This is the second book in the Sato the Rabbit trilogy. In a series of chapters, Sato explores the world around him. When the moon disappears into a nearby thicket, Sato pulls it out and makes it into a boat. Exploring a brown, dry field, he discovers a green sprout that turns like a screw and soon green is popping up all around. On a rainy day, Sato sets up a rain party where he captures the sheets of rain with ribbons. Other stories have fallen leaves that roll up into a rug, the moon turned into a blanket, and the wonder of a hole in a hat.
This Japanese picture book series is surprising and surreal. Just when you think you know where each of the short chapters is headed, a page turn takes it in an entirely different direction. It’s these little surprises along the way that make the book so charming. Each chapter features Sato doing amazing things with regular items we interact with in our world too.
The illustrations add to the fun of the surreal stories. They make what is being said in the brief text come alive as wondrous things happen in each story.
A charming addition to the Sato series. Appropriate for ages 4-7.
Reviewed from copy provided by Enchanted Lion Books.
The great combination of Stead and Cordell return with another energetic and funny picture book collaboration. In a house full of chickens, there is a knock on the door. Sadie rushes to wake up Aunt Josephine. But Aunt Josephine is much more interested in sharing a tale of her time in Peru cataloging amphibians for Admiral Rodriguez who recently experienced a tragic banana accident. His son was flirting with Josephine when suddenly he was swallowed by a giant frog. Josephine gave chase, trying to catalog the fast-moving frog and rather disinterested in the fate of the Admiral’s son. The frog fled around the world, through deserts aboard an ostrich, into the waters of the Panama Canal, onto the back of a whale, all to lose sight of the frog forever. But who could be at the door?
Stead’s text is marvelous, moving from the rather wordy but fascinating Aunt Josephine into her story which is fast paced and frenetic. The journey around the world is great fun, dashing along behind the huge frog. There is so much to enjoy here, including Josephine’s ignoring of the Admiral’s son in all of this, her interest in nature and the world, and the story-within-a-story structure. The ending is also a delight sure to satisfy readers.
Cordell’s illustrations fit perfectly with Stead’s writing. His merry illustrations add to the wild storyline with their large fonts. His truly huge frog is interesting as are the chickens peppered around the place. Throughout there is a sense of giggles rising to the surface.
A grand escapade of a picture book. Appropriate for ages 4-6.
Khosrou answers his teacher’s writing prompts with stories of his extended Persian family. He and his older sister and mother immigrated to Oklahoma, often living in a motel while staying away from his mother’s abusive new husband, who she marries and divorces multiple times. The other kids in his class don’t believe his stories. They are full of blood and poop, told by a boy who doesn’t speak or think like them who is unpopular and hairy and whose lunch smells bad. Khosrou’s stories though reveal where he came from, a home with birds in the walls and a family of huge wealth. They show how his mother and sister found Christianity, putting their lives at risk in Iran and the resulting loss of his father, his nation and their status. The story moves between life in Oklahoma, full of bullies and violence to the amazing setting of Iran filled with the smell of jasmine, epic grandparents, and color.
Closely tied to Scheherazade’s story telling in One Thousand and One Nights, this novel is remarkable. Nayeri beautifully uses that framework of a series of stories that lead one to the next, hinting at future tales and never stopping as they move forward. He incorporates stories at so many levels, from poop humor that is a welcome relief (pun intended) to stories of his family in Iran to stories of immense bravery to stories of abuse and fear. It’s a world of stories that shows the tangled lives of immigrants, from what they have lost to what they discover as well.
Nayeri tells his own personal story here. It’s tie to his own childhood is clear, giving the stories an honesty that shines through even when the story is fantastic and wild. The book is like a woven Persian tapestry, though I don’t see the single fault that Nayeri has woven into it. It’s complete and marvelous, a rug of jewels that can still be walked on by us all.
A journey of a book that deeply shows the experience of an Iranian immigrant. Appropriate for ages 12-15.
