Mexique by María José Ferrada, illustrated by Ana Penyas (9780802855459)
In a true story, over 400 children fled the violence of the Spanish Civil War. They were put on a boat and sent to Morelia, Mexico in 1937. Their families expected only to be separated from them for a few months, like an extended summer vacation, nothing more. Told from the point of view of one of the children, this book shows their time aboard the boat to their arrival in Mexico. The war was a hand that shook their lives apart, separated them and sent them adrift. But there were other hands too, hands of the older children who took care of the little ones. Not all of the older children were kind, sometimes stealing from the little kids. They arrived in Mexico, bringing the impact of the war with them, heading unknowingly into permanent exile.
Ferrada’s text is poetic and haunting. She writes of the hope of when the children embark, the bitter choice that their parents had to make in sending them to safety. She writes of the time aboard ship, of games played and small wars fought. She writes of long lonely nights at sea until the waving crowds welcome them to Mexico. The story stops there, continued in an afterword the explains what happened to the “Children of Morelia” and what history had in store for them.
The illustrations are just as haunting as the text. Done in a limited color palette with often jagged lines of ship railings and waves, they are sharp and unsettling. Showing the somber farewells, the crowds of children, they are sorrowful and foretell the longer refugee story ahead.
Somber, beautiful and timely. Appropriate for ages 5-7.
Reviewed from copy provided by Eerdman’s Books for Young Readers.
Grandmother’s bowl is precious for their family. Sachiko and family live in Nagasaki. At dinner, grandmother’s bowl is brought out and filled with food, Everyone bows their heads, pressing their hands together and says “itadakimasu.” Soon war comes to Nagasaki with its noises and the lack of food and other supplies. As the war continues and intensifies, the food in grandmother’s bowl changes too, becoming less and less. The family survives air raids, until one gets through. One of Sachiko’s siblings is killed in the blast. Her family leaves Nagasaki on foot, until they reach a hospital. Her brothers are very ill and both die from radiation from the bomb, other members of her family die too. Ice chips are all that help the survivors quench the burning. Two years later, Sachiko and her family return to Nagasaki and in the rubble of their home find grandmother’s bowl, unbroken and not even chipped. Going forward, ice chips are placed in the bowl on the anniversary of the bombing, watched as they melt away.
This picture book version of the award-winning book for older children, Sachiko: A Nagasaki Bomb Survivor’s Journey, allows the story of Sachiko to be shared with elementary-aged children. Stelson manages to pare the story down, writing in poetic lines that capture the horror of war and atomic bombing as well as the wonder of finding anything still intact afterwards. The symbolic nature of the bowl and the ice chips is incredibly moving and repeats in the book so that readers deeply understand the loss and work that must be done.
Kusaka’s illustrations are beautifully spare. She has created touching moments that show the family around their table with the bowl at the center. When the bomb hits, the pages turn from a red burst to blackness. It’s a powerful use of image without words.
A book about war with a strong focus on peace. Appropriate for ages 5-8.
Reviewed from e-galley provided by Carolrhoda Books.
After returning magic to the world, Zelie and Amari now face the betrayal that happened in the first novel of the series. Amari is determined to take the throne herself now that her entire family lies dead. Zelie discovers that Mama Agba still lives and has created an enclave of powerful magi in the mountains. Zelie joins them as they honor her as the Soldier of Death and quickly rises to become an elder among them. Meanwhile, Inan isn’t dead and neither is the queen. They restore their own grip on the throne and its power. Amari joins Zelie with the magi, determined to try to make peace with her brother though no one agrees with her. The two sides continue to war with one another, battles repeating between the new titans and the magi. As magic in the country continues to evolve and grow, both sides try to harness it for their own victory. But everything is complicated by efforts to forge a new way forward in the midst of the chaos.
Oh my it’s hard to summarize this middle book of a trilogy without tons of spoilers. I’ve tried, offering only spoilers that happen in the first chapters and that I needed to have my summary make any sort of sense. The novel is a strong second book in the series when sophomore books are often the weakest. It does more than serve as a bridge between beginning and ending, moving the entire story of the world forward. It also moves ahead the stories of characters we love, giving them power, loss, grief and love along the way.
