Based on a true story, this picture book explores hate crimes and what a community can do to stand up for what they believe in. Isaac lived in the one house in town decorated in blue and white for Chanukah rather than red and green for Christmas. Teresa lived across the street in a house with a big Christmas tree. The two were best friends. They both loved playing in the snow, being creative, and lots of sprinkles. One night, a shadow approached Isaac’s house and threw a rock through their front window. Isaac’s family considered not lighting the menorah that night, but lit it after all. Teresa made a picture of a menorah to support them, one that glowed with white and blue light. Soon others in the neighborhood joined them, then the school and library, then more and more. Finally, 10,000 windows lit with a combination of red and green and blue and white, standing in solidarity against hate.
Inspired by events that happened in 1993 in Billings, Montana, this picture book shows how one act of hatred cannot stand before a community committed to being there for one another and standing in unity together. The book shines with hope and love, the moment of darkness at its center an important opportunity for a community to show who they really are. It’s a book of inclusion and community, an important story for our volatile times.
Zelinsky’s illustrations are filled with light and darkness. From the glowing holiday lights spilling out of homes to the darkness of the act of hatred, there is a distinct insistence not to fear the darkness but to make it one’s own. The final image of the mixture of holiday lights is profoundly moving and sets just the right tone for all of our winter holiday celebrations.
Important, beautiful and inspiring. Appropriate for ages 5-7.
Reviewed from e-galley provided by Levine Querido.
Inspired by the author’s experiences during the Holocaust, this picture book takes a child’s view of the horrors of that time. Hédi grew up in Romania. She loved her dog Bodri, and he loved her most of all. She had a best friend who lived nearby. They had all sorts of things in common, except Hédi was Jewish and her friend went to church. When Adolf Hitler shouted on the radio,Hédi’s parents assured her that he would never come there. But his soldiers did come and Hédi was forbidden to play with her Christian friend. Soon the family was told to pack their belongings. They went to the train station, followed by Bodri, who had to be left behind. Hédi’s parents disappeared in the concentration camps but Hédi and her little sister survived. She went back home and found Bodri still waiting for her.
Fried survived several Nazi labor camps, including Auschwitz and Bergen-Belsen. She lives in Sweden and continues to be an expert voice for democracy and anti-racism. This book was inspired by a question she received at one of her presentations about what happened to her dog. The book translates the larger racism and hatred of the Nazis into a personal story of the impact of the Nazis. Fried writes through a child’s eyes, a child watching her parents to gauge what is happening. Using her dog as an anchor as time passes is very moving as he continued his vigil through the seasons.
Wirsen’s art is haunting. There is an ethereal nature to it throughout the book even as the girls play in the park full of pinks and greens. The colors change to more somber as the Nazis arrive. Wirsen uses watercolors and prints to create her images. The juxtaposition of the girls after they are liberated from the camp to before they went in is both startling and heartrending.
A powerful look at the Holocaust through the eyes of a survivor and her dog. Appropriate for ages 7-9.
Reviewed from copy provided by Eerdman’s Books for Young Readers.
Long ago, when Jerusalem was still a small town, there was a bakery. The bakery specialized in challah, and made enough for the entire community. Jacob was the bakery’s delivery boy who drove the cart that was pulled by Soosie, the owners’ horse. The two traveled in the early morning along the cobblestone streets of Jerusalem, delivering challah. As each family paid, the coins dropped into the metal bank with a clink-clang. They did the same route, day after day, month after month. But then one day, Jacob was too sick to make the deliveries. Jacob was certain that Soosie, the horse, could make the deliveries all on her own. So they put a note on the cart and sent her on her way. Soosie stopped at each place, accepted the money in the bank, and walked on. Back at the bakery, they worried about whether Soosie could do it all on her own. Three hours passed, and finally Soosie was home again with an empty wagon and a bank full of coins.
Inspired by the history of Angel Bakery in Jerusalem, the author created a gentle folktale about dependability, challah and Shabbat. The author explains the details of Shabbat in her author notes, including the importance of animal rights as a part of Shabbat. Her writing pays homage to folklore capturing the same repeating elements as Jacob and Soosie make their regular rounds. She also uses plenty of sounds in her writing, emphasizing them and inviting participation.
The illustrations are light-hearted and merry. From the bustling bakery to the stable next door to the many people of Jerusalem they interact with. The entire book has the same quiet humor and good-natured belief in one another.
Paying homage to folklore and Jerusalem, this Jewish picture book is full of the warmth of bread and community. Appropriate for ages 3-5.
The winners of the 2020 National Jewish Book Awards have been announced by the Jewish Book Council. Awards are given in a variety of categories, including several which are focused on books for young readers. Here are the winners and finalists in those categories:
The Sydney Taylor Book Award is presented annually to outstanding books for children and teens that authentically portray the Jewish experience. Scroll to the bottom for the Notable Books that were not shared at the YMA announcements.
