Chapter Two Is Missing by Josh Lieb, illustrated by Kevin Cornell (9781984835482)
The book begins with Chapter One, of course, where it is discovered that Chapter Two is missing! A phone number for the police, an email and even a place to tweet is offered to the reader. When the page is turned to Chapter Two, the reader only sees some erased and illegible text on a few pages. Then the book picks up again in mid-story. The chapters move past quickly, with even the characters noting the brisk pace. The detective arrives, the janitor redecorates with M’s and messes with punctuation. Another story merges in for some chapters and then some are blank as characters think hard about the mystery. In the end, the culprit is identified but not caught. Perhaps the reader though can find proof in their own home. Take a look!
Lieb has written a chapter book full of wild humor and a twisting mystery. The book has only three characters: the first person narrator, the detective and the janitor. So the potential suspects are limited. The joy of the book comes with the silliness of the premise, the jaunty pace and the knowledge that each turn of the page will bring something fresh and different. Lieb uses blank pages, inserts a different genre, mirror writing, and messes with punctuation to great effect.
While this may present as a chapter book, it actually bridges between a chapter book and a picture book as it is filled with illustrations and often the chapters are single pages. Done in black and yellow-orange, the illustrations are very funny, often interacting directly with the text on the page.
Funny and fast, this chapter book is a silly mess that really works. Appropriate for ages 5-7.
Reviewed from e-galley provided by Razorbill.
Sunny Rolls the Dice by Jennifer L. Holm & Matthew Holm (9781338233155)
This third in the Sunny series of graphic novels continues the story of Sunny, who is growing up in the 1970s. Sunny is starting middle school and things with her friends are becoming more and more confusing. There is the mystery of hair rollers, the unspoken rules of being a girl like when a boy bumps you he’s showing he likes you and that even if girls talk about boys all the time, it’s not OK to be friends with them. But there are things that make perfect sense to Sunny, like playing Dungeons & Dragons with her group of friends, who are mostly boys. When that too ends up being forbidden in middle school, Sunny must decide if she wants to be groovy or wants to be herself.
As someone of almost the exact same age as Sunny in the 1970s, one of the most charming parts of this series is how much of the seventies is captured in the stories without it becoming unnecessarily retro. I also love the inclusion of Dungeons & Dragons. Sunny is a girl after my own heart as I played a paladin always. The fact that D&D bridges from the seventies to today is impressive. The tone is just right as well, offering moments of real humor and empathy in the middle school years. As always, the art is right on, with the failures of Sunny to curl her hair, the beauty of tight Gloria Vanderbilt jeans, and the quiet loveliness of a paneled basement for gaming.
Bright and funny, this is another great book in the series. Appropriate for ages 9-12.
Reviewed from ARC provided by Scholastic.
I Remember: Poems and Pictures of Heritage compiled by Lee Bennett Hopkins (9781620143117)
This wonderful collection of poems and illustrations speak directly to the poets’ cultural heritage. Each poem looks deeply at family and identity, whether it is being asked where you come from or meeting a family member for the first time. Some of the poems show the fear of being African-American in America, the oversimplification of race when filling out forms, the way food can bring people together, and the joy of summer nights. The illustrations paired with each of the poems highlight the wide variety of cultures and heritages in the texts. The result is a rainbow of skin tones and colors, weaving together to create a book that reflects the vastness of our country.
The poems and illustrations in this book are very impressive. As they play through the authors’ memories of their childhoods and the variety of emotions those memories evoke, the reader gets the pleasure of visiting each author’s experience. Poetry always gives a more concentrated look, a deep feel for the author, and that is certainly the case here. The illustrations are wonderful, each self-contained and presented almost as a treasure to discover along this journey.
A great compilation of art and poetry that celebrates diversity and inclusion. Appropriate for ages 7-10.
Reviewed from e-galley provided by Lee & Low Books.