The ending of the book is spectacular and worth the bit of meandering pace in the middle. There are moments throughout the book that stand out and offer real insight into the characters and their motivation. The world building is exceptional and becomes even more clear in this second book.
A strong second novel in an outstanding series. Appropriate for ages 14-18.
In a cozy cabin under a hickory tree, a grandma sits and weaves. She also worries. Her family gathers around her, singing. Their song tells of a woman in a battle, flying in a plane, protecting and defending. Their song sings of a dream of peace too. The family gathers together, wishing for her return. Told in the beautiful simplicity of a single poem, the words and the weaving work together to create something very special.
By the author of We Are Grateful: Otsaliheliga, this book focuses on a fictional Cherokee family and is inspired by Native women who served in past wars and continue to serve in the military today. The Author’s Note tells of one Native woman who helped train male student pilots, risking her own life as she did so. She served as a cargo pilot during World War II and also as an air traffic controller during the Korean War.
The illustrations of this picture book truly weave the story together. Thread and yarn appear as borders to the images, linking and looping them together. The Native family and the pilot are shown as strong women full of love for one another.
An important tale of female Native soldiers and the families who wait for their return. Appropriate for ages 4-6.
Award-winning author Kadohata tells the story of a Japanese-American family forced to return to Japan after World War II because of their Japanese ancestry. After spending years in an internment camp in the United States, twelve-year-old Hanako and her family move to Japan to live with her paternal grandparents. They travel by ship first and then train until they reach the decimated city of Hiroshima, where her grandparents’ farm lies outside. All of Japan is poor and hungry, with black markets and children begging on the streets. Hanako meets her grandparents for the first time, discovering that her grandfather is very like her little brother who is five years old. Her grandmother is stooped over from the hard work in the fields. Hanako must face learning a new language, attending a new school in a different country, and trying to find a way forward for her entire family. It’s a lot of pressure, but Hanako learns steadily to adjust and change.
Kadohata’s novel for children tells the untold story of Japanese Americans forced to repatriate to their country of origin and renounce their American citizenship. It also gives an unflinching look at the aftermath of World War II in Japan, particularly with its setting near Hiroshima. That dark setting is juxtaposed against the warmth and beauty of discovering loving grandparents and building a new relationship. Yet there is a constant sense of loss in the book and a teetering feeling that things may suddenly change at any moment.
As always, Kadohata’s prose is beautiful. She vividly depicts Japanese life during the 1940’s and the unending work of being a tenant farmer. In the midst of all of the sorrow, loss and confusion, she places a loving family who are willing to sacrifice for one another and for brighter futures for the next generation. Through this family, there is intense hope broadcast on the page.
An important and vital book about the horrors of war and its aftermath on individual families. Appropriate for ages 9-12.
A little girl explains what happened to her when war came to her city. She started the day with breakfast, kisses, and flowers on the windowsill. Then war came while she was at school. Her town was turned to rubble and she fled with others. She lost her entire family and her home in one moment of war. She made the dangerous journey to another country alone, arriving on a sandy shore. Even in the new country though, she was not accepted. War was there too in the way the people looked at her and made her unwelcome. When she tried to go to school, she was told there wasn’t a chair available for her. It is not until the children of the community come together with chairs in hand to make her welcome that war finally begins to recede.
There are very few picture books that can make me truly weep. This was one of those. The poem by Davies is powerful and starkly honest. She has taken inspiration from several true events and turned it into a tale of the loss and continued rejection that refugees feel even after making it to safer countries. The power of children to make the world welcoming to those who have fled their countries is empowering and refreshing to see on the page.
The illustrations from Cobb take readers on a journey from the brightness of the little girl’s family life before war came to the devastation and darkness of being a refugee. The brightness does not return until the girl sees a classroom again, only to be pushed away and back to the darkness she lives in. This is a tangible look at the impact of war and the transformative power of community.
Have some tissues ready when you read this one for the first time. Appropriate for ages 5-7.
