A little girl takes a coach ride with Hans Christian Andersen. As they head to Copenhagen, the author answers her questions and then tells her a fairy tale. It’s the story of a boy who learned to fly, the story of his own life. Born on a Danish island, Hans’ father was a cobbler who mended shoes. In the evening though, he would read to Hans from a big book of fairy tales. He also built Hans a puppet theater and performed shows for his son. Then Hans’ father was sent to war and returned tired and sick. He died when Hans was eleven. As Hans grew up, he was inspired to try to join the theater as an actor but his voice broke at age fifteen and he had to find a different way. Hans truly loved writing and was sent to school tuition free. Now Hans was on his way, a boy who grew up to be famous by sharing parts of himself in his fairy tales.
First published in Switzerland, this translated version is a rich look at a famous author who has captivated children for generations. Framing his life with questions from a small child is a clever device to allow the character to answer questions about his life and his stories. Allowing Andersen to tell his own life story as a fairy tale is also a believable format that invites readers to really get immersed in the life of this amazing figure in literature.
The illustrations by Kastelic are dreamy watercolors that move from realistic colors on the carriage ride to sepia tones as Andersen tells his personal story. They really burst from the page though when Andersen talks of his fairy tales, becoming rich and vibrant, the colors fantastical and wild. These changes beautifully show just as the story does, the power of story.
A superb picture book biography. Appropriate for ages 4-6.
Emily Dickinson grew up in a small New England town. As a little girl, she explored the fields and gardens around her home, discovering new words and ways of thinking about the world around her. Her feelings were deeper than most people’s with higher joys and lower sadness. Her thoughts here also deeper, including her love for so much around her. She found sorrows and looked for solutions in school and church, but refused to put her faith in things she could not see. She had her own brand of hope, one that led her to her own truth too. That truth came to life in her poems, not shared with anyone, just with herself. They allowed her to express her feelings and the way she looked at the world, puzzle through things, and ask questions that could not be readily answered. Those same words now inspire so many readers to do the same, find their own voice, look at the world from their own lens: just as Emily did.
Berne writes her prose with a thoughtfulness that allows her to intersperse many of Dickinson’s own words in the text. Dickinson’s poems fly on the page, lifting it up in the way only she can. Berne then serves as her foundational story, offering clarity about Dickinson’s life and then pairing those with poems. It’s a delightful way to introduce young readers to poetry and to Emily Dickinson herself.
The illustrations have a lot of historically accurate elements like the Dickinson home and surroundings. Still, my favorite illustrations are the ones where Emily’s imagination soars along with the illustrations which become whimsical and wild.
A grand look at a great poet’s life and work. Appropriate for ages 6-9.
Growing up in Yamhill, Oregon, Beverly spent her days on the family farm with animals for friends. She only had two books growing up, so she made up her own stories instead. When her mother got a children’s library created in Yamhill, Beverly finally had access to more stories. After moving to Portland, Beverly started school, determined to learn to read in class. Numbers were easy for her, but reading was hard. It didn’t help when she had to stay out of school for weeks due to smallpox. It wasn’t until the following year that she got a teacher who put in extra effort with Beverly to help her learn to read. Soon she was writing too and eventually became a librarian. When Beverly heard children asking for stories about kids like them, she was inspired to try her hand at writing children’s books!
Conrad has created an engaging biography where readers can see Cleary’s inspiration from her own childhood reflected in her books for children. The difficulty that Cleary had learning to read is shown in great detail, echoing the immense effort it took to learn. It is inspirational for children who may be having difficulty learning to read to see someone who eventually became one of the most famous children’s authors of all time having the same problems.
The art by Hohn is bright and friendly. The use of period clothing really helps place the book in the past visually and keeps the bright-eyed Beverly from feeling too modern. It also shows the great sense of humor that Cleary had throughout her life.
An inspiring story of triumph and achievement. Appropriate for ages 6-9.
