This picture book retells the story of Snow White and the poisoned apple. This version focuses very cleverly on the witch herself. It tells of the hard work she put into creating just one poisoned apple and no more. The witch gets the apple directly into Snow White’s basket, but then her plans go awry as the apple is passed to the dwarves as part of their lunch. Luckily, none of them take a bite, instead sharing the apple with some hungry forest animals, who in turn share it with a squirrel looking for food for her babies. As the squirrel climbs high into the tree, the witch follows, desperate to get the apple back and give it to Snow White. But her plans continue to fail her as the branch snaps from beneath her weight.
Lambelet has very nicely twisted and fractured this retelling of the classic Snow White story. The book will work best for children who know the classic version, as this one quickly moves away from that tale and into a riff of its own. Snow White and the dwarves make appearances, but are not the main focus of the story. The witch herself stays at the center, conniving and evil, making this just right for a witchy Halloween read.
The art is marvelous, full of fine lined details that come together to form dramatic moments that fill the page. From the creation of the poisoned apple itself to the witch’s fall from the tree, these moments are elongated by the art and the format to great effect.
This witch-focused retelling of Snow White is creepy, dark and satisfying. Appropriate for ages 5-7.
Tiến loves to spend the evening together with his mother reading from a book of fairy tales. He reads while his mother continues her work as a seamstress, sometimes fixing Tiến’s clothing too. They don’t have much money, so Tiến’s jacket is full of patches. Happily, his friends don’t mind, not even the boy who Tiến has a crush on. As they share the tales, Tiến is searching for a way to share with his parents that he is gay, but they don’t speak English well, and he can’t find the right word in Vietnamese. When his grandmother dies in Vietnam, his mother leaves to prepare her funeral. Tiến is left behind to navigate his first school dance, where his teacher becomes concerned and he is sent for church counseling. What will his mother say when she finds out?
It is remarkable that this is a debut graphic novel. It is done with such finesse, weaving the fairy tales and the modern world together into a place full of possibility and transformation. The stories shared include versions of Cinderella and The Little Mermaid, versions that grow and change themselves with endings that will surprise those who know the better-known stories. In this way, the author creates real hope on the page, that things will change, that love will prevail and that understanding will flourish, both through tales and in real life.
The art here is unique and exquisitely done. Using color to tell readers whether they are seeing the real world in the present, a flashback or a fairy tale, the effect is both dramatic and clarifies the borders between the various stories. The fine-line work here is beautiful, from each hair on the character’s heads to gorgeous dresses that swirl across the pages to dramatic landscapes and undersea worlds.
A great graphic novel that is about diversity, acceptance and the power of stories to bring us together. Appropriate for ages 9-12.
Reviewed from e-galley provided by Random House Graphic.
A little girl takes a coach ride with Hans Christian Andersen. As they head to Copenhagen, the author answers her questions and then tells her a fairy tale. It’s the story of a boy who learned to fly, the story of his own life. Born on a Danish island, Hans’ father was a cobbler who mended shoes. In the evening though, he would read to Hans from a big book of fairy tales. He also built Hans a puppet theater and performed shows for his son. Then Hans’ father was sent to war and returned tired and sick. He died when Hans was eleven. As Hans grew up, he was inspired to try to join the theater as an actor but his voice broke at age fifteen and he had to find a different way. Hans truly loved writing and was sent to school tuition free. Now Hans was on his way, a boy who grew up to be famous by sharing parts of himself in his fairy tales.
First published in Switzerland, this translated version is a rich look at a famous author who has captivated children for generations. Framing his life with questions from a small child is a clever device to allow the character to answer questions about his life and his stories. Allowing Andersen to tell his own life story as a fairy tale is also a believable format that invites readers to really get immersed in the life of this amazing figure in literature.
The illustrations by Kastelic are dreamy watercolors that move from realistic colors on the carriage ride to sepia tones as Andersen tells his personal story. They really burst from the page though when Andersen talks of his fairy tales, becoming rich and vibrant, the colors fantastical and wild. These changes beautifully show just as the story does, the power of story.
A superb picture book biography. Appropriate for ages 4-6.
This modern twist on Humpty Dumpty is a dark and yet hopeful version. Humpty Dumpty is just one of many fairy tale creatures who works for hours for the King under fluorescent lights. They all work and live in the dark shadow of the wall, in a world where they have been forbidden to dream. But Humpty Dumpty has a dream, a dream of seeing over the wall. He had many ideas and decided to build himself a very tall ladder. He finished the ladder, brought it to the wall, and climbed up, up, up to the very top. But the next morning, all that was left were shattered pieces of egg shell and a broken ladder. The wall and the King had won, or had they?
