In this companion book to One Last Word, Grimes explores the legacy of Black women writers from the Harlem Renaissance. Grimes has selected poems from these little-known female poets that speak to themes of heritage, nature and activism. Each of the poems in this collection is accompanied by a poem from Grimes that uses the “Golden Shovel” technique of taking a line from the Harlem Renaissance poem and using that line as the last words in each line of Grimes’ poems. In addition, each pair of poems is also matched with a work of art from female Black illustrators, creating an exciting and energizing grouping with every turn of the page.
Once again Grimes amazes with a poetry collection. Grimes has an astute eye for selecting poems for her collections that young readers will enjoy, understand and connect with. When she then creates her magic of using those poems as inspiration for her own, she demonstrates such poetic skill in both the poem construction but also in managing to pay tribute to what the poem is about and translate that into modern day poems for young readers.
Reading this collection is like finding one treasure after another. New poets are discovered. The art is beautiful, clearly inspired by the pair of poems that it is matched with. This collections serves to show Black poets and artists speaking in their own rich voices, offering a look at the women who paved the way for today.
Another astounding collection from Grimes that belongs in every library serving children. Appropriate for ages 9-12.
Offer even the smallest children a look at Black history in the United States with this alphabet book. Told in rhyming stanzas, this picture book invites exploration beyond its covers. It begins with A is for anthem, a call for voices to rise in song and to call for freedom. B is for beautiful, with that and other letters, the book speaks to the importance of not listening to voices that put you down. B is also for bright, bold, brave, brotherhood and believing. That use of multiple words continues through the book, offering a feeling that there is so much to say with each letter, so much to do, so much left to accomplish together.
This alphabet book is several things at once. It’s a call to action for people of all ages to vote, to protest, to be heard. It is also a look at history, so there are letters that focus on artists, writers, teachers, scientists, and more. It is also a statement for self-esteem for Black children, to see themselves as valued, beautiful and able to bring change. It’s a book about how much has been accomplished, but also how much is yet to be done. The end of the book is filled with additional information on the people depicted under each letter as well as resources for further exploration.
The art is filled with bright colors. The images are flat, hearkening back to folk art even as it looks forward to the future and change happening. The art is filled with Black people, unknown and famous, full of urban setting and farms, protest signs and portaits.
A colorful and optimistic look at Black history and a call for Black lives to matter in the future. Appropriate for ages 3-7.
Reviewed from e-galley provided by Workman Publishing
This novel offers first-person monologues from three generations of a Black family from Mississippi. They are a sharecropper family, caught in the aftermath of slavery and the cycle of poverty that resulted. Starting in 1927, Loretta tells the story of growing up picking cotton on land her family did not own. Her loving father died from exposure to the pesticides they sprayed in the fields. He gave her sapphire socks made with his own hands and she placed her other most valuable possession inside them, a marble that glowed like the sun. Loretta found Roly left outside as an infant. He grew into a boy who had a way with plants and animals. When the family got their own plot of land, they were attacked at night by someone who brutalized their animals, killing most of them, and poisoned their land. Roly slept out in the fields, hoping to draw the poison out and return the land to fertility. Then he caught the eye of Tess, a girl who he eventually married and had a daughter with. Aggie was that daughter, a girl who would not back down, much as her father would not make a hasty decision. Aggie fought for the right to vote even when she was not old enough to. She and Loretta worked together to pass the racist voting test and then to pay the toll tax. Beaten by police, Aggie finds comfort in the sapphire socks and the glow of the marble passed down to her. Just like the others in her family, she never stopped and never gave up.
Told in three distinct voices that speak directly to the reader, this novel takes a direct look at the systemic racism that has created such privilege for some and injustice for others. The use of monologues is brilliant, as the voices come through to the reader with real clarity, each speaking from their personal experience and from history. There is a sense of theater to the entire novel, helped by the introduction to each chapter that give stage directions and offers a visualization of how this would appear on stage. Often these are haunting images, transformative and full of magical realism.
The three characters are marvelously individual, each with their own approach to life, each facing daunting challenges and each ready to take those on, though in their own way. It is telling that as each new generation entered to become the new main narrator, I felt a sense of loss as the other moved off stage, since each was such a compelling character and each had more to share. I was pleased to see they stayed as part of one another’s stories all the way to the end of the novel.
Incredible writing, important civil right history, and a brilliant cast of characters make this novel glow. Appropriate for ages 9-12.
At age six, Ruby Bridges was the first Black child to attend an all-white elementary school in New Orleans. She had to be escorted to school by federal marshals, leading to iconic photographs of her small size and the screaming, threatening crowds. In this book for children, Bridges tells the story of her harrowing time attending school, how she was taught in a classroom all by herself with a teacher who made her feel safe and loved, and how it felt to be that little girl. Filled with historical photographs, the book shows and explains the battle for desegregation across the country and also the modern fights for equity, inclusion and antiracism.
This is one of those books that gives chills. It is a profoundly moving read as Bridges shares photos that demonstrate the intensity of the battle, the danger she was in, and the bravery that it took her and her family to take such a public stand for change. As Bridges moves into talking about modern youth and their battles, she maintains the same tone, challenging all of us to join us in the fight for civil rights and social justice.
The photographs and the iconic Norman Rockwell picture add a deep resonance to this book, taking Bridges’ beautifully written words and elevating them. The photo selection is done for the most impact, at times mixing modern and historical photographs together to show how little has changed but also how important the fight is.
One of the most important books of the year, this brings history and future together in one cry for justice. Appropriate for ages 9-12.