This nonfiction picture book explores the inspiration behind Williams’ most famous poem as well as the life of the poet who wrote it. The book begins with Williams on his doctor’s rounds, noticing the red wheelbarrow that belonged to Mr. Thaddeus Marshall, who works harvesting and selling vegetables in Rutherford, New Jersey. Williams uses his spare time at work writing poems and noticing small things around him. He types between office visits and takes notes as he walks through the town. Then one glimpse out of a window on a rainy day created a moment that inspired one of the greatest poems.
Rogers writes a biography focused on Williams himself and on the inspiring white chickens and red wheelbarrow. She takes time to not only capture that iconic image once but several times on the page, showing how inspiration lingers and returns. She also makes sure to linger on how Williams works writing into his role as the town doctor and how he notices small things that inspire him.
The illustrations are done digitally and feel very organically with pencil and brush lines on each page. The colors are pastel and gentle, encouraging readers to look more closely and linger just as Williams himself was doing.
A nonfiction picture book about writing, poetry and life. Appropriate for ages 6-9.
Reviewed from e-galley provided by Schwartz & Wade.
Grimes writes a searing verse memoir of her years growing up with a mother suffering from alcoholism and schizophrenia. Removed from her mother at a young age and separated from her older sister, Grimes found a loving foster family where she discovered the power of writing her feelings and experiences out on paper. She visited her mother occasionally during that time and they were eventually reunited when her mother got sober and remarried. But it wasn’t that simple or easy. Grimes was trapped in a home filled with a cycle of addiction, mental illness and sexual abuse from her stepfather. Told with a strong sense of hope and resilience, this book is a brave look back into a traumatic childhood.
Grimes has created a book that carries readers back into her previous experiences, showing how she survived, how writing helped, and how she found hope and strength in people other than her mother. Grimes has recreated some of her childhood and teen journals which were destroyed. In these small glimpses told in the voice of her youth she shows her confusion and strength vividly.
Throughout the book, Grimes mentions that she doesn’t have clear memories of much of her youth due to the trauma that was inflicted upon her. Her willingness to explore such painful subjects even though her memories are incomplete or entirely gone is a concrete example of her resilient spirit and hope.
A powerful and poetic look at trauma and the building of a new life. Appropriate for ages 16-adult.
Brave Face by Shaun David Hutchinson (9781534431515)
Hutchinson, author of several amazing novels for teens, shares a memoir of his teen years as he grapples with being gay and having depression. Hutchinson is open from the beginning of the book that it involves a suicide attempt. He states it with great empathy for both the reader and for his younger self. That tone of self-understanding plays through the novel, never allowing himself to become overly self-deprecating. Hutchinson speaks as a person engulfed in a society telling him that because he was gay, he was broken, focused only on sex, and would live a short life probably because of AIDS. Though he had a wonderful best friend, he could not see a future for himself. Along the way, he started to self harm, started smoking to gain a boy’s attention, and sunk deeper and deeper into depression and self loathing. The spiral is filled with pain and darkness, but the book is ultimately filled with hope and a way forward into life.
It is no surprise to his fans that Hutchinson has written a moving and deep memoir. However, it is amazing how far he is willing to explore his life as a teen, how open he is about all of the things he was feeling and experiencing, and how much he shares in these pages. He bares his entire soul here, in the hopes that it will help someone else find their way out of darkness too. I guarantee, it will.
Hutchinson shares how small decisions, individual conversations, new crushes, and tiny moments shape our lives. He is honest about how he damaged several relationships in his life, how he continued to be absent and self-absorbed, and how that too changed as he dealt with his depression. While it is a book of hope, it is also one about the hard work it takes to come back from the brink, how friends and family can help, and how some questions are simply too hard to ask.
Brave, fierce and incandescent. Appropriate for ages 15-19.