The rhyming text of this book is so cleverly done. It plays with the convention of rhymes in fairy tales and nursery rhymes, yet it never has a jaunty tune here, playing out more like a funeral dirge. The modern touches of fluorescent lights and TV blend into the fairy tale world that Hughes has created. This is a story that mixes our national issues with political walls along with a capitalistic monarchy to great result, a mix of sorrow and hope that is so powerful.
Christopher’s illustrations are simply incredible. Done in pen and ink with no color, they are filled with fine lines and details. It is those details that create an entire dark world for Humpty Dumpty and the others. Walls are built with skulls, thorns fill the borders, roots tangle the floors. The pages are populated by all sorts of fairy tale creatures, some with specific names like Chicken Little and the Mad Hatter and others who are more general like gnomes, fairies, and giants. These are pages to lose yourself in, looking at the details, seeing new things each time.
Incredible, political and edgy, this picture book is for slightly older children who will enjoy the details and the tone. Appropriate for ages 6-9.
Reviewed from e-galley provided by Penguin Workshop.
A very naive king and queen tell their fairy godmother that they want to start a family. They’d like a child that they can place either on the hearth next to a vase or out in the garden by the roses. They say that a boy would be great, but “any kid will do.” So at the next full moon, they open their castle door to discover a baby goat on their doorstep. They reluctantly bring the goat into their perfectly designed home where it immediately starts eating things, butting statues, and even pooping on the floor. When they remove the goat to the garden though, they eventually rush out on a rainy night to rescue it and bring it back home. They think it is only for one night, but soon the goat has lived with them for months. When the fairy godmother returns though, she is surprised about the goat and realizes that a mistake has been made! When the human child is discovered living with a goat family, she abruptly moves the children back to their biological parents. However, families aren’t quite that simple.
This fractured fairytale sets up the scene very quickly and the entire story moves at a wonderful pace. The text is simple and carries the story well, offering just enough detail to create plenty of humor. The chaos of a goat in their perfect lives is just right, eating everything in sight and destroying plenty of the rest. It’s a great metaphor for any new child entering a home and the destruction of the ideal plans that have been made. The resolution of the confusion of the child and kid is very satisfying and will have readers cheering along.
The illustrations by Barclay are wonderfully detailed and rich. He uses a nice mix of simple scenes and then more elaborate ones with some images having elaborate borders and others showing the splendor of the castle. The mix is very successful, always paying attention to leaving enough white space for the eye.
Let’s not kid around, this is a great picture book. Appropriate for ages 3-5.
Reviewed from e-galley provided by Knopf Books for Young Readers.
This fractured fairy tale mixes the story of the Three Little Pigs together with Little Red Riding Hood into one wild caper. When the wolf is unable to blow down the house of bricks, the pig finds the wolf’s next plot: to gobble down Little Red Riding Hood’s grandmother! So pig sets off to save her. But first, he must gather supplies. He shops for a superhero cape, but all they have is a shawl. He puts that on and tries to find binoculars, but all they have are red eyeglasses on a chain. He wears those with the shawl and finds a lack of rope, which he substitutes yarn for. So when he heads into the woods to save Granny, he looks rather like a grandmother himself!
Woollard has managed to create a rhyming picture book that avoids being too sing-songy or stilted. Instead she merrily plays with rhymes both internal and at the ends of lines, creating a jaunty feel that reads aloud beautifully. Her fractured tale is filled with plenty of action and readers will realize that pig is starting to look like a grandmother long before he does in the book. That adds to the merriment factor immensely. Add in the anything-but-frail Granny and this book is a lot of fun.
Lenton’s illustrations are bright and bold. Filled with touches like the pig-shaped vehicle that pig drives, the three bears selling items in three different sizes, and even a store called “Rope-unzel’s.” This is a world filled with other stories that are hinted at in the illustrations and are entirely delightful.
A fun fractured fairy tale with one big bad wolf, who is sure to lose. Appropriate for ages 3-6.
Reviewed from e-galley provided by Henry Holt & Co.
