A Ride to Remember by Sharon Langley and Amy Nathan, illustrated by Floyd Cooper (9781419736858)
Back in the 1960’s, African-Americans were not allowed to enter the Gwynn Oak Amusement Park in Baltimore. They were not allowed to sit on the grass, share treats or ride on the carousel. As the world around them began to change and become less segregated, Gwynn Oak continued its policies. They became the center of protests where hundreds were arrested. A mother and child who were African American and light skinned covertly entered the park and were allowed to enjoy themselves for hours. They shared their story with the press. As the pressure built, the park’s owners agreed to allow everyone into the park and to drop any charges from the protests. The first day the park was open was August 28, 1963. That day, a little girl named Sharon Langley, was the first African-American to ride the carousel with her father holding onto her. A photo of the ride made the papers as did the other major news story of the day, when Martin Luther King, Jr. made his iconic “I Have a Dream” speech. The carousel was moved to Washington, D. C. where Sharon took a ride on the fiftieth anniversary of her first ride in Baltimore.
The authors make a point of framing the tumultuous 1960’s for young readers. They have a child ask questions about why African-Americans were not allowed to enter the park. This is such an important moment in the book, giving modern children a lens into the inherent societal racism of the time, racism that is not erased in our modern society either, of course. They then turn to the protests about the park, showing the bravery of the people who protested, who went to jail, and who insisted on staying overnight to make a point. The body of the book does a great job offering historical perspective as well as details about the protests and efforts to desegregate the park. More information is also shared in the final pages, including more details of the events in the book, a bibliography and a timeline.
Cooper’s art is done with a lush softness to the lines. He used oil erasure on illustration board to capture an almost sepia-toned historical feel. The faces he shows of the people involved are tremendously moving, showing that this was about people insisting on change.
In a single story, children will deeply understand what the civil rights struggle was about. Appropriate for ages 5-9.
Reviewed from copy provided by Abrams.