Vy’s Special Gift by Ha-Giang Trinh

Vy’s Special Gift by Ha-Giang Trinh, illustrated by Evi Shelvia

Vy rushes in the morning to reach the line to get rice. She is running late, but still gets a spot. Set in Vietnam during Covid, she wears and mask and stands in line on the marked spot to be socially distanced from others. The line is very long and everyone is tired. Ahead of her in line is a woman with a baby and a small boy. Vy sings to the baby, a lullaby to get him to settle. She reads the little boy a poem of rice and rain. Then the two of them draw a picture together that they give to an older woman in line. Vy lets the woman go ahead of her in line, but when Vy reaches the end, there is no more rice. But the small kindnesses she performed in line come back to her in rice for her family.

Trinh tells this story with a real grace. She shows the poverty and need with frankness while also showing how small acts of kindness in the midst of a pandemic can make all the difference in people’s lives. The story has a genuine quality to it, the acts of kindness are thoughtful and realistic as is the final sharing of rice amongst everyone who was impacted by Vy’s kindness. The text is written in a mix of narration and speech bubbles, combined with poetry and song lyrics.

Shelvin’s illustrations embrace the mixtures of texts, highlighting the song and poem with freshly bright colors of bright pinks, yellows and blues. The majority of the book is done in a subtle color palette with golds, pale blue and gray.

A quiet and lovely look at the pandemic and everyday kindness in a crisis. Appropriate for ages 4-6.

Reviewed from e-galley provided by the author.

Review: Butterfly Yellow by Thanhha Lai

Butterfly Yellow by Thanhha Lai

Butterfly Yellow by Thanhha Lai (9780062229236)

Hang has lived with the fact that she was responsible for her little brother being taken away to American in the last days of the Vietnam War. She had hoped for them both to be taken together, but instead he was ripped screaming from her. Now, six years later,  Hang has come to the United States herself and is determined to find her little brother by following the only clue she has, an address on a card. Not finding anyone at the address, Hang is helped by an urban cowboy, LeeRoy, who longs to ride in rodeos and follow his dreams. LeeRoy is quickly caught up in Hang’s quest and the two of them discover her brother with some lucky help along the way. But that is just the beginning of a summer spent laboring on a farm together, learning about the work of being a cowboy, and finding ways to connect their pasts and their present.

The first chapters of the this book and many of them throughout are so laced with pain and ache that readers will feel it in their own bones. Lai tells the story of Hang in bursts of memory, escaping from the tight hold Hang has over them. The reader and Hang are powerless as the searing memories escape, glimpses of the truth and eventually the full story of a girl strong enough to survive pirates, parasites, icy water, and war. Lai takes two very unlikely protagonists and creates a love story for them, one that captivates with its honesty and originality.

Hang is one of the most remarkable protagonists I have read in years. Far from being broken by her wartime trauma, she continues to fight back, literally at times. She is raw, sarcastic and not defined by her past, but still continuing to be haunted by what happened. She is complicated and so profoundly human. Lai made a brave and smart choice to write Hang’s accented English with Vietnamese typography, echoing Hang’s own notebook that tells her own English is pronounced. Readers will struggle along with Hang at first, but join LeeRoy in understanding her quickly.

Painful and traumatic, this book is filled with sweat, work and more than a little love. Appropriate for ages 14-18.

Reviewed from e-galley provided by HarperCollins.

Review: In a Village by the Sea by Muon Van

In a Village by the Sea by Muon Van

In a Village by the Sea by Muon Van, illustrated by April Chu (InfoSoup)

In a fishing village near the sea, there is a small house high in the hills. In that house, there is a kitchen with a warm fire where a pot of noodle soup is simmering. A woman watches and waits, grinding spices in a mortar and pestle while a baby sleeps nearby. Their dog looks down into a hole in the floor and spots a cricket there. The cricket is painting on an easel, creating an image of a stormy sea with large waves. In that sea there is a small boat with a worried fisherman hoping to get out of the storm soon and dreaming of his family in a small house above the sea.

