Teen

Watch Over Me by Nina LaCour

| Tasha
Cover image for Watch Over Me

Watch Over Me by Nina LaCour (9780593108970)

Mila has aged out of the foster care system and has found a job teaching at a remote farm in Northern California. The farm is owned by a couple who have taken in over 40 foster children over the years as well as offering internships, like the one Mila has gotten. Mila finds herself on a beautiful farm and warmly welcomed by the owners. She only has one pupil, 9-year-old Lee, who comes from a traumatized background just as Mila does. But no one told Mila about the ghosts on the farm, about how they would fill dance across the fields and play games together at night. As Mila gets more involved with helping on the farm, learning about the flowers and crops, and helping Lee face his trauma, she finds that her own memories are threatening to overwhelm her as her past continues to haunt her.

This new book from the Printz-award winner is another dynamite read. It’s a novel with such an unusual setting, haunting and remote. It echoes with elements of Jane Eyre and Rebecca while standing completely modern and unique. It may not be classically gothic with its warm and sunny rooms, merry meals together, and companionship, but other moments are pure gothic with the sea, the cliffs, and the ghosts. It’s a tantalizing mixture of sun and shadow.

Mila is a character to fall hard for. She is clearly traumatized by what happened to her before she entered the foster care system, setting herself apart from others even as she longs to be closer to people. She is careful, conscientious, and amazingly kind, everything that her past has her thinking she is not. She is a marvel of layers that the novel reveals with gothic precision at just the right times.

Gorgeously written and filled with icy darkness and glowing warmth, this novel is a triumph. Appropriate for ages 13-17.

Reviewed from library copy.

Flamer by Mike Curato

| Tasha
Cover image for Flamer

Flamer by Mike Curato (9781250756145)

Aiden Navarro is fourteen and attending summer camp with his Boy Scout troop. He is leaving his Catholic Middle School and has decided to go to public high school, though he’s starting to dread what that means in terms of the bullying escalating even farther. After all, he doesn’t know how to dress himself since he’s been wearing a uniform to school for years. He also worries about how his sister is coping with his often abusive father now that Aiden is gone to camp. To make it all more complicated, Aiden is also gay and closeted. When he finds himself becoming attracted to one of his friends, Aiden has to decide whether to let him know or not. When things don’t go well, Aiden reaches a dark place that has him questioning how to go on.

Curato has created a graphic novel that really speaks to self discovery and learning how to survive. The setting of the summer camp really creates an atmosphere of freedom mixed with closely living with other boys his age. This can be a mix of exhilarating but also being unable to escape from bullying that targets Aiden’s sexuality. I applaud Curato for incorporating exactly the sorts of dirty jokes that boys in a group make together, all of them teasing about sexuality in a way that is damaging and hurtful.

The art in the book is done in black and white until the flames enter the pages. Those flames can be from bullying, from shame, from attraction, from rage. They all color Aiden’s life and therefore the pages. It’s highly effective, particularly as Aiden makes a decision about suicide.

A compelling look at a gay teen learning about himself and finding his core of fire. Appropriate for ages 12-15.

Reviewed from library copy.

2021 Morris Award Finalists

| Tasha

YALSA has selected the five finalists for the 2021 William C. Morris Award, which honors a debut book for young adults. The winner will be announced at the ALA Youth Media Awards ceremony on January 25, 2021. The finalists are:

Black Girl Unlimited by Echo Brown

The Black Kids by Christina Hammonds Reed

If These Wings Could Fly by Kyrie McCauley

It Sounded Better in My Head by Nina Kenwood

Woven in Moonlight by Isabel Ibañez

The Fire Never Goes Out by Noelle Stevenson

| Tasha
Cover image for The Fire Never Goes Out

The Fire Never Goes Out by Noelle Stevenson (9780062278272)

This deeply personal graphic memoir tells the author’s story of being a creative person in our modern world. Spanning from 2011 to 2019, the book explores her life as a young adult. Starting with her time in art school with its loneliness and her growing meltdowns and self harm, the book explore the darker side of her personality. Her inner flame of creativity and passion battles the hole that she sees as gaping right at her middle. Still, that darkness is offset by wonderfully mundane happy moments such as apple picking in the fall and watching TV with people she enjoys. As the years progress, that strain of darkness and depression vs. creativity and wild energy continues. Stevenson shares her huge accomplishments too such as publishing her first graphic novel to great acclaim and winning national awards for it and running a highly successful series for Netflix. Still, those never quiet the negative thoughts. After finally crashing to her lowest point, Stevenson emerges like a phoenix, a woman in love, getting married and carrying her fire with her still.

