Review: What Animals Really Like by Fiona Robinson

what animals really like

What Animals Really Like by Fiona Robinson

Mr. Herbert Timberteeth is happy to present his new song that he composed, “What Animals Like Most.”  He will also be conducting it, just open the red curtains and… There are groups of animals on stage who flatly deliver, “We are lions, and we like to prowl.  We are wolves, and we like to howl.  We are pigeons, and we like to coo.  We are cows and we like to…”  Turn the page to have the chaos begin as the cows change the obvious rhyme into something else entirely.  Best of all, you can tell from the animals’ faces that they are up to something.  They are the only ones on stage grinning.  The same is true of the next grouping.  Children will get the joke immediately when the first rhyme is missed. Finally, Herbert, now bedraggled, allows them to sing the new and non-rhyming version of the song.  He hates it, but the audience has a very different reaction.

Robinson has tapped into a kind of humor that children enjoy.  The unexpected happening when you think you have the structure pegged.  Children will be relaxed and ready for the rhyme to come next.  In fact, they will probably announce that first rhyme before you get the page turned.  Their reaction will be that much better if they do!  The unexpectedness of this entire book is a great treat.

The illustrations are also fun.  Keep an eye out for all of the small touches.  My favorite is where the show is lit by glowworms, and if you look closely one of them has fallen asleep and is no longer lit.  But there are many to enjoy, making this a book that can be read again and again.

This is a definite read-aloud pick for any preschool story time.  It would make a great final book that is sure to keep wiggly children interested and listening.  Appropriate for ages 3-5.

Reviewed from library copy.

Review: Mouse & Lion by Rand Burkert

mouse and lion

Mouse & Lion by Rand Burkert, illustrated by Nancy Ekholm Burkert

This classic Aesop fable is told with exceptional ease.  The story focuses more on Mouse than other versions, even giving him top billing in the title.  Mouse scampers right over Lion before he even realizes he is not a mountain.  And as the tale goes, Lion grants Mouse a reprieve from being eaten and sends him on his way.  In this story, Lion is captured in a hunter’s net and Mouse gnaws him free.  Set in Africa, this story features a four-striped African grass mouse rather than the expected little brown mouse.  Combined with the baobab trees, it all works to evoke Africa completely. 

Burkert’s text is beautifully done.  At first blush, his writing reads aloud so well that it seems simple.  But instead it is just written by a storyteller, who realizes exactly how words play and how to create a mood.  When Lion has captured Mouse, there is a gorgeous moment when Burkert leaves Mouse literally dangling:

Mouse spun slowly as he dangled.  He dangled as he spun.  He squinted into Lion’s mouth, feeling his warm breath, noting his yellowed teeth.

This is just one of many such times when the writing sings, the moment stretches, and the story is illuminated. 

Add to this skilled writing, the illustrations and you have quite the book.  The illustrations are strong at the same time they are delicate.  Done with fine lines, each hair on the animals is individual.  Mouse’s nose and whiskers seem to twitch.  Lion seems to snore.  There is life here in these illustrations, life that moves and breathes.  The illustrations are captivating.

Who would think that after last year’s Caldecott Award winner, libraries would want another version of Aesop’s fable.  They definitely should get this one with its beautiful combination of writing and illustration.  It too is a winner.  Appropriate for ages 4-6.

Reviewed from copy received from Scholastic.

Also reviewed by Cracking the Cover.