Both the author and illustrator are Vietnamese-Americans. The story was inspired by the author’s father and his ancestral village in Central Vietnam. It is the story of both the men who head onto the sea to fish and the families they leave behind. It is also a story of the cycle of life, of connections to one another. After all, the storm itself is both on the cricket’s easel but also part of the heart of the story too. It’s a book that twists a bit, so that one forgets the origin of the storm and the story, but knows that it echoes with history and truth.

The illustrations are dramatic and gorgeous. They evoke Vietnam with its stunning shoreline. They also capture the danger of the high waves and surging seas, conveying that tension clearly without making it too frightening or intense for young readers. The entire book celebrates the cozy home but also the wildness of nature, dancing from one to the other with ease and creating a strong dichotomy but also connection between the two.

Beautifully illustrated and told, this cyclical story is a journey to Vietnam and a celebration of their way of life. Appropriate for ages 4-6.

Reviewed from library copy.

Review: Listen, Slowly by Thanhha Lai

listen slowly

Listen, Slowly by Thanhha Lai

Born in California, Mai has grown up as a beach girl in Laguna.  So she has big plans this summer to spend time at the beach and time with a boy she’s interested in. But her plans have to change when her parents force her to accompany her Vietnamese grandmother back to Vietnam to see if rumors of her grandfather still being alive after the War are true. Mai hates Vietnam immediately, while the food is good and there’s so much of it, it’s also hot, smelly and filled with mosquitoes who love to bite Mai more than anyone else. Mai hides the fact that she can understand the language even if she won’t try to speak it at all. Now she is stuck alone with her grandmother in a tiny village filled with her extended family, dial up Internet access, and a grumpy cousin who seems to only care for her pet frog. Yet as time passes, Mai discovers the beauty of Vietnam, of slowing down and of taking care of family.

Lai has created another wonderful read, this one almost a love letter to Vietnam. She takes readers into the country side and village life, showing first the oppressive heat and lack of modern conveniences, but then revealing in a beautifully natural way that there is much to value perhaps because the days are filled with extra time to be together. The changes in Mai happen organically as she slowly acclimates to her new surroundings and the new society. Nothing is rushed here, even the storytelling is gently done though never dull.

Mai makes a great lens to see Vietnam through, both outsider and relative. Her struggles with the language are cleverly portrayed along with some details about pronunciation in Vietnamese. When she begins to try speaking, the words move to broken English on the page, indicating her troubles speaking the language. At other times, it is Vietnamese on the page. Mai’s growing friendship with her cousin also happens at its own pace and with its own blend of English and Vietnamese.

Rich in details and completely immersive, this novel will inspire travel dreams in those who read it, perhaps to discover their own family roots. Appropriate for ages 9-12.

Reviewed from digital galley received from Edelweiss and HarperCollins.

Review: Year of the Jungle by Suzanne Collins

year of the jungle

Year of the Jungle by Suzanne Collins, illustrated by James Proimos

Collins, author of The Hunger Games series, takes on a completely different writing challenge in this autobiographical picture book.  Suzy’s father is sent to fight in Vietnam when she is a little girl.  He will be gone for a year, but Suzy isn’t sure exactly how long a year is.  At first, her father sends lots of friendly postcards, but over time they change.  He even mixes up her birthday with her sister’s something he would never have done if he was home.  The the postcards stop altogether and Suzy catches a glimpse of the war on TV.  She starts to forget what her father looks like and is scared of many things.  Then suddenly, her father is home.  But he doesn’t look the same and doesn’t act quite the same either.

This book is so timely for children dealing with deployments in their own family.  Collins writes directly from her childhood persona, delving right into the fears that haunt children, the loss of control and the lack of contact.  It is her writing that makes this book work, her honesty about her emotions and the frankness with which she grapples with the challenges of having a parent fighting overseas.

