Milly waited in her bed until it was midnight and then she woke up her big sister, Becca. It was time for Midnight Club. The two headed out of bed, quietly sneaking past their parents bedroom door. They tiptoed over each shadow, not touching a single one. The entire house looked different in the middle of the night with the blue of moonlight. The girls munched on Dad’s jellybeans while sitting in his special chair. They tried on their mother’s coat until they got scared by the shadows moving, thinking it was a monster. They followed the cat around on midnight rambles around the house. Then it was time to head back to bed, but only after putting everything back so that Midnight Club stayed a secret.
Filled with the thrill of doing something just a touch naughty and a lot mischievous, this picture book is full of moments where you will hold your breath for a bit. Creaky stairs, stretching over shadows, the possibility of monsters, all create a delight of wonder. The book entirely captures the thrill of being out at night as a child and the joy of sharing that with your sister.
The illustrations show the colors of full night with the purples and blues of the shadows and the pale lemon of the moon shining into the room. The images focus on the two sisters and their relationship, showing them interacting as they play together throughout the house at night.
Full of sisterly love and moonlight. Appropriate for ages 3-5.
Bad Sister by Charise Mericle Harper, illustrated by Rory Lucey (9781250219060)
Released September 14, 2021.
This graphic novel memoir explores what happens when you are an older sister with far too many creative ideas. Charise and Daniel love spending time together, even though Daniel often gets hurt. Charise has a lot of powers, like the power of the trick where Daniel ended up eating cat food. She used the power of games to get her way a lot, though Daniel could also use them to bother her. There is also the power of lying, when Charise let Daniel take the blame, at least at first. When Daniel ends up breaking his tooth though, Charise decides she has to do better as a big sister. Luckily, she has a younger brother willing to forgive her and let her try to be a good sister. Though that may be more complicated than she realizes.
It is so refreshing to see a complex and layered depiction of being siblings. Here, there is clearly a lot of love between the two siblings. That foundation is what lets them take a lot of risky behaviors together, making their bond even tighter with the secrets they keep from their parents. When Daniel ends up getting bashed, banged, thrown and more, the two continue to spend time together, showing how much they actually enjoy one another. Through her memoir, Charise shows that change is possible, even if it still means that Daniel might still get hurt. It’s her intentions and responses that mature along the way.
Lucey’s illustrations are perfect. They unflinchingly show the build up towards near disasters and true disasters that we will all recognize from our own childhoods whether egged on by a big sister or not. The illustrations also show the huge grins as the siblings plot together about what to attempt next and the changing dynamic between them as Charise learns to be less of a bad sister.
Full of laughter, gasps and accidents, this is a great graphic novel memoir. Appropriate for ages 9-12.
Moon has always lived in the shadow of her beautiful sister, Star. Now Star is a Fotogram influencer, making enough money to have bought their family a new house. Their mother is ecstatic with Star but has always had problems showing any sort of love to Moon. Star has been offered a seat on a tour bus of influencers traveling the nation for the summer, and Moon is sent along as her photographer, a role she has played for years. Moon will also be the tour’s “merch girl,” manning the booth that sells items for the influencers to all their fans. Moon has been planning her escape to college after the summer and pockets her money for the meal plan to help pay for board at college, deciding to live off peanut butter and grilled cheese on the bus. But she hadn’t planned on Santiago, an impossibly gorgeous guy who is the grumpy and rude brother of the owner of Fotogram. He’s also the other person doing merch sales. It’s hate at first sight, at least until Santiago starts to share his talent with food and Moon starts to question everything that her mother has ever told her.
Incredible writing, a fresh plot and lots of character growth make this teen novel a pure joy to read. Gilliland has real skill with dialogue, making all of the conversations seem natural and realistic but also clever and sharp-witted. Throughout the book there are wonderful slow reveals of information, such as how Moon actually got her scar (she did not fall out of a tree). The nature of Moon’s relationship with her sister and mother is honest and painful, each moment scalpel sharp and devastating, even when Moon herself doesn’t realize how bad it is.
Moon is a magnificent Latina protagonist. She is not waif-thin nor muscular, moving through her life with wobbly and jiggly bits that she struggles to love. She is herself a gifted earth artist and someone with a deep and meaningful connection to nature. One that often leaves her covered in insects like luna moths, ladybugs and dragonflies, something her mother considers a curse. Moon is complex, acerbic, funny and immensely vulnerable, just like the novel itself.
