Ada has grown up living with her Nigerian father, her mother a ghost moving in and out of her life because of her struggles with addiction. Ada was not a petite little thing, instead thick waisted and with a hairy upper lip, her clothes boyish, she didn’t make friends easily at school. Now Ada is off at college, the first time she has been able to make decisions on her own. Her time at a Historically Black College has her exploring her sexuality and looking more deeply at her childhood. She is also steadily being drawn into dance, helped by one of her only friends at college, a girl who isn’t a student there. Suddenly, Ada’s strong body makes sense as she expresses herself through dance, taking ownership of her body and her past.
Iloh’s verse novel is pure power. She writes so much truth in these pages, directly talking about sexual abuse, playing touching games with other children, and the expectations of conformity at young ages around appearance. She also shows through emotion, sex and introspection that there is a way forward, as long as you are true to yourself and what you want to do with your life. Her verses are searing at times, other times like a dream, and still others a call to action. She writes with such compassion and courage here that it’s incredible that this is her first novel.
Ada is a marvelous character, full of trauma from her childhood, cared for by a father who was doing his very best for her, which sometimes was not enough. Just the poems about therapy as a small child are insightful and achingly raw, full of such confusion. It is Ada’s triumph in finding her own path that is full of music and dance that offers hope to the reader and inspiration as well.
Powerful, honest and triumphant. Appropriate for ages 14-18.
This whirlwind of a novel is a grand retelling of Shakespeare’s Romeo and Juliet. Juliette Cai is in line to inherit the Scarlet Gang, one of the two gangs who rule 1920’s Shanghai. Juliette has spent the last few years in New York City, making her both a native of Shanghai but also partly an outsider. Upon her return to Shanghai, strange things start happening. A contagion is sweeping the city, causing those who catch it to tear out their own throats. Juliette is determined to figure out what is actually happening, a desire that causes her to have to work with her former lover, Roma, who is the heir to the White Flowers, the rival gang. After being brutally dumped by him, Juliette is wary of whether Roma is telling the truth. But when his own sister succumbs to the contagion, the two begin working together in earnest, encountering murder, death, monsters and much more.
This book is full of so much depth and such brilliant world building that it is nearly impossible to believe it’s a debut novel. Gong writes with real skill here, managing the pacing of the book beautifully, slowing it at appropriate times and allowing it to dash madly at others. The result is a book that sweeps up readers, offering them a glimpse of a fictional Shanghai that dazzles. Gong also riffs on the original very cleverly, not tying herself too tightly to Shakespeare but close enough that there are glimpses of that tale throughout the book.
The two main characters are marvelously driven and willing to kill people along the way. Gong does not soften the ongoing blood feud or what it has cost both Juliette and Roma. She also makes Juliette the one more likely to resort to direct violence, which is dynamite. The puzzle at the heart of the book is complicated and strange, leading directly to the next book in the series.
A dynamite first book in a dazzling fantasy series. Appropriate for ages 14-18.
Reviewed from copy provided by Margaret K. McElderry Books.
Mila has aged out of the foster care system and has found a job teaching at a remote farm in Northern California. The farm is owned by a couple who have taken in over 40 foster children over the years as well as offering internships, like the one Mila has gotten. Mila finds herself on a beautiful farm and warmly welcomed by the owners. She only has one pupil, 9-year-old Lee, who comes from a traumatized background just as Mila does. But no one told Mila about the ghosts on the farm, about how they would fill dance across the fields and play games together at night. As Mila gets more involved with helping on the farm, learning about the flowers and crops, and helping Lee face his trauma, she finds that her own memories are threatening to overwhelm her as her past continues to haunt her.
This new book from the Printz-award winner is another dynamite read. It’s a novel with such an unusual setting, haunting and remote. It echoes with elements of Jane Eyre and Rebecca while standing completely modern and unique. It may not be classically gothic with its warm and sunny rooms, merry meals together, and companionship, but other moments are pure gothic with the sea, the cliffs, and the ghosts. It’s a tantalizing mixture of sun and shadow.
Mila is a character to fall hard for. She is clearly traumatized by what happened to her before she entered the foster care system, setting herself apart from others even as she longs to be closer to people. She is careful, conscientious, and amazingly kind, everything that her past has her thinking she is not. She is a marvel of layers that the novel reveals with gothic precision at just the right times.
Gorgeously written and filled with icy darkness and glowing warmth, this novel is a triumph. Appropriate for ages 13-17.