In 42 pages, Mac Barnett celebrates the 42 years of Margaret Wise Brown’s life and writing. This is not a traditional picture book biography, but instead a treasure of glimpses into moments in Brown’s life. Small details like her biting dog and her birth date are shared. Barnett also makes sure to point out unique things that Brown did as a child, like skinning a rabbit and wearing its fur. The rabbit element plays out across Brown’s life and writing, even publishing a book that was first published with a rabbit fur cover. These elements are all loosely woven into a story of a woman who wrote unique and strange books for children, odd enough not to be accepted by the New York Public Library. Still, it didn’t slow Brown down from writing and living her own unique life.
This book is incredible. Written with a conversational tone, inviting readers to see how writing for children needs to be expansive and go beyond cuteness and cuddles. Barnett, who also shares similar elements in his own writing for children, explores fascinating parts of Brown’s life and makes her unique voice the focus of the book. His writing is a study in how to have a strong voice in a children’s book, a narrative point of view, and yet also avoid being didactic at all, insisting that young readers think for themselves.
Jacoby’s illustrations are a great mix of showing Brown’s life, full pages of pastel and flowers, and other moments with bunnies in libraries. The mix is wonderfully odd and so exactly appropriate for a story about Brown herself.
I predict that this one is going to be win awards. It certainly should. Appropriate for ages 5-8.
As a child, Isabella Bird was not well. She spent much of her time with aches and pains stuck indoors. Then her doctor had an idea that fresh air might do her good. She traveled on horseback with her father and realized that she loved to explore. However, Victorian England was not conducive to a woman traveling on her own, and Isabella once more fell ill. Once again, she was prescribed travel and set off on a journey to Canada and the United States. When she returned, triumphant and with many stories, she was encouraged to write a book. This set her off on a lifetime of travels and adventures around the world and writing books that captivated nineteenth-century readers.
Mortensen demonstrates how very stifling life in the 1800s were for women and girls. Happily, Bird was able to discover her own passion for travel and adventure. The book tells stories of her travels and the harrowing situations she found herself in, like climbing volcanoes, surviving severe cold, and dangling from a cliff by her skirt. Scattered throughout the book are excerpts from Bird’s own writing that show how stirring and evocative her prose was.
The illustrations in the book are done with simple lines that really capture the action and at times the boredom of Bird’s life. Bird’s journal, with her on all of her travels, features heavily in the illustrations as it drops over cliffs, loses pages to the wind, or has Bird writing in amazing situations.
A look at a woman who did not allow social conventions to slow her down, this is an inspirational story of following one’s bliss. Appropriate for ages 6-9.
When Miri, Soleil and Penny make a plan to get close to their favorite author, Fatima Ro, at one of her signings, they couldn’t predict what would eventually happen. The girls meet Fatima, make a connection with her and suddenly are walking out with her and are invited to an exclusive gathering at a local coffee shop. Soon they are friends with Fatima, invited over to her house and spending time with her. They bring along Jonah, a boy who has just started at their private school and who seems to have a secret. As their friendship with Fatima deepens, their lives begin to revolve around her book, her ideas of human connection, and each of them having their own sort of connection to the famous author. But is everything what it seems?
This is one delicious read, even if readers figure out the twist ahead of time watching it play out and the reverberations it has for the characters is great fun. Penaflor writes the book in a series of texts, conversations, interviews and notes. Added in are excerpts from the new book that Fatima Ro has written, inspired by the teens themselves. Throughout, there is a wonderful creepiness as the novel written by Fatima mirrors the lives of the teens so closely. Readers will not trust any of the characters because they are all immensely flawed and biased in their recounting of what happened.
The novel explores privilege and power. It looks deeply at whether someone who has done something atrocious can be redeemed, can recover themselves and can regain their life. I’m someone who loves ambiguous endings to books and this one is particularly well done, working well with the layered quality of the novel as a whole.
A perfect summer novel that is a thrilling, compulsive read. Appropriate for ages 14-17.