One of the best of the year, this is a book to fall for. Appropriate for ages 14-18.
Jayne has moved from her Texas hometown to New York City to attend design school. Her older sister, June, lives in New York City too, but the two haven’t spoken in years. Jayne has spent a lot of time partying in clubs and bars and sleeping with boys. Now she lives in a horrible tiny illegally sublet apartment without running water or heat, but with a roommate who won’t pay rent, occasionally sleeps with her, and then ignores her. When Jayne and June get back in touch with one another, Jayne finds out that her sister has cancer. Even more, June has taken on Jayne’s identity in order to use her insurance for the surgery she needs. Jayne finds herself loving her sister’s fancy and safe apartment and basically moving in with her. Jayne has her own issues to confront, including her relationship with food, her hatred of her body, and the way she binge eats. As the two sisters grow closer, the truth must be shared between them in order for them both to recover.
Choi has once again created a novel that lays her characters bare before the reader. Jayne is so caught up in her own tragic life story, that it startles her and the reader alike when she must face a true tragedy, her sister’s cancer diagnosis. As Jayne obsesses about her classes, her future career, her awful apartment, her horrible roommate, and her family, she avoids thinking about her eating disorder or facing it at all. Readers will see the evidence of her imbalanced relationship to food, but the extent of the problem is only steadily revealed as the layers are peeled away.
Jayne is a captivating character, full of so much self doubt and self hatred. Her story is full of unflinching honesty paired with the poignant truth of a family who has immigrated to the United States and stands to lose one another along the way. Jayne’s relationships with her mother and sister are so beautifully crafted, they ring with such truth that they are frightening. Choi’s writing is masterful throughout, capturing the tragic, beautiful story of growing up as a Korean-American immigrant.
Heartbreakingly true, riveting writing and stellar characters. Appropriate for ages 14-18.
Em’s older sister was raped by another student at her college following a frat party. After reliving the trauma through the trial of her rapist, Em is incandescent with vindication when the jury finds the rapist guilty on all counts. Em has been an advocate for her sister through the process, becoming a social media figure in the #MeToo movement. Then the judge in the case rules that the rapist will serve no prison time. Once again Em’s entire family is thrown into chaos. Her sister must figure out how to continue going to school and where she can safely live. Her parents are fractured in their responses, smothering and avoiding. Em too must find a new way forward without the trial as her focus. Meanwhile, a clip of her after the trial saying she wants to learn “how to use a sword” has gone viral. As Em makes new friends over the summer, she learns to wield that sword both literally and figuratively as she discovers the life of a fifteenth-century French noblewoman who is a legendary figure who took justice into her own hands and at the point of her own sword.
McCullough’s writing here is just as fine as that of her debut novel Blood Water Paint. She writes such strong young women who deal with rape and derision and yet find a way to fight back in their own personal ways. For Em, her writing is a tool that allows her to cope. She gets caught up in the legend of Marguerite de Bressieux, writing at length, sharing it usually with a new friend who understands her need to stand up and be heard. Em’s writing is included in the book in verse, pairing beautifully with the prose and offering illuminated images alongside some of the poems.
Intelligent and raging, this book deeply looks at the impact of a rape on the survivor and her family. It’s interesting to have Em as the main character, a sister who feels powerless much of the time and must reclaim along with her sister what has been lost to the legal process and its clear biases. It is a look also at the power of art to express fury as well as hope.
Stunning, raw and gorgeous. Appropriate for ages 14-18.
Reviewed from copy provided by Dutton Books for Young Readers.
Lo is a survivor. She was born premature but lived, and she survived the car crash that killed her parents. Her sister, Bea, was always there until after their parents died. Then she disappeared into The Unity Project, leaving Lo with their great-aunt. Now Lo works as an assistant at a magazine, determined to become a writer. She knows there is more happening at The Unity Project than their public face of good deeds for the local community shows. Recognized by a young man at the subway who then killed himself, Lo discovers that he was part of The Unity Project too and that his father believes the Project killed him. Now Lo may have the opportunity to finally uncover what is actually happening at the Project, but as she gets closer to the truth, it may be too much for her to withstand.
Summers follows up her bestseller Sadie with this twisting, mind-bending novel. It is a slow burn of a book, steadily building toward the terrible truth that the reader can only suspect and guess at. Lo, with her physical and mental scars from the accident, is tragically lonely in her life and literally alone. She makes the ideal protagonist for a psychological thriller and also the perfect victim for a cult.
