Not Little by Maya Myers

Cover image for Not Little.

Not Little by Maya Myers, illustrated by Hyewon Yum (9780823446193)

Dot is the smallest person in her family. Everybody thinks that she’s too little to do things, but they are all wrong. She can do all sorts of things. She’s also the smallest person in her class. People even ask if she is in preschool. That’s when she proves them wrong by talking about all the things that she knows. When a new student joins her class, Sam is even smaller than Dot is. He is quiet and seems to be afraid of Dot. At recess, she sees that the mean boy is talking to Sam, and it’s clear he isn’t being nice. Dot decides to sit with Sam at lunch, both to talk to him about the bully but also to measure and make sure she is taller. Before she can reach the table though, the mean boy is there again and he is saying that Sam is a baby! Sam slumps lower and lower, while Dot gets angrier and angrier. The bully then makes the mistake of calling Dot little. But Dot has found her voice and knows she needs to stand up as tall and brave as she can.

Myers captures the indignities of being small for your age with Dot. Beautifully, Dot uses her words to fight back at the stereotypes, both by demonstrating what she knows out loud and also in the end by standing up to a bully. Dot’s push back at being called “little” is cleverly handled, as is her desire to not be the smallest when Sam arrives. It’s all lovely and richly human.

Yum’s illustrations show a protagonist from a multiracial blended family. Dot dresses in polka dots with bright colors that draw the eye directly to her on the page. Even if she is sometimes the smallest thing on the page, she is the focal point.

A big hearted book for tall and small alike. Appropriate for ages 3-5.

Reviewed from copy provided by Neal Porter Books.

On the Trapline by David A. Robertson

Cover image for On the Trapline.

On the Trapline by David A. Robertson, illustrated by Julie Flett (9780735266681)

A boy travels with his grandpa, Moshom, to his trapline up north. Moshom hasn’t returned to the trapline since he was a boy himself. The trapline is where people hunted animals and lived off the land, Moshom explains to his grandson. Once the small plane lands, the two meet one of Moshom’s old friends. They pull up to a small house near a big lake, but that is not the trapline. It’s where Moshom lived after they left the trapline. In the winter, everyone slept together in the room with the wood stove to keep warm. Moshom shows his grandson the ruins of the school he went to, where he was required to speak in English and not Cree. They head out on the water in a slow boat, until they finally reach the trapline. Moshom shows him where they trapped muskrats, where their tent was, and how they lived on the trapline. As they leave, the two of them can continue to envision the trapline as it is now and as it once was.

The Governor General Award winning team returns with a book about connection to the land, deep memories, family ties and generations sharing stories. The warm relationship between Moshom and his grandson, who narrates the book, is clear and central to the book. The grandson regularly asks whether this place is the trapline, until they reach the real trapline and it is clear. The book examines memories, both dark and happy, alongside physical discovery of the places. It’s a powerful look at experiences and connection.

As always, Flett’s illustrations are exceptional. Done in pastel and then manipulated digitally, they have a muted natural palette that works for both memories and current times. The greens are deep and rich, the blues offer clear skies and rich water.

A look at grandfathers, memories and the importance of place. Appropriate for ages 4-6.

Reviewed from library copy.