This is a marvelous sequel to the award-winning The War That Saved My Life. Ada has just gotten her club foot surgically repaired in the beginning of this new novel. Due to their home being destroyed, Ada and her brother along with Susan, their guardian, must move into a small cottage on the land owned by Lady and Lord Thornton. As World War II continues, they face food shortages, hard work, and then are asked to house a German refugee while Susan teaches her math. Though her foot is fixed, Ada continues to wrestle with her disability and how it factored in to her mother’s abuse. Once again horses are on the scene to help with healing, both physical and mental, as unlikely friendships and bonds are formed in a small cottage.
Bradley writes books that don’t just draw you in, they captivate you. It was so wonderful to return to Ada’s story and find out what happens to beloved characters. In this sequel, more is shown of the stern Lady Thornton and Bradley demonstrates that with more knowledge comes more understanding. Ada continues to be a dynamic character, never easy with life or her own role in it. And yet as Ada is prickly and abrupt, she is also warm and inquisitive, looking for answers and asking questions.
Bradley wrestles with dark themes in both of the novels in this series. There is the physical and mental abuse that Ada suffered at the hands of her mother. There is the ongoing war that threatens everyone’s safety. There is the loss of beloved characters due to that war. Still, she also shines hope. Hope for progress forward, for learning more, for accepting differences and for building friendships. The tension between all of this is remarkably well-handled and creates a book that is riveting to read.
A sequel that is just as good as the first, get this into the hands of fans. Appropriate for ages 9-12.
Drasko sells flowers with his father in the marketplace in Sarajevo. They sell the best roses in the entire city. But when war came, Drasko’s father leaves to fight and Drasko is alone selling flowers. He is pushed out of their usual spot to one at the edge of the market. The only good thing is that he can now hear the symphony playing. Suddenly, the market is hit by a mortar and 22 people are killed. Drasko returns to the market the next day, but all is silent and empty. Then a man with a cello enters the square and sits down to play. For 22 days, he plays, once for each person who died. Around him, the market returns and Drasko works to find a way that he too can be courageous each day.
Based on the true story of Vedran Smailovic, the cellist who played, this picture book focuses on the impact of the bombing and the bravery of the cellist on one boy. Readers will realize that Drasko is brave from his approach to his father leaving and his returning day after day to sell flowers. The power of the music and the musician though brings that bravery into the light and shows how it’s important to be visibly brave for others too.
The illustrations by Caldwell are layered and misleadingly simple. They show Drasko’s loneliness but also his discovery of a community around him that will support him. The illustrations have inset pieces with frames that shatter with the mortar shell and then return to being whole as the story progresses.
A look at war and acts of bravery and art. Appropriate for ages 6-8.
This picture book in both Spanish and English verse tells the story of José Martí. Martí spent his entire life working to end slavery in Cuba after witnessing the brutality first hand. At the time, Spain ruled Cuba and a war of independence started in 1868. Martí wrote against the Spanish government and was jailed and put to hard labor. At 17-years-old he was sent away from Cuba. He continued to fight for Cuba’s independence and settled in New York. He would travel into the Catskill Mountains to see the nature that he missed from Cuba. Martí eventually returned to Cuba and helped fight in the battles against the Spanish, dying on the battlefield before freedom was realized. His words live on: it was his words and songs that helped drive the Cubans to fight for freedom and to continue fighting.
The verse contains excerpts from Martí’s works, allowing readers to read his words directly. The verse from the author and from Martí work beautifully together, flowing into one river of words that tell the story of Cuban freedom. The afterword and author’s notes add information to the verse, giving more dates and information on the war for freedom in Cuba and on Martí’s life. This picture book biography takes a complex subject and makes it accessible for young readers, demonstrating how a young-person’s passion can ignite a nation.
The illustrations move from Cuba to New York to the Catskills, capturing scenes of daily life, lush greenery, and battles. There is a sense of energy to all of the illustrations, that matches that of the verse as it speaks to the drive that Martí had to speak out for Cuba’s independence.
A great picture book biography that adroitly pairs English and Spanish on the page. Appropriate for ages 7-9.