Teens who have followed the NXIVM cult news will recognize elements of that cult in this one. The book steadily tightens the noose around Lo while revealing Bea’s personal experience in the cult years earlier. From idyllic love to control to brutality and abuse, the mental anguish is intense. It is a book full of turns and twists, lies and prophesies, love and survival.
Amazingly raw and gripping, this tense novel is dizzying. Appropriate for ages 15-18.
Reviewed from e-galley provided by Wednesday Books.
Della has always been taken care of by her older sister, Suki. The two of them stayed together after their mother went to prison and they moved in with her mother’s boyfriend. That boyfriend did something horrible to Della, so the sisters fled. Now they are in foster care together, being really taken care of for the first time in their lives. Suki has always been Della’s protector so what happens when Suki suddenly is the one who needs help and caring for? Della is willing to talk in court about what happened to her, but Suki wants to be silent. Della is good at being loud, sometimes being too loud or swearing in class. It’s time for Della to use her voice to stand up for what they both need, but also to listen to her sister in a new way too.
This book is seriously one of the best of the year. Period. Written by an author who is consistently impressive, this is a book that is stunningly good. Bradley gives a voice to those who have experienced child abuse, showing them that they are more than the abuse, more than that trauma. It is a book that doesn’t duck what happened to these sisters, but builds towards the awful truth, warning readers that it is coming and then dealing with it when it happens. It removes the stigma of the trauma in a way that is full of compassion and empathy, giving space for assault and for the recovery from it.
Bradley’s writing is exceptional. She does so much with the voice of Della, making her both a clarion call to be heard and listened to, but also giving her a realistic vocabulary of swear words and a way to deal with them in a book for children. This book is beyond impressive. It is important and vital: a book to be shared with children and adults, an example of what children’s literature can be at its highest level.
Bravo! One of the best of the year, if not one of the best of all time. Appropriate for ages 10-13.
Twins by Varian Johnson, illustrated by Shannon Wright (9781338236132)
Maureen and Francine are twins who have always been in the same classes, participated in the same activities and had the same group of friends. But sixth grade is different. The girls are in different classes and don’t even spend a lot of time together after school any more. Maureen finds herself hanging out with their friends at the mall but not with Francine, who’d rather be called Fran now. Maureen is struggling with marching for the cadet troop she is part of, so in order get extra credit for her grade, she is encouraged to run for a class office. Fran too is planning to run for president. So the battle grounds are set when Maureen decides to run for president too to prove that she can be just as brave and outgoing as Fran. The problem is that she might not be after all!
In this graphic novel, Johnson, himself a twin, captures the dynamics of close siblings perfectly. The two sisters go back and forth between adoration, supportiveness, strife and anger. It makes for a dynamic book that really looks at the differences between twins, the way feelings get hurt and how that can play out in larger decisions. That difference between the two girls is explored throughout the book, giving it layers and eventually showing how differences can make them both stronger for each other too.
I reviewed this from an unfinished galley, so my copy did not have full-color images throughout. The art throughout the graphic novel shows the relationship between the two girls and their emotions clearly. The pages are filled with diverse characters.
Sure to be popular, this graphic novel appears light but has lots of depth to explore about sisterhood. Appropriate for ages 9-12.
In a world of robots, a family gets a new delivery. Cathode has gotten a new baby brother called Flange. The baby comes in a box, advertising it as a new model. Quickly, Cathode’s parents start to assemble the new baby, but it seems that babies have gotten more complex since Cathode was assembled. The parents call on an uncle to come and lend a hand in building Flange. Though Cathode offers to help, she is pushed to the side as Uncle Manny starts to work. But he doesn’t follow the directions and with some “improvements” and a lack of software updates, it all goes wrong. With help from her dog, Cathode steps in, follows the directions, and does the software updates. Finally, there is a newly assembled baby in the family. But wait, there might be another surprise for this family!
Wiesner has won multiple Caldecott Awards and Honors. This picture book is a bit of a departure from his more serious books, offering a merry look at a robotic land where families are much the same as they are now. Cathode is a great character, undaunted by being ignored and willing to make her own choices. The text is strictly speech bubbles, allowing the illustrations to shine and the pacing to be wonderfully brisk.
The illustrations are done in watercolors that glow on the page, filled with the light of robot eyes and a white glowing floor that lights everything. The comic book framing of the illustrations works well as the action picks up, offering glimpses of what is about to go wrong before it actually does.
An engaging look at robots, STEM and sisterhood. Appropriate for ages 3-5.