theater

Review: Five, Six, Seven, Nate! by Tim Federle

| Tasha

five six seven nate

Five, Six, Seven, Nate! by Tim Federle

This sequel to the award-winning Better Nate Than Ever is one of the strongest second books in a series I have read.  After getting cast as ET in the upcoming ET: The Musical, Nate is now living in New York City with his aunt who is also an actress.  But Broadway isn’t everything that Nate has dreamed it would be.  There seems to be a feud between the video-game creator who is their director and the choreographer.  Nate is an understudy and a member of the chorus but he can’t tap dance and is put into extra classes to improve.  But there are also high points.  Nate has a secret admirer who leaves notes and gifts, and he certain he knows who it is.  Nate is also secretly helping another of the ET actors with her lines and they become close friends over manicures.  Like any great Broadway story there are twists and turns and some romance too.  It’s one hell of a second act.

Federle writes in a way that is so easy to read and creates books that are impossible to put down until the final curtain falls.  This ease of reading though is because he is really writing directly for children in a way that is open, honest and speaks to all children whether they are actors or not.  Add in Nate’s questioning his sexual identity and you have a book with plenty of depth.

What Federle does best is to create characters who surprise and delight.  Nate himself captures this.  Nate could come off as a stereotypical actor, but instead because the book is in first person, Nate reveals all of his inner dialogue.  Much of which is screamingly funny.  But Nate is not the only deep character here.  Even tertiary characters are interesting and offer glimpses of how unique they are.  Among the secondary characters, there are many who would make great books all on their own.  Federle is a master of creating characters and making us care for them.

Bravo!  This is a smash production filled with humor and delight.  Appropriate for ages 10-13.

Reviewed from copy received from Simon & Schuster Books for Young Readers.

Review: Better Nate Than Ever by Tim Federle

| Tasha

better nate than ever

Better Nate Than Ever by Tim Federle

Nate lives in Jankburg, Pennsylvania probably as far from Broadway that you can get.  But Broadway is where he dreams of being.  So when an opportunity to go to an open audition for E.T.: the Musical comes around, he and his best friend figure out how to get him to New York City without anyone knowing.  It involves taking an overnight bus from Pennsylvania, taking his mother’s ATM card, and fooling his older brother.  Then when he reaches New York City, he has to figure out how to get to the auditions all on his own.  There’s a lot that can go wrong in a plan like that, but Broadway and being a star is worth the risk! 

Federle has created a tremendously cheery book that is filled with humor and a wonderful light-heartedness.  Nate is a character that will speak to many kids who are interested in theater.  He describes himself as “undecided” about his sexuality which makes this a very friendly book for middle schoolers who are either questioning their own sexuality or gay.   Nate has a wonderful inner voice that he doesn’t allow to speak aloud.  His funniest moments are things that he says to himself about circumstances and other people. 

While the book remains consistently positive, Federle does also deal with deeper issues like bullying, being the kid at school who doesn’t fit in, alcoholism, and broken families.  All of these issues are dealt with seriously and yet at the same time aren’t allowed to make the book dark in any way. 

There is humor and hope everywhere in this book.  It is a delight of a middle school read.

Reviewed from library copy.

Review: Rifka Takes a Bow by Rebecca Rosenberg Perlov

| Tasha

rifka takes a bow

Rifka Takes a Bow by Betty Rosenberg Perlov, illustrated by Cosei Kawa

Rifka’s parents are actors in the Yiddish theater community, they work at The Grand and perform regularly.  So Rifka has grown up behind the stage, seeing them transform into different characters.  Sometimes they are so different, she isn’t really sure they are the same person.  When she goes to work with them, she gets to ride the subway and have a snack at the Automat.  She gets to look behind the stage and discover all of the illusions that go into doing theater.  Then one day, Rifka is climbing a set of stairs behind the stage and accidentally steps out during a performance!  What is a girl with acting in her blood going to do?

Written by a woman who herself grew up in the Yiddish Theater where her parents worked, this book captures the wonder of that lifestyle for a small child.  Perlov also shows us the intimate details of that world with the tricks of the stage, the joy of viewing a performance from the wings, and the obvious charm of having parents who are theater people.  This is a beautiful look at a world that has disappeared with the times.

Kawa’s artwork is very unique.  It has a wonderful modern feel thanks to the interesting proportions of the heads and bodies of the characters.  Perhaps the best touch are the little objects that dance in the air.  Whenever people are performing or communicating, they are there and flowing between them.  They offer a sense of the flow of this family and the flow that happens with the audience as well.