Aiden Navarro is fourteen and attending summer camp with his Boy Scout troop. He is leaving his Catholic Middle School and has decided to go to public high school, though he’s starting to dread what that means in terms of the bullying escalating even farther. After all, he doesn’t know how to dress himself since he’s been wearing a uniform to school for years. He also worries about how his sister is coping with his often abusive father now that Aiden is gone to camp. To make it all more complicated, Aiden is also gay and closeted. When he finds himself becoming attracted to one of his friends, Aiden has to decide whether to let him know or not. When things don’t go well, Aiden reaches a dark place that has him questioning how to go on.
Curato has created a graphic novel that really speaks to self discovery and learning how to survive. The setting of the summer camp really creates an atmosphere of freedom mixed with closely living with other boys his age. This can be a mix of exhilarating but also being unable to escape from bullying that targets Aiden’s sexuality. I applaud Curato for incorporating exactly the sorts of dirty jokes that boys in a group make together, all of them teasing about sexuality in a way that is damaging and hurtful.
The art in the book is done in black and white until the flames enter the pages. Those flames can be from bullying, from shame, from attraction, from rage. They all color Aiden’s life and therefore the pages. It’s highly effective, particularly as Aiden makes a decision about suicide.
A compelling look at a gay teen learning about himself and finding his core of fire. Appropriate for ages 12-15.
YALSA has selected the five finalists for the 2021 William C. Morris Award, which honors a debut book for young adults. The winner will be announced at the ALA Youth Media Awards ceremony on January 25, 2021. The finalists are:
This deeply personal graphic memoir tells the author’s story of being a creative person in our modern world. Spanning from 2011 to 2019, the book explores her life as a young adult. Starting with her time in art school with its loneliness and her growing meltdowns and self harm, the book explore the darker side of her personality. Her inner flame of creativity and passion battles the hole that she sees as gaping right at her middle. Still, that darkness is offset by wonderfully mundane happy moments such as apple picking in the fall and watching TV with people she enjoys. As the years progress, that strain of darkness and depression vs. creativity and wild energy continues. Stevenson shares her huge accomplishments too such as publishing her first graphic novel to great acclaim and winning national awards for it and running a highly successful series for Netflix. Still, those never quiet the negative thoughts. After finally crashing to her lowest point, Stevenson emerges like a phoenix, a woman in love, getting married and carrying her fire with her still.
There is so much sheer honesty and vulnerability on these pages that it is breathtaking. The mix of Stevenson’s writing with her illustrations, many created at the time she is talking about, makes for a dynamic read where her skill as both writer and artist is evident on every page. Perhaps most telling is how her huge successes did not diminish her negative internal experience, instead perhaps accelerating the crash. Her honesty about self harm and struggles with mental illness is amazing.
Stevenson carefully stays away from generalizing her experience, instead keeping her memoir very personal and about her own journey through creativity and the way it can burn and destroy as well as build. Because of this, readers can see themselves in her, relate to her feelings and see a way forward that does not involve a complete loss of self or creativity. It’s a book of hope, for creative queer people in particular.
Strong, personal and empowering, this is a memoir is a courageous look at mental illness. Appropriate for ages 16-19.
The Black Kids by Christina Hammonds Reed (9781534462724)
Set in Los Angeles in 1982 during the Rodney King riots, this teen novel deals directly with racism and class. Ashley lives in a wealthy part of LA, attends a private school, and has only white friends who she has known since childhood. They spend lots of time around the pool drinking, flirting and planning their prom. As the protests engulf LA though, race becomes a part of everyone’s focus, something that Ashley has tried to ignore, including all the comments one of her friends keeps making. Ashley finds herself becoming closer with LaShawn, a Black kid at school who is a star athlete and whose home is threatened by the protests. He has gotten into Stanford while Ashley has been placed on the waitlist. Ashley makes a comment about his new shoes to her white friends and suddenly becomes a rumor, leading to LaShawn punching another student and potentially losing his place at Stanford. Ashley must figure out how to make things right and also what side she is on.
Reed takes a historical moment in time that continues to resonate today. Remarkably, this is a debut novel. Written with such assurance and clarity, the book allows Ashley to find her own way, something that is often not clear as she continues to make mistakes based on her friends and her class. Reed keeps from becoming didactic at all, instead giving us the perfect character to learn alongside, to hope realizes what is truly happening, and to empathize with and get really angry at.
This book doesn’t duck away from anything. Reed takes on micro and macroaggressions around race and class. She explores how wealth does not protect Black Americans from being targeted, treated differently in our justice system, or stopped by police at gun point. She shows readers this with such power and straightforward honesty that it is impossible to rationalize it away.
Beautifully written, this historical novel is powerful and gripping. Appropriate for ages 14-18.
Reviewed from e-galley provided by Simon & Schuster.