The author of The Story That Cannot Be Told returns with her second book for middle-grade readers. Essie is scared of a lot of things, so many things that she keeps a list of the things that scare her like cats, electric lights, closets, darkness, and doors. Her mother has remarried after the death of Essie’s father and the two move from where they live in poverty in the Bronx to North Brother Island where Essie’s new stepfather runs a hospital for those with incurable contagious diseases. Of course, Essie is also terrified of disease, and is particularly worried when she learns that Typhoid Mary is a resident of the island. Once on the island, Essie starts to see a girl her age and have nightmares about the red door that leads to the attic, which is just like the one that she has seen in her dreams for years. Essie must follow the clues to see if her new stepfather is conducting horrible experiments on his patients and who the girl is, a process that will force Essie to face all of her fears.
This historical novel for middle-grade readers is a fascinating look at contagious diseases in the past. It is given particular weight given the Covid pandemic, adding to the tension and fears of the book. The setting of North Brother Island plays a large part in the story, giving it a gothic loneliness, foreboding mists, and a marvelous creepiness both due to its landscape and to its purpose as a quarantine hospital.
Essie is a character who changes and grows as the book progresses. At first entirely paralyzed by irrational fears, she slowly reveals the grief and reasons behind her frights. Her willingness to face a ghost along the way, plays against her fearfulness and shows exactly who she is without her shame and grief clouding her world. It’s a complex rendering of a character that is immensely satisfying as she untangles the mystery she finds herself in.
A creepy and ghost-filled read that also offers historical context of our current pandemic. Appropriate for ages 9-12.
Reviewed from copy provided by Atheneum Books for Young Readers.
When Ophie’s father is killed in a racist attack on their home in Georgia, Ophie discovers that she can see and communicate with ghosts. Her father’s ghost encourages her to flee with her mother. They make their way to Pittsburgh to stay with relatives. Ophie’s mother finds them both jobs with a wealthy family in their old manor that happens to be filled with ghosts and secrets. In post World War I America, work is hard to find and they can’t afford for Ophie to continue to attend school. As Ophie learns the tasks to be a maid for the elderly woman who owns the house, she realizes how dull her future looks, caught in endless domestic work. Ophie must also learn the tricks of dealing with all of the ghosts who surround her both at work and outside. Some are far more demanding than others. One spirit in the house though is friendly to Ophie, teaching her the small elements of being a maid that will make Ophie’s life easier. But even that spirit has secrets, ones that may not stay hidden once she has a voice.
The author of Dread Nation has turned to middle-grade novels with historical fiction that wrestles with racism and prejudice while offering an enticing mystery to unravel. The fantasy elements of the ghosts around Ophie add to the mystery and effectively isolate Ophie from those around her as she figures out how to handle both ghosts and her wealthy employers. Ireland doesn’t shy away from the blatant racism of the time, but also effectively demonstrates how those same racist forces are in our modern world.
Ophie is such a great protagonist. She is dynamic and smart, hurting from the loss of her father and trying to help her mother find a way forward for them both. As she has to stop going to school, she finds ways to keep learning, including romance magazines that she finds around the big manor. Ireland cleverly ties all of the elements of the book together with her reveal at the end, keeping Ophie and her powers fully central.
A marvelous mystery full of fantasy elements and Black history. Appropriate for ages 9-12.
Nima has always wished that she was different somehow. Part of it is the loss of her father before she was born. Part of it is that she doesn’t feel like she fits into her suburban home in America. Part of it is that she isn’t connected enough to her Sudanese heritage. Haitham, a boy who lives nearby, is her only friend and when he is injured after they argue, Nima finds herself adrift and spending days without talking to anyone. She dreams about a fantasy life where her father wasn’t killed, she has a large extended family, and her mother is not overworked and exhausted. Soon those dreams lead to her taking risks, inviting a hungry spirit into her life, one who looks a lot like her and can show her the life of her dreams. But what is the cost of these dreams?
Told in exceptional poetry, this verse novel for teens is a deep look at racism, Islamophobia, and being part of a large diaspora. Elhillo’s poetry is some of the best I have read in a YA verse novel. She captures the dark emotions of loneliness, hate crimes, and lack of self-esteem with such clarity and empathy. Her poetry shows the importance of family, whether it is imagined or real. It shows the dangers of wanting to escape your life and of the potential of losing it all along the way.