Reviewed from e-galley provided by Random House Children’s Books.
Told in a similar format to her signature song R-E-S-P-E-C-T, each double-page spread explores another important word in Franklin’s life. The book begins with her family’s move to Detroit and Aretha being raised in the middle of gospel and church. She is incredibly gifted musically, cutting her first gospel record at age 14. She becomes an R&B superstar, rising to the tops of the charts. She supports the civil rights movement with her voice, offering free concerts. She is there to sing President Obama into office. The book ends with plenty of RESPECT for all she has accomplished.
Weatherford’s clever use of single words, spelled out like the song, really forms a strong structure for this picture book. She keeps the book tightly focused and her words to a minimum, allowing the pace of Franklin’s own life and fame to propel the book forward.
The illustrations are gorgeous, the paintings singing with pinks and golds. Morrison uses interesting perspectives in his images, allowing Aretha to be the center of each, showing her changing style and the beauty of her powerful voice.
A fitting tribute for a queen. Appropriate for ages 5-7.
Reviewed from e-galley provided by Atheneum Books for Young Readers.
Maya has started noticing strange things happening at school and around her South Side Chicago neighborhood. Cracks appear, black lightning forms, and time freezes for others near her. Her best friends try to help her figure out what is happening: one thinks it might be paranormal and ghosts which he loves, and the other believes that it can be explained by science. Maya’s father travels regularly for work, but when she follows him he doesn’t seem to be heading for the airport, instead vanishing right in front of her as if he was swallowed by the shadows. Soon Maya discovers the truth, that her father is a god-like orisha who protects the veil between their world and the Dark. That makes Maya (and her two best friends) half-orisha or godlings. When her father doesn’t return from the Dark, Maya and her friends use their budding powers to enter the Dark themselves and rescue him. But things are not that simple as the human world itself is threatened by the Lord of Shadows.
Barron blends modern American Midwestern life with African legends into one amazing world where gods walk among humans, veils obscure parallel worlds, and dangers emerge from darkness. The Chicago neighborhood is full of gods and godlings, all black and brown characters who create a real community. The world building offers explanations of the various legendary creatures that the characters encounter, woven nicely into the narrative.
Maya and her friends are a great team, offering a mix of beliefs in paranormal, African magic, and science. The three of them also always have each other’s backs, using their powers to help, their intelligence to solve the puzzles they face, and their care for one another and their community as a foundation.
A great middle-grade fantasy with African origins and strong characters. Appropriate for ages 9-12.
Reviewed from e-galley provided by HMH Books for Young Readers.
A little girl tells her mother that she won’t be going back to school because no one could say her name, not even her teacher. So her mother explains that names are actually songs, and offers various examples, each accompanied by phonetic help in pronouncing them. The little girl goes on to explain the bullying behavior of some of the other students, pretending to choke on her name. Her mother explains that some names are not pronounced in the throat, but in the heart. Some of the children at school were scared of her name too, but her mother explains that certain names contain fire because they are so strong. What about the children who said her name was made up? Names come from dreamers who create new names when old ones were stolen, explains her mother. The next day, the little girl heads back to school, ready to sing her name for her teacher and class.
This picture book is completely inspiring, both for children with unique or unusual names but also for teachers and classmates to help lead everyone to inclusion of diversity in their classrooms. I love the help in pronouncing the rainbow of names shared in the story, particularly when that same pronunciation help extends to names that are not unusual such as Benjamin, Olivia and Ms. Anderson. It’s a clever way to show that we all have interesting names and we have learned to pronounce them all.
The illustrations show a diverse class of children in an urban setting as the little girl and her mother walk home together. As her confidence in her name grows, the world around becomes filled with colors, streaks of pinks and golds, clouds of pastel. These same bursts of cloud and fire return when she goes to school, declaring her griot-inspired name for everyone: Kora-Jalimuso.
A book that shows how powerful inclusion is, simply by saying someone’s name with care and conviction. Appropriate for ages 3-5.
Reviewed from e-galley provided by Innovation Press.
Marva gets how important voting is and how voting has been impacted by racism for decades, so she is up early to make sure she votes before school starts. Duke is up early too, keeping focused on his band’s first paying gig that night and getting his voting done too. But when Duke gets to his polling place, he can’t vote since he isn’t registered there. Marva sees this happen and the two of them go to the voting precinct that Duke should be registered at. But nothing is simple in voting or dating as their lives collide with Marva angry at her white boyfriend for deciding not to vote in the election, Marva’s celebrity cat going missing, and Duke coping with the memories of his dead brother that being with Marva brings up. Still, the two of them are a great team, traveling the city, discovering voter suppression firsthand, and still managing a touch of romance along the way.
Colbert has written a marvelous romantic political novel here. She demonstrates clearly for teen readers that voter suppression in the black community is still active and can impact them as voters at any time. From long lines to closed polls to running out of ballots, each incident underlines how civil rights are being infringed. Wisely Colbert allows that to be significant in the story line but also fills in with an engaging new romance between two people who may approach politics differently but deeply believe in the same things.
The two main characters are completely delightful. Marva is driven and full of passion for fighting back, voting and activism. Duke has lost a brother to gun violence, a brother who was a community activist. Wonderfully, Duke is not dismissive of Marva’s passion, instead he marvels at it, showing his own dedication to voting and also to his music as the day continues. The pair together are magic with their snappy conversation, teasing and humor.
Political and romantic, this book is also a clarion call to vote and get involved. Appropriate for ages 15-19.
Reviewed from e-galley provided by Disney-Hyperion.