of air and water. The images are given several full-page wordless spreads that reveal new ways to connect and form community with one another.
A look at sharing, connection and being human. Appropriate for ages 2-4.
Reviewed from e-galley provided by Bloomsbury Children’s Books.
Gus is the sort of dog that doesn’t like much. He doesn’t like being petted, going on walks, playing fetch, or making friends. He doesn’t like birthdays either. Then a little dog enters his life. The little dog explains that once he arrived, Gus started liking all sorts of things like baths together and hugs. But the one thing that Gus really loves is sausages. He loves everything about sausages. So does the little dog! But Gus doesn’t like to share. But there just might be one thing that Gus likes more than sausages.
Chatteron’s humor is marvelously deadpan. His timing is impeccable throughout the book, particularly the reveals. At first the book seems to not have a specific narrator but that reveal of the little, perky dog speaking about Gus is a delight. The ending too has a well-timed and touching moment that is simple but perfection.
The text is very simple, so the illustrations carry much of the story. They are particularly important to capture the neutrality of Gus with his natural frown. Big and bold, the illustrations work well for sharing the book aloud.
Hilarious and just as satisfying as a sausage feast. Appropriate for ages 2-4.
Reviewed from e-galley provided by Penguin Workshop.
When Ultrabot’s professor invites their neighbor Becky to come over for a playdate at their secret lab, Ultrabot is very nervous. He wonders if Becky will share or break his toys. He pictures her as an enormous furry dog-person with barrettes all over. But Becky turns out to be a little human girl. She brings a ball along with her and after some initial shyness, Ultrabot sees that they can share. The two played ball together, drew cats, and had sandwiches for lunch (with the crusts cut off.) They shared all of Ultrabot’s toys too, though afterwards the professor thought it best if they met at Becky’s house next time.
Schneider tells a very touching and funny story of a shy giant robot and his first playdate. Ultrabot’s emotions mirror those of a young child going to their first playdate or meeting a new person. The questions he thinks about, the worries he has and the resolution are all very human.
However, the illustrations show that this is still one giant robot who has toys like real airplanes, eats sandwiches made of girders and diesel tanks, and is able to do wild math calculations. The illustrations are wildly funny and set a perfect tone. I particularly love that the secret lab is ever-so-obvious and out-of-place in their residential neighborhood.
Funny and friendly, this is just right for any reluctant robot in your house. Appropriate for ages 2-4.
The Little Guys are very small but when they work together they can do almost anything! Using leaves to float, they cross deep water. In the big forest, they hold hands to stay together and keep from being afraid. They find berries and form a stack to reach them. But as they continue their search for more and more food, they start using their combined strength in a way that upsets the rest of the forest. Chipmunks go flying, owls get forced out of their nests, and they even beat up a bear! Soon they have all of the food in the forest! But have they gone too far?
Brosgol follows her incredible Leave Me Alone! with this clever look at the impact of collective action and what happens when even the smallest of us upset the balance of nature and society. The text is simple and straightforward, told in the voice of the Little Guys as they head out scavenging. They are full of confidence as they make the trek to find food and it’s a stirring picture of the power of community until it goes awry in such a spectacular way.
Brosgol’s Little Guys are ever so adorable with their acorn caps and stick-thin limbs. Their orange bulbous noses also add to their appeal. With almost no facial expressions, it is impressive how she gives them emotions with body language. The dwarfing of their size in the forest and beside the other animals is also effectively portrayed.
A delight of a picture book that is an unusual look at sharing with your community. Appropriate for ages 3-5.
Reviewed from copy provided by Roaring Brook Press.
In this nearly wordless book, a little pig is getting ready for a nice calm bath all by himself. As he settles into the warm water, the door is opened by a sheep who brings a toy boat and climbs into the bath too. The next to enter is a cow, who asks the sheep if she can join and the sheep agrees. Cow brings a beach ball in, which bounces right off of the pig’s head. Then comes donkey who wears a floaty around his waist and hops into the bath too. The bath is noisy and crowded and not what pig wanted at all! What is a pig to do to find some peace?