There is so much sheer honesty and vulnerability on these pages that it is breathtaking. The mix of Stevenson’s writing with her illustrations, many created at the time she is talking about, makes for a dynamic read where her skill as both writer and artist is evident on every page. Perhaps most telling is how her huge successes did not diminish her negative internal experience, instead perhaps accelerating the crash. Her honesty about self harm and struggles with mental illness is amazing.

Stevenson carefully stays away from generalizing her experience, instead keeping her memoir very personal and about her own journey through creativity and the way it can burn and destroy as well as build. Because of this, readers can see themselves in her, relate to her feelings and see a way forward that does not involve a complete loss of self or creativity. It’s a book of hope, for creative queer people in particular.

Strong, personal and empowering, this is a memoir is a courageous look at mental illness. Appropriate for ages 16-19.

Reviewed from library copy.

7 Great YA Books Coming in December

| Tasha

Admission by Julie Buxbaum

Black Friend: On Being a Better White Person by Frederick Joseph

The Cousins by Karen M. McManus

The Good Girls by Claire Eliza Bartlett

It Only Happens in the Movies by Holly Bourne

The Love Curse of Melody McIntyre by Robin Talley

This Is How We Fly by Anna Meriano

The Black Kids by Christina Hammonds Reed

| Tasha
Cover image for The Black Kids

The Black Kids by Christina Hammonds Reed (9781534462724)

Set in Los Angeles in 1982 during the Rodney King riots, this teen novel deals directly with racism and class. Ashley lives in a wealthy part of LA, attends a private school, and has only white friends who she has known since childhood. They spend lots of time around the pool drinking, flirting and planning their prom. As the protests engulf LA though, race becomes a part of everyone’s focus, something that Ashley has tried to ignore, including all the comments one of her friends keeps making. Ashley finds herself becoming closer with LaShawn, a Black kid at school who is a star athlete and whose home is threatened by the protests. He has gotten into Stanford while Ashley has been placed on the waitlist. Ashley makes a comment about his new shoes to her white friends and suddenly becomes a rumor, leading to LaShawn punching another student and potentially losing his place at Stanford. Ashley must figure out how to make things right and also what side she is on.

Reed takes a historical moment in time that continues to resonate today. Remarkably, this is a debut novel. Written with such assurance and clarity, the book allows Ashley to find her own way, something that is often not clear as she continues to make mistakes based on her friends and her class. Reed keeps from becoming didactic at all, instead giving us the perfect character to learn alongside, to hope realizes what is truly happening, and to empathize with and get really angry at.

This book doesn’t duck away from anything. Reed takes on micro and macroaggressions around race and class. She explores how wealth does not protect Black Americans from being targeted, treated differently in our justice system, or stopped by police at gun point. She shows readers this with such power and straightforward honesty that it is impossible to rationalize it away.

Beautifully written, this historical novel is powerful and gripping. Appropriate for ages 14-18.

Reviewed from e-galley provided by Simon & Schuster.

The Brave by James Bird

| Tasha
Cover image for The Brave

The Brave by James Bird (9781250247759)

Collin’s compulsive need to count the letters in everything others say to him and say the number aloud makes it far too easy for bullies to target him at school. It also bothers his father. So when Collin is kicked out of another school, his father decides to send him to live with his mother, who he has never met. She is Ojibwe and lives on a reservation in Minnesota. Collin and his dog head across the county where he finds himself accepted and shown real displays of love for the first time in his life. Collin meets Orenda, the girl next door, who believes that she is transforming into a butterfly and works with Collin to find ways to battle his counting of letters. She lives in her treehouse, a space where Collins spends most of his time as he steadily falls in love with Orenda. But she is not sharing her own difficulties openly with Collin, who must figure out how to support her whether he understands or not.

