Released September 15, 2015.
The author of The Invention of Hugo Cabret returns with his third book. In this novel that mixes his vivid artwork with longer passages of text, the focus is on one amazing family, The Marvels. It begins in the 18th century with a shipwreck where a boy survives the sinking of The Kraken and finds his way to London. Just as the ship was sinking, he had been participating in a play on board along with his brother who was killed in the wreck. So when he reached London, he found the Royal Theatre and people willing to take him in. Time passed and the boy turned into a man who one day finds a baby left on the theater doorstep. So begins a theatrical family until one generation does not want to be on stage anymore. Time turns again, now it is 1990 and the story is that of Joseph who has run away from boarding school to the home of his uncle whom he has never met. Looking through the windows of the home, it is as if a huge family has just left the room. But his uncle lives there alone. Odd noises filter through the house too, a bird sings where there is no bird and footsteps can be heard. As Joseph is allowed to stay, he discovers that he is living in a mystery and one that he must solve in order to understand his uncle.
This is another stunning novel from Selznick. Again it marries his art with his prose, both of which are beautiful and evocative. His art depicts the theater life and shows how like ship rigging the ropes all are. It shows art and family and irreconcilable differences. Then comes the prose where Selznick paints a picture of the uncle’s home with the same detail and care that he uses in his images. They come to life in a different but complementary way. It is stirring and beautiful to experience vivid depiction of two settings, one in text and the other in art. This results in a book that is visually arresting but also has prose that is worthy of celebrating and sinking into as well.
Joseph and his uncle are both very interesting characters. Both are rather isolated and lonely, finding their own space in the world. Both struggle to fit in, but also find ways that allow them to not have to change their own personality much at all. It is a book that looks at love and the various places you can find it in life as well as its power to transform. As the story unfolds, there are wonders and almost magic at work. This is an exploration of theater and performance too, a look at what is truth and what is real and an acknowledgement that theater can be both.
I was rapt when reading this novel. It is a treat to have a new Selznick to explore and this one lives up to his stellar reputation. Appropriate for ages 8-12.
Reviewed from ARC received from Scholastic.