The only words in this book are animal noises made by each of the critters. They use punctuation and emphasis to show what tone should be used when they are read aloud. It works very nicely. The book has a wonderful build up of frustration for the pig, as he gets more and more cross visually as the animals enter and the chaos increases. The humor of the solution is wonderfully timed and will have small children in stitches. Perhaps adding a little noise for that when sharing aloud would add to the fun.
A little fart of a book with lots of appeal. Appropriate for ages 2-4.
When Lawrence finds out that his teacher wants the students to bring in their collections to share, he is very worried. He doesn’t have a collection at all. At home, he tells his father about not having a collection and his father has an idea. The two of them head into the forest together to see what they can find. But Lawrence doesn’t want to collect bugs the way the spider does and he can’t reach the shiny, smooth rocks that the river has collected. When a sudden storm begins, Lawrence gets separated from his father and finds himself standing near a large tree full of bright-colored leaves. Lawrence calls to the tree and it drops a beautiful leaf down to him. Now Lawrence knows exactly what to collect!
Farina captures the emotions that can accompany an assignment at school, including sadness and isolation. Thanks to the warmth of his father’s response, the two of them tackle the problem, taking action rather than despairing. In the end, Lawrence delights all of the children in his class by sharing his collection freely with them. The book has a touch of magic about it as Lawrence requests leaves from the trees, and they freely offer them.
The art by Salati captures Lawrence’s emotions beautifully. The double-page spreads of the forest are dramatic and could be seen as something frightening, particularly when Lawrence is separated from his father. In the end, the forest becomes something very special, a place where Lawrence discovers nature.
A lovely picture book with delicate illustrations and a strong story. Appropriate for ages 3-5.
When Omu makes her thick red stew in her apartment, its delicious smell brings people to her door to discover what she is cooking. One by one, she feeds each of them some of her stew. There is the little boy, the police officer, the hotdog vendor, and many more. By the time Omu has given each of them a bowl, her large pot of stew is empty and there isn’t any left for her own dinner! Someone once again knocks on her door and it is all of the people she fed that day offering their own thanks and food to share with her.
Mora writes with the feel of a traditional tale. On just the first page, there is a cadence that feels immediately familiar and warm. Details are shared in just the right way, then the repetition kicks in, linking this even more with a traditional folktale. Mora has crafted the book with collage pages that combine different mediums. The stew itself is always red and often flowered. The smell wafts across the page in a swath of light-colored haze. Meanwhile, the vibrant urban community is brought to life and abuzz with energy.
A top read-aloud of the year, this picture book should be shared just like red stew. Appropriate for ages 3-5.
Mia Moves Out by Miranda Paul, illustrated by Paige Keiser (9780399553325)
When Mia moved into her house, she had a lovely room all to herself. She hung stars from the ceiling and it was perfect. Then her baby brother Brandon arrived, and Mia had to share her room. At first it wasn’t so bad, they had lots of fun together. But the toys piled up until Mia couldn’t even recognize her room anymore. So she made a decision, she would move out! She tried moving into the bathroom, but it was too gross. She tried the basement, but there were scary things in boxes. She tried all sorts of places until she built a space near the books. But something wasn’t quite right. That’s when she found out that Brandon had moved out too. Perhaps they could move out together!
This picture book perfectly captures the give and tug of being siblings. On one hand, they can be maddening while on the other hand, they are important to your life. It also shows the way that children “run away” or move out from their homes, how spur of the moment it is, how built on emotion, and how regretful it eventually becomes. The parents here deal with it well, guiding gently from the sidelines and allowing Mia to make her own decisions.
The illustrations are funny and warm, just like the story line. They show the growing pile of toys overtaking the entire room and the entire page. One can completely understand Mia’s frustration. As Mia searches for the perfect spot to move to, the illustrations play large part in conveying her responses to each.
Clever and funny, this is a warm look at siblings. Appropriate for ages 3-5.
Reviewed from e-galley provided by Alfred A. Knopf.