A joy to read, this book truly is a look at a lost world from the perspective of someone who actually lived it.  Appropriate for ages 5-7.

Reviewed from library copy.

Review: Drama by Raina Telgemeier

| Tasha

drama

Drama by Raina Telgemeier

The author of the award-winning Smile returns with another graphic novel that captures the turmoil and thrill of being a teen.  Here the focus is on high school theater.  Callie loves theater, but not being an actress, instead her passion is set design and working behind the scenes.  This year she gets her big chance with the production of Moon over Mississippi as the main set designer.  She has a big vision, the question is whether she can pull it all off.  In particular, the cannon scene proves very challenging, but Callie knows she just has to have the cannon really fire on stage.  In the meantime, Callie is getting to know two handsome twins who are also interested in theater, enjoying her friendship with the other stage crew members, and dealing with lots of drama onstage and off. 

Telgemeier has created a graphic novel that both actors and those behind the scenes will love.  It is great to see a book focus on the efforts that it takes to really get a show running, rather than just who gets to be in the spotlight.  The story is welcoming and inclusive, just like any great theater crew.  There are gay characters, crushes on both the right and wrong people, mistakes on stage, and much more to love.  She has captured high school without being fanciful at all.

As with her previous book, Telgemeier’s art has a combination of empathy and humor.  She laughs along with her characters and never at them.  It’s a crucial difference that makes her books all the more laudable and readable. 

Highly recommended, this is one for the Glee fans and also for all of those teens who work behind the scenes rather than dreaming of time on stage.  Appropriate for ages 13-16.

Reviewed from ARC received from Scholastic.

Review: Tracing Stars by Erin E. Moulton

| Tasha

tracing stars

Tracing Stars by Erin E. Moulton

Indie Lee Chickory is heading to her last day of school where she really doesn’t fit in.  Her older sister Bebe fits in perfectly, dresses like the others, and never seems to smell like rotting fish like Indie does.  That’s what she gets for feeding Monty, her golden lobster, before coming to school.  So whenever Indie does something that draws attention to herself, Bebe is embarrassed.  When Indie accidentally carries Monty to school on that last day, she does a lot more than draw attention, she runs away from school to get Monty into the water he needs.  But when they reach the sea, she loses him and he won’t return to her after the sirens from the police car go off.  Now Indie has to figure out not only how to get Monty back but also how to not be so weird and not embarrass Bebe anymore.  Bebe has a part in a summer musical, so she has a lot at stake.  It’s up to Indie to see how normal she can be.

This is a wonderfully deep and thoughtful book for preteens that explores expectations and sisterhood.  While Indie’s own plans may be to not stick out and not be unusual, readers will be delighted to find out that is not the message of the book.  Instead Indie is clearly her own person and unable to fit into any mold, no matter how much she may want to.  Bebe is actually the sister in crisis, the one desperate to be perfect, the one who would do almost anything to belong.  The book allows readers to figure that out on their own as the book progresses. 

While the book is deep, it is also a great read for summer because it has plenty of humor and action to keep things moving.  The setting is clear and used throughout the story almost as its own character.  The dynamics of a small tourist town, the beauty of the natural setting, and the sea herself all play into the action and the story.  The addition of a theater performance and Bebe being an actor and Indie working on set construction gives the book another element that works particularly well, and also gives the book some of its most interesting characters.

This pre-teen novel about a young girl who is unique in many ways but also wants to fit in will resonate with young readers who will be buoyed by the way the story works out.  Appropriate for ages 9-12.

Reviewed from ARC received from Philomel.

Review: What Animals Really Like by Fiona Robinson

| Tasha

what animals really like

What Animals Really Like by Fiona Robinson

Mr. Herbert Timberteeth is happy to present his new song that he composed, “What Animals Like Most.”  He will also be conducting it, just open the red curtains and… There are groups of animals on stage who flatly deliver, “We are lions, and we like to prowl.  We are wolves, and we like to howl.  We are pigeons, and we like to coo.  We are cows and we like to…”  Turn the page to have the chaos begin as the cows change the obvious rhyme into something else entirely.  Best of all, you can tell from the animals’ faces that they are up to something.  They are the only ones on stage grinning.  The same is true of the next grouping.  Children will get the joke immediately when the first rhyme is missed. Finally, Herbert, now bedraggled, allows them to sing the new and non-rhyming version of the song.  He hates it, but the audience has a very different reaction.