Bird has drawn on his own Ojibwe heritage to write this debut novel. The book is a deep and rich mix of content that includes finding your real home, falling in love for the first time, and handling grief and loss. It is also about dealing with an OCD-like response, handling bullying, and discovering deeply who you really are inside and what you believe in. All of this is enriched by the Ojibwe culture that Collin experiences for the first time, allowing the reader to do the same by his side.

Bird’s writing is clear and strong. This novel creates a space for the character of Collin to really become himself, while experiencing some of the most important experiences in anyone’s life: love, grief and transformation. Collin himself is a marvelous character who is willing to dive right in and learn, open to new experiences and cultures.

This debut novel is full of courage and honesty. Appropriate for ages 11-13.

Reviewed from library copy.

The Way Back by Gavriel Savit

| Tasha
Cover image for The Way Back

The Way Back by Gavriel Savit (9781984894625)

Yehuda and Bluma grew up near one another in the tiny village of Tupik. But their lives could not have been more different. Bluma was the daughter of the town baker, raised with plenty to eat and an ever-warm hearth. Yehuda spent his time figuring out where his next meal was coming from and trying to stay out of fights. The two find themselves transported to the Far Country. Yehuda is on a quest to find his father’s soul, which has been added to a demon’s collection. Bluma found herself in an endless cemetery, quickly scooped up by a female demon and her group of demon cat-women. Bluma has in her possession a very special object, the spoon that Death used to take her grandmother’s soul. Bluma found it after Death left her home. In the Far Country of the demons, there are different rules, pacts that are made and reworked, lies and truths. It is a world that shifts and changes right in front of Bluma and Yehuda who must find their own way through and back home.

So there is no way to actually summarize this book clearly at all. It is a great twisting and writhing story that the reader simply must give themselves up to and enjoy the journey. There are deaths and there is Death. There are demons who all manipulate and scheme, telling partial truths for their own gain. There are fathers who are trying to find sons and then sons trying to find fathers. There are spoons that cut and remove and libraries with endless knowledge and answers.

This book is less about the two main protagonists and more about the world they enter. Based on Jewish mythology and folklore, this world is full of jagged points, dangers and despair. But it is also basked in love, the joy of unexpected kindness, and the discovery of new old friends. It’s complicated and unique, a world that readers will likely never have visited before, and what a treat that is!

A delicious nightmare of a novel, this is one to make room for in your reading pile. Appropriate for ages 13-18.

Reviewed from e-galley provided by Knopf Books for Young Readers.

Everything Sad Is Untrue by Daniel Nayeri

| Tasha
Cover image for Everything Sad Is Untrue

Everything Sad Is Untrue by Daniel Nayeri (9781646140008)

Khosrou answers his teacher’s writing prompts with stories of his extended Persian family. He and his older sister and mother immigrated to Oklahoma, often living in a motel while staying away from his mother’s abusive new husband, who she marries and divorces multiple times. The other kids in his class don’t believe his stories. They are full of blood and poop, told by a boy who doesn’t speak or think like them who is unpopular and hairy and whose lunch smells bad. Khosrou’s stories though reveal where he came from, a home with birds in the walls and a family of huge wealth. They show how his mother and sister found Christianity, putting their lives at risk in Iran and the resulting loss of his father, his nation and their status. The story moves between life in Oklahoma, full of bullies and violence to the amazing setting of Iran filled with the smell of jasmine, epic grandparents, and color.

Closely tied to Scheherazade’s story telling in One Thousand and One Nights, this novel is remarkable. Nayeri beautifully uses that framework of a series of stories that lead one to the next, hinting at future tales and never stopping as they move forward. He incorporates stories at so many levels, from poop humor that is a welcome relief (pun intended) to stories of his family in Iran to stories of immense bravery to stories of abuse and fear. It’s a world of stories that shows the tangled lives of immigrants, from what they have lost to what they discover as well.

Nayeri tells his own personal story here. It’s tie to his own childhood is clear, giving the stories an honesty that shines through even when the story is fantastic and wild. The book is like a woven Persian tapestry, though I don’t see the single fault that Nayeri has woven into it. It’s complete and marvelous, a rug of jewels that can still be walked on by us all.

A journey of a book that deeply shows the experience of an Iranian immigrant. Appropriate for ages 12-15.

Reviewed from library copy.