This is the third book by this author and illustrator pair that looks at worldwide stories and myths focused around a single type of story. In this picture book, they look at the prevalence of underdogs and fearlessness in the face of danger from around the world. Fleischman takes elements from stories from around the world and weaves them together into a multi-stranded story that pays homage to the differences in the tales while at the same time noting their similarities. Stories are pulled from Denmark, Italy, Ethiopia, Japan, Russia, Mongolia, Indonesia, England and several other countries. Together they tell the story of a young person who stands up to power and greed, often proving his own family wrong along the way. These are stories that will make you cheer for the child and their worth.
A master storyteller, Fleischman manages to create a singular story here while never taking away the signature pieces from each of the countries. Some pages have multiple threads that appear together on the page, noting the differences. Other pages carry the story forward, offering unique elements from that country’s version of the story. Along the way, there are ogres, kings, monsters, horses, bulls, jewels and harps. Still, the entire story works as a whole as well, creating a riveting tale of ingenuity.
Paschkis has created enthralling illustrations that tell each thread of the story in turn. The illustrations are framed by images that represent the country the story comes from. The Chilean pages has boars and guinea pigs. The Greek page is done in the signature blue and white with fish. At times, the images flow together just as the stories do to create a unique whole that still works as separate images.
Cleverly written and designed, this is one for every library. Appropriate for ages 4-7.
When a little girl wanders too far from her mother while they are picking berries, she finds herself lost in the woods. Unable to figure out how to return home, she starts to panic. Suddenly, a large gray wolf appears and using his nose, figures how where she comes from. But night is falling, so the wolf asks the girl a series of questions that demonstrate how much she really knows. He encourages her to take a deep breath, close her eyes, and then look. When the girl does this, she realizes that she can see berries that are safe to eat and water that is safe to drink. She eats and drinks, then the wolf encourages her to breathe deeply again. Now she recognizes the stand of trees nearby and finds her way back to her mother who explains that she has heard of wolves that help lost children. The little girl later leaves a gift of thanks for the wolf’s aid.
This book is a complete re-imagining of the Little Red Riding Hood story into one with a First Nation spin. Vermette is a Metis writer from Treaty One territory in Winnipeg. She has entirely turned Little Red Riding Hood into a story of the strength of a little girl who only needs help to figure out that she had the ability all along. The quiet and encouraging wolf is such a shift from European stories, energizing the entire picture book with his presence.
Flett’s illustrations keep the little girl in red, clearly tying this new story to its origins. The wolf is almost as large as the girl, making his threatening presence strong when he first appears but also offering a real sense of strength as he is better understood as the tale unfolds. The art is filled with strong shapes and rich colors.
An entirely new telling of Little Red Riding Hood, this is one to share when learning about independence and mindfulness. Appropriate for ages 3-5.
Prince Rhen has been cursed along with his entire kingdom into repeating the same season over and over again until a girl falls in love with him. At the end of each season, he fails and turns into a monster who slays his own people. Now he is left with a single guardsman, Grey, who has pledged to stay at his side. Each season, Grey transports himself to Washington, D.C. and steals a girl to try to break the curse. Then one year, he steals Harper, a girl who was not his chosen one but instead one who tried to attack Grey and save the girl he was attempting to kidnap. Harper may not have been Grey’s choice, but now she is the only chance they have at breaking the curse since the sorceress who placed the curse has declared this the final season. As Harper steps into the role of princess, she refuses to conform to expectations. She is intent on making a difference to the suffering people of the kingdom even if they underestimate her due to her cerebral palsy. But will it be enough to end the curse? Will love come?
I approach every retelling of a fairy tale with trepidation. There are few that can really transform the tale into something new and fresh. Kemmerer does exactly that with her retelling of Beauty and the Beast. She creates two amazing male characters, each compelling in their own way and with their own special bond with one another too. She adds one of the nastiest sorceresses around, Lilith, who is willing to provide endless pain to Rhen, Grey and anyone else she can. Kemmerer then laces this story with the psychology of reliving the same year again and again, with immense failure, slaughter, remorse and despair. The result is a dark rather than dreamy story, filled with pain, blood, battles and strategy.
Harper is an incredible heroine. Her having cerebral palsy is interwoven into the story, not as an aside but as a part of her life experience that gives her context for helping others and seeing beyond the surface to their potential. She is honest and forthright, and yet willing to use subterfuge and lies to make a positive difference for those she cares about. She is entirely complicated and every inch a princess and heroine.
A great retelling of Beauty and the Beast, this book stands on its own merits. Appropriate for ages 14-17.