Nima is the sort of protagonist that readers will want to shake and comfort. She is incredibly lonely, spending her evenings isolated and her days silent. Her relationship with her mother is complex and well drawn, creating both tension and connection in turns. Readers will see themselves in Nima, in dreaming of alternate lives and outcomes. They will get a close look at the experience of an immigrant family that keeps secrets in order to survive.
Incredible writing combines with a gorgeous story of loneliness and risk. Appropriate for ages 15-18.
First introduced in Sir Simon: Super Scarer, this new graphic novel continues the partnership of Simon and Chester. Chester is bored, there’s nothing to do and Simon refuses to play clowns with him. But when Chester is digging in the items in the attic, he discovers a hat that is just right for being a detective. Simon, the ghost, wants to be the lead and Chester happily acts as his assistant. They set up their detective agency in the attic, complete with the right sort of lighting. Now all they need is a mystery to solve. They search for one, and then hear a strange “snork” noise coming from the kitchen. They discover a pug dog there, and now must solve the mystery of who owns him. There are lots of false leads, some fake legs, and dreams of a rich reward before the mystery is ultimately solved.
Full of lots of humor, this graphic novel is ideal for new readers who will love the format and the engaging storyline. The two characters are marvelous together, each happily playing along as the other takes their ideas in a new direction. The results are a hilarious book with a good mystery at its center but lots of silliness along the way. The writing is strong and the two characters are great fun to spend time with.
The art in the book is immensely inviting. It is richly modern with plenty of humorous visual jokes. I particularly guffawed when Simon tries to have fake legs and then doesn’t quite understand how to use them successfully. The question of whether the pug is a real dog is also a hoot as is their searching the kitchen for clues. There’s so much to love visually here.
A funny mystery for new readers to solve. Appropriate for ages 5-8.
The first in the Thirteen Witches trilogy, this fantasy novel tells the story of Rosie Oaks who survived a witch attack as a newborn baby. She was left though with a mother who cannot love her and can barely care for her at all. Rosie has always known her mother to be this way, so she doesn’t expect anything else. Rosie spends her time reading books and writing her own stories until one day she decides that she is too old for them and burns her stories. That triggers the sight, allowing her to see the ghosts that live all around her. Ebb, a ghost boy, shows her the Witch Hunter’s Guide to the Universe, a book her mother hid that contains all she knew about the thirteen witches that control the world. Rosie discovers that her mother has been cursed, her memories stolen by the Memory Thief, a witch who may be the weakest but is also unstoppable. As Rosie learns more about the witches, her mother’s curse, family secrets and friendship, she realizes that she is the one who must now hunt the witch but at what cost?
Anderson has written a unique fantasy novel where witches are profoundly powerful beings, able to steal memories, stop time, and inflict curses. The world building is skillfully crafted, offering a world parallel to our own where a ladder goes to the moon, where ghosts exist and strive to head to the Beyond, and where witch hunters have magical weapons they craft themselves. Through Rosie, readers get to experience the wonder of discovering that world as well as feel the tragedy of her mother’s curse deeply too.
Anderson populates her book with characters who are fascinating and worthy of their own novels. There is Ebb, the ghost boy who has his pet ghost spider and who befriends Rosie when she needs it most. There is Germ, Rosie’s only friend, who loves Rosie and can see ghosts suddenly just like Rosie can. There is the Murderer, an angry ghost with his own tragic story who Rosie discovers holds the secret to her own survival as an infant. The Memory Thief herself is a fascinating mix of tragedy, danger and horror.
A great start to a new fantasy trilogy, this book mixes ghosts, magic and witches into something spectacularly new. Appropriate for ages 9-12.
Mila has aged out of the foster care system and has found a job teaching at a remote farm in Northern California. The farm is owned by a couple who have taken in over 40 foster children over the years as well as offering internships, like the one Mila has gotten. Mila finds herself on a beautiful farm and warmly welcomed by the owners. She only has one pupil, 9-year-old Lee, who comes from a traumatized background just as Mila does. But no one told Mila about the ghosts on the farm, about how they would fill dance across the fields and play games together at night. As Mila gets more involved with helping on the farm, learning about the flowers and crops, and helping Lee face his trauma, she finds that her own memories are threatening to overwhelm her as her past continues to haunt her.
This new book from the Printz-award winner is another dynamite read. It’s a novel with such an unusual setting, haunting and remote. It echoes with elements of Jane Eyre and Rebecca while standing completely modern and unique. It may not be classically gothic with its warm and sunny rooms, merry meals together, and companionship, but other moments are pure gothic with the sea, the cliffs, and the ghosts. It’s a tantalizing mixture of sun and shadow.