The Book Rescuer: How a Mensch from Massachusetts Saved Yiddish Literature for Generations to Come by Sue Macy, illustrated by Stacy Innerst (9781481472203)
Aaron Lansky’s grandmother came to America from Eastern Europe. She brought with her precious books in Yiddish, which her brother threw into the sea along with her other possessions as a sign they must break with the past. Aaron grew up firmly American in Massachusetts. When he went to college he began to study Jewish scholars and had to learn to read Yiddish to be able to read what he needed to. But Yiddish books and the language were in serious trouble in the 1960s after the impact of World War II. Aaron found himself rescuing Yiddish books from destruction. He filled his apartment with books and asked the leaders of Jewish organizations across the country to help save the books. But they believed that Yiddish was no longer worth saving. So Aaron created his own space in an old factory building that he named the Yiddish Book Center. As word spread, he continued to save books from destruction and meet with people who handed their beloved books over to him. The Center continues its work to this day, having saved Yiddish books from destruction for decades.
Macy writes with a wonderful tone in this nonfiction picture book. She shares the importance of what Lansky accomplished with his work but also has a playful approach that works particularly well. The insertion of Yiddish words in the text adds to this effect. The story of Aaron Lansky’s work is one of finding a personal passion and getting swept up in it. It is a story of hard work, resilience and determination in the face of even those who should care not finding your work valuable at first.
The illustrations by Innerst move from playful in depicting things like running in pajamas at night to save books to dramatic when looking back at the Holocaust. They are done in acrylic and gouache with textures added digitally. The images suit the subject well with a feel of modern design combined with connections to the past.
A fascinating biography of a little-known man who saved a written history of his people. Appropriate for ages 6-9.
Reviewed from copy provided by Simon & Schuster.
The End of Something Wonderful: A Practical Guide to a Backyard Funeral by Stephanie V.W. Lucianovic, illustrated by George Ermos (9781454932116)
This nonfiction picture book offers a guide to planning your dead pet’s backyard funeral. It is entirely practical, offering the first step as actually having something dead. With a mix of humor and heartfelt connection to grief and loss, the book offers real ideas for what to bury the creature in, what other items that creature might like in their grave with them, and even what sorts of stories to share at the funeral with everyone. The book ends with thoughts of visiting the grave when you need to and then feeling able to move on when it’s the right time for that.
The author offers real empathy for children who have lost a pet, making sure that they feel free to express their feelings along the way and share their experiences. However, she also creates humorous moments throughout the book to make sure that it never becomes oppressively sad or morose. It’s a very readable and remarkably enjoyable guide to funerals. The art by Ermos helps with the mix of light tone and dark subject too, giving glimpses of the skeletons under ground as well as the delight of flowers and ideas for animals too large to bury.
Funny and frank, this funeral guide is just what we all need. Appropriate for ages 6-10.
Reviewed from library copy.
The Okay Witch by Emma Steinkellner (9781534431454)
Moth has always loved everything to do with magic and witches. So when Halloween comes, she dresses up as a witch. That does nothing but encourage some school bullies who tease her in the hall in front of the new kid in town. But something strange happens and Moth’s hands start to glow. It turns out that Moth comes from a family of witches, something her mother had never shared with her. Now it all makes sense why Moth has felt so different from everyone else and struggled to make friends. As Moth learns more about her family and the secret separate magic land her grandmother helped create and still lives in, Moth’s powers grow. She meets a talking cat, makes her first real friend, and then discovers that while witches are real so are those who hunt them!
Steinkellner’s debut graphic novel for youth is a delightful mix of diversity and magic. While comparisons can be made with other teen witches, this book stands entirely on its own. Part of that distinction comes from the unique world that the town’s witch elders created for safety. It is a world of floating islands, crystalline colors and flowing robes. It contrasts dynamically with the world of middle school. Moth is the one who brings both worlds together as her magic begins to take form.
The characters in this graphic novel really make the book special. Moth moves far beyond middle-school misfit and is a friendly, funny protagonist with a talking cat who is brave and conflicted. Her mother too is complicated in all the best ways.
A great middle-grade graphic novel that is full of magic. Appropriate for ages 9-12.
Reviewed from copy provided by Aladdin.
