Goldilocks and the Three Dinosaurs by Mo Willems
Willems never seems to miss with his books and this one is a real treat. Think of chocolate-stuffed little girl bonbons sort of treat! Here the story of Goldilocks and the Three Bears is changed so that you have three dinosaurs instead. But there’s another really big difference, the three dinosaurs are most certainly NOT setting a trap for Goldilocks. And those three huge bowls of chocolate pudding are just a coincidence, as well as the open front door. The ladder to help her reach the pudding is not part of the trap either. All of those noises in the woods are also not dinosaurs arguing about when to pounce, they are the wind. Even Goldilocks, who never notices anything, starts to realize that something odd is going on in her story, but not before the trap is sprung!
The tone of this book is really what makes it work so very well. It’s the narrator explaining what is happening by using a sarcastic tone and explaining what is not happening. Thanks to the tone, children will immediately understand that something is afoot, though the book is insisting that nothing at all is wrong. It’s a delight to read aloud, because as always Willem’s books have the perfect pacing for sharing.
The illustrations are classic Willems as well. Pigeon and Piggie would be right at home in these pages too. The illustrations too have small touches. Make sure you read the welcome mats and the end pages.
Another fantastic read from Mo Willems. Add this to your dinosaur story times or units on twisted fairy tales. Appropriate for ages 4-6.
Reviewed from copy received from Balzer + Bray.
The Wild Book by Margarita Engle
Told in poems, this is the story of Engle’s maternal grandmother and her struggle with dyslexia. Known as Fefa, her grandmother was diagnosed with “word blindness” and told she would never read or write. Luckily, Fefa’s mother has an idea. She gives her daughter a blank book to fill with words, as if she is scattering wildflower seeds on the ground. At first Fefa’s words are hesitant and stilted, like seedlings. But steadily her writing and reading improve as she learns to take her time and gains confidence. And that reading is what saves her and her siblings from being kidnapped in the chaos following Cuba’s fight for independence.
Engle writes a gripping series of poems that range from celebrating the written word to the difficulties of dyslexia to the triumph of overcoming. Over the entire book the threat of violence and kidnappings hangs low and dark. It is clear that this is not a modern story from the very beginning and Engle cleverly reveals the extent of the chaos the family is living in the midst of through Fefa herself and her own growing knowledge.
As always, Engle’s verse is exceptional. Often her individual poems could be read one their own. Yet it is as one complete story that they really show their beauty. There are many exceptional stanzas to share, but one of my favorites comes early in the novel:
My little brothers love
to frighten me
by hiding lizards,
bugs, and spiders
in my bloomers.
Today it’s a frog,
but they tell me it’s a snake,
so I scream and tremble
until I can clearly see
that the little creature
like jittery letters
on a blinding
The skin of a frog
feels just as slippery
and tricky as a wild
Engle traces the love of words and poetry Fefa’s own mother, who shares poems with her family. It’s a beautiful celebration of that history and those words.
This novel in verse is a powerful look at Cuba’s history and also at dyslexia and overcoming challenges. Appropriate for ages 9-12.
Reviewed from library copy.