Mila is a character to fall hard for. She is clearly traumatized by what happened to her before she entered the foster care system, setting herself apart from others even as she longs to be closer to people. She is careful, conscientious, and amazingly kind, everything that her past has her thinking she is not. She is a marvel of layers that the novel reveals with gothic precision at just the right times.
Gorgeously written and filled with icy darkness and glowing warmth, this novel is a triumph. Appropriate for ages 13-17.
At first Davie doesn’t believe that Joe Quinn has a poltergeist in his home. After all, Joe has told lies before about his family. But when Davie and his best friend head over to Joe’s house to witness it themselves, they see bread and butter fly through the air, chips hit the wall, and dishes break. Davie himself lost a sister when she was very little, and he longs to know if ghosts are real because if so, she might still be there. But could it just be Joe playing a prank? Perhaps bringing the village priest in will help make things more clear and perhaps it will cloud things even more.
Almond and McKean have created several of the most inventive and incredible graphic novels in the last few years, including The Savage, Slog’s Dad, and Mouse Bird Snake Wolf. It is great to see another of their weird collaborations. This book is not about answering questions about whether ghosts exist. It’s about grief and loss, violence and families, and being willing to live with questions unanswered. It is a book that takes a short story by Almond and turns it into something visceral and pointed, a book for Halloween yes, but also for everyday darkness and wonder as well.
The illustrations by McKean are filled with sharp edges, fractured panes. They have characters who writhe on the page, almost beyond human and filled with amazing flaws. There are times of amazing green grass and sunshine, others of the sun breaking through blood-red clouds, others of filled with shadows of prison bars. The images are stunning in their stretched-out haunting nature.
A graphic novel that is not for everyone, but fans of dark corners will love what they find here. Appropriate for ages 12-15.
A little boy thinks that he sees a ghost cat out of the corner of his eye. It reminds him of the cat he used to have but the boy can never get a good look at this ghost cat. The ghost cat seems to sleep on his bed at night, curled up and purring. It plays with cat toys on the stairs. It meows outside of the boy’s door and knocks things off of shelves. But the boy is always too late to see anything more than a blur moving quickly. Then one day, the boy really sees the ghost cat clearly. He chases after it and the cat leads him to something new and very special right outside.
Atteberry tells a wonderfully gentle story here about the loss of a pet and the gap that it leaves. It is also a great ghost story with no scariness at all, just a playful cat ghost doing cat-like things all over the house. The tone is delightfully breathless and wondering, just right for a ghost story. The dashing nature of the bulk of the book slows at the end to allow readers to bask in the new discovery.
The illustrations, done digitally, are filled with warm tones that allow the ghostly form of the cat to really pop. Readers will enjoy seeing the cat fleetingly on the page, moving just away from the boy and the reader.
Comforting and understanding, this book takes ghosts and grief and turns them into something very special. Appropriate for ages 3-5.
Beth died in a car accident and now her father is the only one who can see and hear her. He is struggling with his grief, and Beth knows that the best thing for him is to get back to work as a police detective and solve a mystery. Luckily, he is sent on what should be a simple case in a small Australian town. A dead body was found in the aftermath of a fire at a foster care home. But the mystery isn’t that simple as a witness comes forward and speaks to Beth and her father. The witness, Catching, tells an unbelievable tale of almost dying in a flood, her mother sacrificing herself, and then being taken by unusual beings to be fed upon. Still, Beth and her father realize that Catching is telling the truth if they can just figure out what that is and how it ties into the mystery itself.
This #ownvoices tale shares the dark truth of residential schools for Aboriginal children in Australia and the aftermath of entire lost generations. The authors create an amazing story by mixing modern police procedural with a ghost story that vividly shows Aboriginal storytelling and beliefs. The resulting book is one unlike anything you have read before.
From Catching’s poetic and disturbing tale of losing her colors and then finding a way back using the women in her family as points of strength to Beth’s own process of helping her father and then finding a way to let go to Crow’s story of truth and revenge, this is a book that celebrates the power of Aboriginal women to find their voices on the way to getting justice. The three Aboriginal young women at the heart of the book are studies in various kinds of strength, shining on the page and not allowing their light or colors to dim.
Unusual and incredibly powerful and moving, this genre-bending novel is one of a kind. Appropriate for ages 14-18.
Reviewed from copy provided by Knopf Books for Young Readers.