You Are My Friend: The Story of Mister Rogers and His Neighborhood by Aimee Reid, illustrated by Matt Phelan (9781419736179)
Celebrate the life of the person who became Mister Rogers, a beloved children’s television creator. As a child, Freddie was often sick and filled his days with puppets. He found it hard to make friends and was bullied sometimes. Freddie found that piano was a way he could express his feelings. His mother also told him to look for people around who were helpers, which made him feel safe and supported. His grandfather allowed Freddie to take risks as a child and know that he was adored. When Fred Rogers created his television show, he incorporated all of these childhood inspirations. His show had lots of helpers who shared their talents, talked about difficult subjects, and always told children that they were valued.
Reid draws clear parallels between Fred Rogers’ childhood experiences and the television show he eventually created. The use of his own childhood as inspiration resonates with the readers, allowing them to better understand the impetus behind the iconic show. Even his own talents with puppetry and piano which were highlighted on the show are shown as ways that he expressed himself in the darker times of growing up.
Phelan’s art is done in watercolor and pencil. Special small moments are created in the images such as Freddie Rogers wearing a cardigan or the simple images of Rogers on the television in a variety of situations.
A book that vibrantly captures one of the pioneers of children’s television. Appropriate for ages 5-8.
Reviewed from library copy.
Paper Son: The Inspiring Story of Tyrus Wong, Immigrant and Artist by Julie Leung, illustrated by Chris Sasaki (9781524771874)
Released on September 24, 2019.
Tyrus Wong entered the United States by using papers that belonged to another Chinese boy. In 1919, Chinese people entering the U.S. had to prove that they were of high status. Tyrus and his father both traveled under other people’s identities, making him a paper son. He had to memorize details of the other boy’s life and village, knowing that he would be tested to see if his identity was real. When they reached immigration, his father was let through easily but Tyrus was held for weeks until he was finally released after being interrogated about his identity. Tyrus didn’t like school much and his father was often away for work. Tyrus loved art, studying both western and eastern art styles. After he graduated from art school, he worked for Disney Studios, doing painstaking work. Then he heard of a new movie, Bambi, that the studio was working on. He began to create backgrounds for the film and Walt Disney loved them. Fired from Disney after a worker’s strike, Tyrus continued to make art throughout the rest of his life.
Leung tells Wong’s story with a lovely clarity. From his entry into the country through his career, Wong’s tale is not linear but rather a series of opportunities that he seized upon. The beginning of the book shows a family trapped in the red tape of immigration and that harrowing experience blossoms into a book about art and opportunity to express one’s self. That again narrows when Wong finds himself doing grunt work for Disney Studios and once again opportunities appear to move him forward. Throughout there is a sense of grace and resilience when faced with real obstacles.
The art work is clearly done with Wong in mind, with its ethereal backgrounds. The images are powerful, often showing things from a unique perspective from a look at a line of people on a long pier to directly gazing into Wong’s window to looking down at an image painted with a mop. The result is dramatic and beautiful.
A picture book biography that celebrates a lesser-known artist whose work we have all seen. Appropriate for ages 6-9.
Reviewed from e-galley provided by Schwartz & Wade.
16 Words: William Carlos Williams and “the Red Wheelbarrow” by Lisa Jean Rogers, illustrated by Chuck Groenink (9781524720179)
This nonfiction picture book explores the inspiration behind Williams’ most famous poem as well as the life of the poet who wrote it. The book begins with Williams on his doctor’s rounds, noticing the red wheelbarrow that belonged to Mr. Thaddeus Marshall, who works harvesting and selling vegetables in Rutherford, New Jersey. Williams uses his spare time at work writing poems and noticing small things around him. He types between office visits and takes notes as he walks through the town. Then one glimpse out of a window on a rainy day created a moment that inspired one of the greatest poems.
Rogers writes a biography focused on Williams himself and on the inspiring white chickens and red wheelbarrow. She takes time to not only capture that iconic image once but several times on the page, showing how inspiration lingers and returns. She also makes sure to linger on how Williams works writing into his role as the town doctor and how he notices small things that inspire him.
The illustrations are done digitally and feel very organically with pencil and brush lines on each page. The colors are pastel and gentle, encouraging readers to look more closely and linger just as Williams himself was doing.
A nonfiction picture book about writing, poetry and life. Appropriate for ages 6-9.
Reviewed from e-galley provided by Schwartz & Wade.