Levon Biss is a photographer who usually took pictures of celebrities and politicians. When his son brought him a regular garden beetle, the two of them looked at it under a microscope and were amazed at what they saw. Biss then selected 37 insects from the collection of the Oxford University Museum of Natural History to photograph. He used special lenses, cameras and lights to take thousands of pictures of each insect. Those many images were then combined to create the Microsculpture project. The images were enlarged and shown in museums around the world. This nonfiction picture book explores the images created from the Microsculpture project and offers information on each of the insects.
Mone’s text is limited to explaining how Biss got into photographing insects and then moves into sharing scientific information and fascinating facts about each insect. The book includes a glossary and an encouragement to head to the Microsculpture website to learn even more. Mone’s information is nicely selected offering enticing facts, measurements and also pointing out the most interesting parts of the photograph to the reader.
The portraits are incredibly detailed and beautiful. From the lighting that captures each insects iridescence to the incredible shapes of their bodies and armor. The book offers close ups of various parts of each insect, allowing readers to see eyes, legs, heads and more up close. These images are transformative, letting all of us know that we walk in a world of tiny amazing monsters.
Remarkable photographs that will have you leaning in close to see even more, if you dare! Appropriate for ages 4-8.
Ben Shahn was born in Lithuania and at age four saw his father taken banished for demanding workers’ rights. From a very young age, Ben drew, even though paper was scarce in Lithuania, so he drew in the margins. When his father ends up in America, he brings Ben, his mother and his brother to join him. Ben goes to school, learning a new alphabet instead of the Hebrew one that he learned in Lithuania. He is soon identified as a promising young artist at school, but his family must send him to work in order to survive. Ben works for a lithographer, hand-lettering signs while going to art school at night. But art school isn’t what he is looking for. They teach landscapes rather than the people and stories that Ben wants to paint. Inspired by stories of injustice, Ben painted about current events, creating series of paintings that while not pretty were inspiring. He went on to document the Great Depression using photography, hired by the government several times as an artist. Ben continued to paint the people who were invisible to others.
Levinson captures the story of Shahn’s life with a focus on what drove him to create art, linking it to tragedies in his homeland and his family. Her writing is full of admiration for his hard work and insistence that he paint what he wanted to rather than what he was being told to do. His belief in sharing the stories of those less fortunate shines in her words, revealed by her stellar writing that is both clear and also evocative.
Turk’s art pays homage to Shahn’s throughout the book. Made with gouache, acrylic, pencil, chalk and linoleum block prints, the illustrations are textured and layered. They include versions of some of Shahn’s most iconic works. Turk’s use of bold color, deep shadow and light create a marvelous background for Shahn’s life story.
A great picture book biography that speaks to the intersection of art and political statement. Appropriate for ages 6-9.