Robinson has tapped into a kind of humor that children enjoy.  The unexpected happening when you think you have the structure pegged.  Children will be relaxed and ready for the rhyme to come next.  In fact, they will probably announce that first rhyme before you get the page turned.  Their reaction will be that much better if they do!  The unexpectedness of this entire book is a great treat.

The illustrations are also fun.  Keep an eye out for all of the small touches.  My favorite is where the show is lit by glowworms, and if you look closely one of them has fallen asleep and is no longer lit.  But there are many to enjoy, making this a book that can be read again and again.

This is a definite read-aloud pick for any preschool story time.  It would make a great final book that is sure to keep wiggly children interested and listening.  Appropriate for ages 3-5.

Reviewed from library copy.

Review: Zoozical by Judy Sierra

| Tasha

zoozical

Zoozical by Judy Sierra, illustrations by Marc Brown

This sequel to Wild About Books continues with the same vivacious spirit of the first.  It is winter and the visitors to the zoo start to stay home.  All of the animals had the winter blues too.  But just when the blues seemed to be inescapable, a very small hippo and young kangaroo started to hop.  Soon everyone was dancing along with them and then everyone started to sing.  The dancing and singing turned into their own stage show complete with sets and costumes.  Once again, the zoo was the place to be despite the snowy weather.

Told in rhyming verse, there is a bubbly, bouncing feel to the book.  The verse also reads aloud tremendously well thanks to the rhymes and the natural rhythm that Sierra has created in each line.  The thrill and creativity of the theatre are captured in the jaunty text as is the slow, winter dullness. 

Brown’s art is boisterous, big and bright.  The colors change from the blues and grays of winter into an almost tropical feel when the animals are feeling themselves again.  Greens, oranges, yellows and reds pop and glow on the page.  There is always plenty to keep your eye on in the illustrations as well, giving children a reason to read this one again and again.

A standing ovation to Sierra and Brown for this bright, bubbly, boisterous book.  Appropriate for ages 4-6.

Reviewed from copy received from Random House Children’s Books.

Little Diva

| Tasha

Little Diva by LaChanze, illustrated by Brian Pinkney

Tony Award-winning actress LaChanze brings us the story of Nena, a little girl who wants to be a diva.  Right now she is a D.I.T.: a Diva In Training.  She wears stylish clothes, does vocal exercises, and even helps her mother with her yoga.  Her mother is a diva already, a Broadway star.  Nena gets to accompany her mother to the theater where there are costumes, wigs, and makeup and much more backstage.  Nena sits in her special place to watch her mother onstage.  Then she has to go home where she tells her Nana all about the show before heading to bed to plan her own performance for tomorrow.

LaChanze brings a breezy tone to this picture book that really captures the dreams of a youngster wanting to be just like her mother.  The allure of the stage is brought to life in the book.  I particularly enjoy the fact that diva is meant positively.  It doesn’t mean tantrums and drama, rather it is art, craft and the theater.  Pinkney’s art matches the breezy style of the text so well.  He uses free-flowing lines and swirls of color to show this young diva’s life.  There is an effortlessness to this book that makes it a pleasure to read.

Perfect for any little divas in your life that would have problems taking a short bow.  Appropriate for ages 4-7.

Reviewed from copy received from Feiwel and Friends.

Lights on Broadway

| Tasha

Lights on Broadway: A Theatrical Tour from A to Z by Harriet Ziefert, illustrated by Elliot Kreloff, with Brian Stokes Mitchell

This A to Z book takes readers into the world of the theater, teaching the words that go with the shows.  From grip to marquee, readers will find plenty of words they don’t know.  But this book is much more than vocabulary because alongside each definition, there are quotes from Broadway actors, directors, choreographers, composers, writers and more.  This book is pure inspiration for those who have the acting bug and who long to be on stage. 

Ziefert and Kreloff have created a book that captures the excitement, glitz and joy of the stage.  Ziefert offers definitions that convey an excitement about the subject, always avoiding being dry.  Kreloff’s art is loud, bright and nicely stylized, suiting the subject matter perfectly. 

Give this to young actors and class clowns. It could also be used when doing a production in class to give a sense of what the larger picture of performing is.  A joyful riot of a picture book, this book will serve as the basis for many big dreams.  Appropriate for ages 5-8.

Reviewed from library copy.

Also reviewed by Sommer Reading and Read Along with Biblio.