Proimos’ illustrations are cartoony and rough.  The most successful are double-spreads that take on Suzy’s fears directly, placing them on a black landscape that is filled with tanks, animals, helicopters, and more.  They emanate danger and contrast directly with the more colorful other pages.

Though the book is about Vietnam, it has a universal message for children left behind worried about a deployed parent.  Timely and honest, this is a book that belongs in every public library.  Appropriate for ages 6-9.

Reviewed from copy received from Scholastic Press.

Book Review: Inside Out and Back Again by Thanhha Lai

insideoutbackagain

Inside Out and Back Again by Thanhha Lai

Debut author Lai has created a verse novel of fleeing Saigon for the United States.  The narrator is ten-year-old Ha, who speaks of the beauty of Vietnam, its culture and their lives there.  Her father was captured years ago in the war, so she lives with her mother and three older brothers.  Her mother has a good job, but when the prices begin to rise because of the war, the family can barely survive.  They are given a chance to flee Saigon by ship though when they do, they almost starve because their rescue by the Americans is delayed.  Ha describes her culture shock when they do arrive in Alabama as a sponsored family.   All is different from the taste of the food to the quiet of the neighborhood to the language.   Many of her classmates are cruel to her, but she does meet nice Americans who help her learn the language and who are willing to learn about Vietnamese culture as well.

Lai’s verse is precision, written tightly and beautifully, it changes mood from one poem to the next.  Some are sliver thin and crack like a whip.  Others are sinewy and strong, ropes that bind and connect.  Still others are emotions that unite us all, tying us closely to the story.  Lai herself also immigrated from Vietnam at the end of the war to Alabama.  Her book speaks to the personal journey that she had in its depth of feeling.

Ha is a character whom readers will immediately connect with and understand.  She is written in a universal way, even as she describes her homeland and evokes scenes that many readers will not have seen or experienced.  In the descriptions of Ha’s family, Lai creates characters who are vivid and profound.  One of my favorite passages is early in the novel where the family is deciding to leave Saigon.  Ha’s mother is described on page 54:

Who can go against

a mother

who has become gaunt like bark

from raising four children alone.

This a book that is so beautifully written.  It captures the journey both physically and emotionally of refugees to our country.  It is breathtaking and strong.  Appropriate for ages 9-12.

Reviewed from library copy.

Also reviewed by:

All the Broken Pieces

All the Broken Pieces by Ann Burg

Matt Pin was airlifted from war torn Vietnam to the United States and has been adopted into a loving family.  Now at age 12, Matt is struggling with the internal scars of war, combined with his questions of identity.  He has haunting memories of his mother and brother whom he left behind in Vietnam.  Matt has trouble giving a voice to his internal struggles, while externally he is having difficulties at school and is being bullied by boys on his baseball team.  Can Matt manage to make peace with his past so he can embrace his future?  Or are the two so intertwined that they are one and the same?

A searing verse novel, this book offers powerful poetry that clearly conveys the emotional scars of Matt and of the community around him.  Vietnam is a multi-faceted subject and Burg does an admirable job in paying tribute to its many aspects.  Poetry is a wonderful medium for this sort of exploration, allowing things to be said clearly that would have to be danced around in prose.  Burg’s poems create a cohesive novel yet offer verses that will linger in the memory and mind, that speak to our humanity and our past.

Here is one verse from the early part of the novel that captures the power and talent of the writing:

He never saw my face.

But she was already swelled

with love for him when he left,

taking with him

his blue-eyed promise

that it would not end there,

with the smell of burnt flesh

and the sound of crying children.

Highly recommended for tween and teen readers, this book covers powerful subjects without turning away or flinching.  Readers who are not poetry readers and those who claim not to like verse novels should be encouraged to try this one.  Appropriate for ages 12-15.

Reviewed from library copy.

Also reviewed by A Year of Reading.