A Latina little girl has moved to the United States, discovering that she acts like a caterpillar and hides in the back of the class since she can’t speak English. In the summer, she looks for monarch butterflies, but can’t find any even in the community garden. In fall, she finishes her book about monarch butterflies. Able to read better now, she learns that the monarchs need milkweed to survive. Encouraged by her school librarian and inspired by the monarch’s migration, she forms a plan that she presents to her class. It’s hard to stand in front of the class and speak in English, but she really wants to plant a migration station for the monarch butterflies. Soon they are all working together, led by her, to create the station. She feels herself evolving now, into a citizen activist who stands at the front of the crowd.
The parallels between the narrator’s experience and that of the monarch butterfly offers a great framework for this picture book. Those connections are not overplayed, rather they form the reason that this little girl finds solace in studying butterflies. Interspersed throughout the book are excerpts from the nonfiction book on butterflies that she is reading. It’s a clever way to offer information in a separate and clear way.
The illustrations show a girl finding her way in a new country and a new city. The transformation in her body language as she becomes more confident and finds her voice is profound in the illustrations. By the end, she glows on the page alongside her garden.
An inspiring look at how to help butterflies but also how to find your voice. Appropriate for ages 5-7.
Khosrou answers his teacher’s writing prompts with stories of his extended Persian family. He and his older sister and mother immigrated to Oklahoma, often living in a motel while staying away from his mother’s abusive new husband, who she marries and divorces multiple times. The other kids in his class don’t believe his stories. They are full of blood and poop, told by a boy who doesn’t speak or think like them who is unpopular and hairy and whose lunch smells bad. Khosrou’s stories though reveal where he came from, a home with birds in the walls and a family of huge wealth. They show how his mother and sister found Christianity, putting their lives at risk in Iran and the resulting loss of his father, his nation and their status. The story moves between life in Oklahoma, full of bullies and violence to the amazing setting of Iran filled with the smell of jasmine, epic grandparents, and color.
Closely tied to Scheherazade’s story telling in One Thousand and One Nights, this novel is remarkable. Nayeri beautifully uses that framework of a series of stories that lead one to the next, hinting at future tales and never stopping as they move forward. He incorporates stories at so many levels, from poop humor that is a welcome relief (pun intended) to stories of his family in Iran to stories of immense bravery to stories of abuse and fear. It’s a world of stories that shows the tangled lives of immigrants, from what they have lost to what they discover as well.
Nayeri tells his own personal story here. It’s tie to his own childhood is clear, giving the stories an honesty that shines through even when the story is fantastic and wild. The book is like a woven Persian tapestry, though I don’t see the single fault that Nayeri has woven into it. It’s complete and marvelous, a rug of jewels that can still be walked on by us all.
A journey of a book that deeply shows the experience of an Iranian immigrant. Appropriate for ages 12-15.