Tiến loves to spend the evening together with his mother reading from a book of fairy tales. He reads while his mother continues her work as a seamstress, sometimes fixing Tiến’s clothing too. They don’t have much money, so Tiến’s jacket is full of patches. Happily, his friends don’t mind, not even the boy who Tiến has a crush on. As they share the tales, Tiến is searching for a way to share with his parents that he is gay, but they don’t speak English well, and he can’t find the right word in Vietnamese. When his grandmother dies in Vietnam, his mother leaves to prepare her funeral. Tiến is left behind to navigate his first school dance, where his teacher becomes concerned and he is sent for church counseling. What will his mother say when she finds out?
It is remarkable that this is a debut graphic novel. It is done with such finesse, weaving the fairy tales and the modern world together into a place full of possibility and transformation. The stories shared include versions of Cinderella and The Little Mermaid, versions that grow and change themselves with endings that will surprise those who know the better-known stories. In this way, the author creates real hope on the page, that things will change, that love will prevail and that understanding will flourish, both through tales and in real life.
The art here is unique and exquisitely done. Using color to tell readers whether they are seeing the real world in the present, a flashback or a fairy tale, the effect is both dramatic and clarifies the borders between the various stories. The fine-line work here is beautiful, from each hair on the character’s heads to gorgeous dresses that swirl across the pages to dramatic landscapes and undersea worlds.
A great graphic novel that is about diversity, acceptance and the power of stories to bring us together. Appropriate for ages 9-12.
Reviewed from e-galley provided by Random House Graphic.
Told in fragments of stories with stirring paintings to accompany them, this book is like a series of gems on a necklace, each discrete and beautiful. Just like the necklace, they also work together side-by-side to create something larger than themselves. There are glimpses of large sea creatures. A girl journeys in the forest, but she is not alone. Cats and birds, flowers and lions appear on the pages. There are masks to conceal and masks to reveal. There are bats that soar and an alligator to ride.
Each image is paired with writing on a literal scrap of paper. Torn from envelopes, carefully folden, sometimes corrected, on the backs of postcards, each one is different and fascinating. Take those lines from untold stories and pair them with images that create something incredibly moving, bright glimpses into one story and then the next. These are tales you long to be completed, where girls perch on the moon and libraries are filled with music and animals. It is to Martin’s credit that they feel like a whole piece rather than transient images and words set side-by-side. They form a universe of stories to linger in.
The illustrations are whimsical and beautiful. The effect is rather like looking into a series of windows and being able to linger with a story for just a moment before moving on. There are repeating themes of companionship, concealment and surprise on the pages, each captured in a painting that is lush and carefully done.
A very unusual book and one that is at times almost surreal, this is one to celebrate. Appropriate for ages 5-7.
Ileana was a storyteller who collected stories, but stories were dangerous in Communist Romania. When her uncle disappears and their apartment was bugged, Ileana’s father destroyed her book of stories that she had been collecting for years in order to protect them all. Then her parents decide to send Ileana off to live with her maternal grandparents whom she has never met. The rural village is very different from the city that Ileana grew up in. After a period of anger, she gradually adjusts to life in there. But there is no escape from the brutality of the Romanian government. Ileana discovers her uncle, broken and ill, hiding nearby. When he is rescued by her grandparents, Ileana is given a valuable set of papers to protect. As the government tightens its hold on the country and on Ileana’s village, she finds herself at the center of her own story where she can choose to be a heroine or not.
Kramer’s middle-grade novel is nearly impossible to summarize because it is so layered and has such depth. The book focuses on the Communist period of Romania’s recent history and yet also has a timeless feel that pulls it back into a world of folklore and tales. The focus on storytelling is beautifully shown, illuminating not only Ileana’s mother’s story but the entire village’s history. There are stories that are dangerous, ones that connect and a single one that must not be told, but serves as the heartbeat of the entire community.
This book has a lot of moments that are almost tropes, like Ileana being sent to live with her grandparents in the mountains without knowing them at all. But in the hands of Kramer, these moments become opportunities to tell a story that is unique. Readers will be surprised again and again by the directions this novel takes and the stories it tells. It’s an entirely fresh and fascinating book.