Yehuda and Bluma grew up near one another in the tiny village of Tupik. But their lives could not have been more different. Bluma was the daughter of the town baker, raised with plenty to eat and an ever-warm hearth. Yehuda spent his time figuring out where his next meal was coming from and trying to stay out of fights. The two find themselves transported to the Far Country. Yehuda is on a quest to find his father’s soul, which has been added to a demon’s collection. Bluma found herself in an endless cemetery, quickly scooped up by a female demon and her group of demon cat-women. Bluma has in her possession a very special object, the spoon that Death used to take her grandmother’s soul. Bluma found it after Death left her home. In the Far Country of the demons, there are different rules, pacts that are made and reworked, lies and truths. It is a world that shifts and changes right in front of Bluma and Yehuda who must find their own way through and back home.
So there is no way to actually summarize this book clearly at all. It is a great twisting and writhing story that the reader simply must give themselves up to and enjoy the journey. There are deaths and there is Death. There are demons who all manipulate and scheme, telling partial truths for their own gain. There are fathers who are trying to find sons and then sons trying to find fathers. There are spoons that cut and remove and libraries with endless knowledge and answers.
This book is less about the two main protagonists and more about the world they enter. Based on Jewish mythology and folklore, this world is full of jagged points, dangers and despair. But it is also basked in love, the joy of unexpected kindness, and the discovery of new old friends. It’s complicated and unique, a world that readers will likely never have visited before, and what a treat that is!
A delicious nightmare of a novel, this is one to make room for in your reading pile. Appropriate for ages 13-18.
Reviewed from e-galley provided by Knopf Books for Young Readers.
Catherine’s War by Julia Billet, illustrated by Claire Fauvel (9780062915603)
This graphic novel from France is a reworking of a novel based on the experiences of the author’s mother during World War II as a Jewish child during the Nazi occupation. Rachel lives at a children’s home in Sevres, France in 1942. Her parents are still in Paris. The children’s home allows its students the freedom to study what they are interested in. Rachel loves photography and developing and printing her own images. She begins to document her experiences of the war. Soon as the danger gets closer, Rachel changes her name to Catherine and gets a new identity. She moves from place to place, leaving friends behind, finding new ways of life with each new place she lands. She works on a farm, helps the Resistance, and along the way finds time to take pictures and find places to develop her film. She even manages to fall in love with a boy who loves photography the way she does. Still, she must leave him behind as well, as she continues to try to find a safe place in a world hunting her down.
Based on her mother’s story, this graphic novel is a dazzling mix of danger and hope. Billet does not minimize the constant danger the Jewish children found themselves in, hiding in cellars and gaining new identities, missing their families horribly. This book is not an adventure across France, but a fearful dash from one safe place to the next, each move causing more loss and anguish. Billet uses hope and the joy of photography to show that life continued despite the war, but always impacted by it.
The art is marvelous and the story works really nicely as a graphic novel which keeps the pace fast. All of the danger and the moves from place to place spiral past the reader, as new people step forward to offer Catherine a safe place to live for even a brief period of time. The journey and the devastation are one and the same, even when walking through beautiful French landscapes, there is a sense of loss and dread.
A marvelous balance of resilience, tenacity and war. Appropriate for ages 10-13.
In a warm, brightly lit home, a Seder is about to start. Outside sits a lonely kitten, looking at the festivities through the window. Guests arrive to the Seder and it begins lit by candles that glow out into the dark night where the kitten sits. The boy washes his hands, dips parsley into salt water, breaks matzo, and listens to the tale of the Israelites leaving Egypt. Outside, the kitten washes his paws, eats a wet blade of grass, drinks from a puddle, and waits. Songs are sung inside and the kitten mewls outdoors. Finally, the door is opened for the prophet Elijah to enter, bringing peace. When the boy opens the door, there is the white kitten who found a home and a name, Elijah.
Newman’s text moves back and forth between the Seder and the darkness outside, cleverly tying the two together in small moments that echo one another. The beauty and solemnity of the Seder works in harmony with the beauty of the night outside and yet contrasts against it as well with the lone kitten and the house full of people. The text is simple and graceful, completed by an Author’s Note that offers more details about Passover, Seders and Ellijah.
The illustrations are done in ink, charcoal and digital collage. They use warm yellows for the indoor Seder and blues and blacks for the night outside. Readers will glimpse the indoor scenes from the kitten’s perspective as well as the darkness outside from inside the home. That connection is maintained throughout the book.
A lovely Passover book with whiskers. Appropriate for ages 2-4.
After a long day on their farm, the small family eats dinner together and then pack their belongings. The moon rises as they say goodbye to the hens and chicks they are leaving behind. The family stops to take shelter in a cave on their journey, wishing the bats that fly around them lilah tov, good night. They say good night to the beach as they climb aboard a small boat. Lilah Tov to the stars and the clouds. Good night to the mountains they walk into and to all the animals along the way, until they arrive at their new home.
Gundersheimer based this picture book on a Hebrew lullaby and weaves in a story of a refugee family leaving their home and heading to a new one. The book is quiet and full of grace, just right for a bedtime story. It weaves together saying goodnight all along the way, embracing the silence of the night.
Naggan’s illustrations are filled with hope. The little girl experiences the entire journey as one of wonder and excitement. The worry on the adult faces though creates somber moments throughout. The illustrations capture that this is a Jewish family as they carry their menorah with them. The pages are illuminated by the light of the moon and the stars.
A graceful and powerful lullaby entwined with the story of a refugee family. Appropriate for ages 2-4.
Reviewed from e-galley provided by Nancy Paulsen Books.