Proof that stories are powerful, both to connect and to fight back. Appropriate for ages 9-12.
This easy reader is a wonderful choice for older children who need a simpler text. The book is full of shivers and delights for those who love a good creepy story. The book has five individual stories, each a stand-alone tale which also makes this a great pick for smaller and shorter reading sessions. The book begins with a box left at someone’s door full of items for stories. Those objects are then the basis of each tale. There is a scary house and dare to enter it. There are neglected toys that seek revenge. A scratchy throat proves to be something truly awful. A statue insists on being warm. Scratching at the window may not be a tree branch after all.
The easy text works really well here, the simplicity of the words building a sense of not quite being told the entire tale and details being held back from the reader. Brallier builds suspense nicely in each story and readers will notice a nod to classic scary story tropes in the tales that doesn’t impact the delicious scariness of them at all. The illustrations are used liberally throughout the book and also will appeal to older readers. Their dark shadows add to the shivery nature of the book. It’s also great to see a diverse cast of characters in the stories.
A great pick to use in reading classrooms and to offer parents looking for easy readers for slightly older children. Appropriate for ages 5-7.
Liam’s father was a sailor who always brought back stories of his time a sea. Liam loved the way his father’s stories could transport him. But when his father didn’t return from a voyage, Liam lost the ability to connect with stories any longer. It wasn’t until an unusual man with an amazing multi-colored beard arrived on a ship that Liam heard stories that could compare with his father’s. The man asked for a volunteer to accompany him on his next journey, and out of a crowd of people, he selected Liam. The two traveled together with the man showing Liam how to listen and how to see things. After some time together, the man reached the end of his travels and offered Liam a gift, a gift of stories and storytelling.
Davison celebrates the power of stories and storytelling in this picture book. She explores how important stories are to create connection and then how dark life can be when that bridge of stories is gone. The traveler is an interesting character with his gift of stories but also his touch of magic, his multi-colored beard telling the tales along with him. Seen as strange by some but awe-inspiring for someone like Liam who uses stories as a language.
The illustrations use color very cleverly. Liam goes from a life of full color to one of grays, blacks and whites, his world tinged with grief and loss. Everyone around him to are in muted colors, except for the Traveler, who arrives with his bright beard of greens, reds and yellows that offer space for stories to appear. At the end of the book, readers will see the gift of stories pass to Liam with a transfer of the colors as well. It’s beautifully and touching.
A great story all about the power of stories. Appropriate for ages 4-6.
A haunting look at the plight of refugees, this short piece of fiction will work well for children and adults alike. Rami floats in the water in a small dinghy with seven other people. All of them are fleeing their homeland in the hopes of finding shelter elsewhere. But the boat motor has broken down and they are now adrift. Rami is alone except for his violin, and he begins to weave a tale filled with music to keep their spirits up. It is a tale of a young man who rescues an orphaned colt from the snow and grows to be able to ride the stallion because he respects the horse’s freedom. As the tale is woven, it is not just a story about horseriding, but also one about power, brutality and the cost of freedom.
Lewis has written a book that dances the line between children’s book and adult book very nicely. It can also seem almost a picture book as the illustrations sweep across the pages. Lewis’ writing is beautiful and filled with emotion. The dangers of the refugee experience are shown tangibly on the page, as are the stories of what they have lost from war. The story of the stallion is given equal weight in the book, rounding out the book and offering another angle from which to view the same story in the end. It is a story that arcs around and creates a whole out of two separate tales wrapped in song.
The illustrations by Weaver are breathtaking, woven from blues and whites. They fill with light and dark, playing against one another and revealing images built from luminescence, music, and wind. The illustrations suit the dark tale so perfectly that the book is one cohesive story.
A dramatic and human look at the refugee crisis and its many victims. Appropriate for ages 9 and up.
Reviewed from ARC provided by Eerdman’s Books for Young Readers.